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Author: Kristen Seaman
Publisher: Cambridge University Press
ISBN: 1108490913
Category : Architecture
Languages : en
Pages : 203
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Book Description
Explores how rhetorical techniques helped to produce innovations in art of the Hellenistic courts at Pergamon and Alexandria.
Author: Kristen Seaman
Publisher: Cambridge University Press
ISBN: 1108490913
Category : Architecture
Languages : en
Pages : 203
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Book Description
Explores how rhetorical techniques helped to produce innovations in art of the Hellenistic courts at Pergamon and Alexandria.
Author: Kristen Seaman
Publisher: Cambridge University Press
ISBN: 1108851568
Category : Art
Languages : en
Pages : 203
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Book Description
Hellenistic artworks are celebrated for innovations such as narrative, characterization, and description. The most striking examples are works associated with the Hellenistic courts. Their revolutionary appearance is usually attributed to Alexander the Great's conquest of the Near East, the start of the Hellenistic kingdoms, and Greek-Eastern interactions. In Rhetoric and Innovation in Hellenistic Art, Kristen Seaman offers a new approach to Hellenistic art by investigating an internal development in Greek cultural production, notably, advances in rhetoric. Rhetorical education taught kings, artists, and courtiers how to be Greek, giving them a common intellectual and cultural background from which they approached art. Seaman explores how rhetorical techniques helped artists and their royal patrons construct Hellenism through their innovative art in the scholarly atmospheres of Pergamon and Alexandria. Drawing upon artistic, literary, and historical evidence, this interdisciplinary study will be of interest to students and scholars in art and archaeology, Classics, and ancient history.
Author: Kristen Elizabeth Seaman
Publisher:
ISBN:
Category : Art, Greek
Languages : en
Pages : 996
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Book Description
Author: Seán Hemingway
Publisher: Metropolitan Museum of Art
ISBN: 1588396584
Category : Art
Languages : en
Pages : 228
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Book Description
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Stanley E. Porter
Publisher: BRILL
ISBN: 9004502009
Category : Religion
Languages : en
Pages : 917
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Book Description
This detailed reference work provides a comprehensive and wide-ranging introduction to classical rhetoric as it was practised in the hellenistic period (330 B.C.-A.D.400). In three sections, it provides a thorough description and analysis of the standard categories of thought, terminology, and theoretical and historical developments of classical rhetoric, as well as providing useful bibliographies. The three sections of essays define the major categories of rhetoric, analyze rhetorical practice according to genre of writing, and treat individual writers in the rhetorical tradition. 27 international scholars from a wide range of backgrounds have contributed to this high-quality publication, which provides an state-of-the-art overview of the current research and will from the basis of future explorations. Students of the rhetoric of the New Testament, the hellenistic period, the classical period and the patristic era will all find this volume useful and insightful, as will those with general interests in these subjects. This publication has also been published in hardback (no longer available).
Author: T. B. L. Webster
Publisher:
ISBN:
Category : Art, Greek
Languages : en
Pages : 243
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Book Description
Author: Jeffrey Walker
Publisher: Univ of South Carolina Press
ISBN: 1611171822
Category : Language Arts & Disciplines
Languages : en
Pages : 687
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Book Description
Genuine Teachers of This Art examines the technê, or "handbook," tradition—which it controversially suggests began with Isocrates—as the central tradition in ancient rhetoric and a potential model for contemporary rhetoric. From this innovative perspective, Jeffrey Walker offers reconsiderations of rhetorical theories and schoolroom practices from early to late antiquity as the true aim of the philosophical rhetoric of Isocrates and as the distinctive expression of what Cicero called "the genuine teachers of this art." Walker makes a case for considering rhetoric not as an Aristotelian critical-theoretical discipline, but as an Isocratean pedagogical discipline in which the art of rhetoric is neither an art of producing critical theory nor even an art of producing speeches and texts, but an art of producing speakers and writers. He grounds his study in pedagogical theses mined from revealing against-the-grain readings of Cicero, Isocrates, and Dionysius of Halicarnassus. Walker also locates supporting examples from a host of other sources, including Aelius Theon, Aphthonius, the Rhetoric to Alexander, the Rhetoric to Herennius, Quintilian, Hermogenes, Hermagoras, Lucian, Libanius, Apsines, the Anonymous Seguerianus, and fragments of ancient student writing preserved in papyri. Walker's epilogue considers the relevance of the ancient technê tradition for the modern discipline of rhetoric, arguing that rhetoric is defined foremost by its pedagogical enterprise.
Author: Joshua James Thomas
Publisher: Oxford University Press
ISBN: 019284489X
Category : Art
Languages : en
Pages : 391
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Book Description
The first monograph-length study on the intersection of art, science, and the natural world in Hellenistic and Roman times. Examines a series of mosaics, wall-paintings, and papyri surviving from the period 300 BC - AD 100, setting them in their historical and cultural context.
Author: Jeremy LaBuff
Publisher: BRILL
ISBN: 9004519513
Category : History
Languages : en
Pages : 131
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Book Description
This work critiques studies of the peoples of Anatolia that overestimate the importance of regional ethnic identities and explain cultural change via Hellenization, instead highlighting local forms of belonging and non-binary views of cultural dynamics.
Author: Michael Koortbojian
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111086526
Category : Social Science
Languages : en
Pages : 368
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Book Description
This book assesses the role of relief in the representation of space in Graeco-Roman artistic practice and its study – from Winckelmann to the mid-twentieth century – when Classical art developed as a theoretical discipline. The role of relief in the history of ancient sculpture has long been acknowledged, yet the problems posed by an engagement with the representation of space have not been a subject of specific and sustained inquiry. Neither a conventional history nor a comprehensive historiography, this book traces the study of relief – of its formal character, its artistic purpose, its aesthetic significance, and its historical treatment. The contribution to scholarship is three-fold: (1) By means of a wide array of examples, the book demonstrates that the visual strategies employed to represent space during the Graeco-Roman period were a continuously evolving repertory tied to the refinement of techniques and the transformation of styles that those techniques brought into being. (2) It examines ideas now commonplace, based on scholarship now long-neglected if not completely forgotten. And (3) it reveals how competing interpretations of the representation of space in relief elaborated new approaches to the monuments and their representations.
