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Author: Edgar Bonjour
Publisher:
ISBN:
Category : Neutrality
Languages : en
Pages : 144
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Book Description
Author: Edgar Bonjour
Publisher:
ISBN:
Category : Neutrality
Languages : en
Pages : 144
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Book Description
Author: Bonjour Edgar
Publisher: Routledge
ISBN: 1351253557
Category : Political Science
Languages : en
Pages : 135
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Book Description
Up to a generation ago, the Swiss citizen lived with a feeling of security in foreign relations which we can hardly credit today. Neutrality has come to be taken so much for granted as the fundamental principle of the Federal constitution, and had been so generally recognized in Europe, that it seemed unthreatened and even inviolable. It blended with the republican and democratic ideal to form a national myth of almost religious sanctity. As the axiom of Swiss foreign policy, it had certainly suffered attack both in theory and in fact, but since such crises had always been successfully overcome, Switzerland’s faith in the inviolability of her neutrality had merely been confirmed. It was as if the country were girdled with high, protecting ramparts, behind which its people could go about their lawful occasions unmolested. It was in this period of calm in Switzerland’s foreign relations that international law assiduously sought a formula for the theory of neutrality.
Author: William Z. Slany
Publisher: DIANE Publishing
ISBN: 0788145363
Category :
Languages : en
Pages : 261
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Book Description
Author:
Publisher:
ISBN:
Category : Switzerland
Languages : en
Pages : 672
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Author:
Publisher:
ISBN:
Category : International relations
Languages : en
Pages : 276
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Book Description
Author: Samuel Moyn
Publisher: Harvard University Press
ISBN: 0674256522
Category : History
Languages : en
Pages : 346
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Book Description
Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Author:
Publisher:
ISBN:
Category : International relations
Languages : en
Pages : 604
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Author: John Mueller
Publisher:
ISBN: 9781934849170
Category :
Languages : en
Pages : 393
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Book Description
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
