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Author: Susan Lowish
Publisher: Routledge
ISBN: 1351049976
Category : Art
Languages : en
Pages : 292
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Book Description
This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term’s use through published literature in the late eighteenth, nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of "Aboriginal art" developed in the European imagination, manifested in early literature, and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement, this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art.
Author: Susan Lowish
Publisher: Routledge
ISBN: 1351049976
Category : Art
Languages : en
Pages : 292
Get Book Here
Book Description
This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term’s use through published literature in the late eighteenth, nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of "Aboriginal art" developed in the European imagination, manifested in early literature, and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement, this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art.
Author: Henry F. Skerritt
Publisher: Yale University Press
ISBN: 0300214707
Category : Art
Languages : en
Pages : 230
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Book Description
"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."
Author: Elspeth Tilley
Publisher: Brill
ISBN: 9401208700
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
The story of the vulnerable white person vanishing without trace into the harsh Australian landscape is a potent and compelling element in multiple genres of mainstream Australian culture. It has been sung in “Little Boy Lost,” brought to life on the big screen in Picnic at Hanging Rock, immortalized in Henry Lawson’s poems of lost tramps, and preserved in the history books’ tales of Leichhardt or Burke and Wills wandering in mad circles. A world-wide audience has also witnessed the many-layered and oddly strident nature of Australian disappearance symbolism in media coverage of contemporary disappearances, such as those of Azaria Chamberlain and Peter Falconio. White Vanishing offers a revealing and challenging re-examination of Australian disappearance mythology, exposing the political utility at its core. Drawing on wide-ranging examples of the white-vanishing myth, the book provides evidence that disappearance mythology encapsulates some of the most dominant and durable categories at the heart of white Australian culture, and that many of those ideas have their origin in colonial mechanisms of inequality and oppression. White Vanishing deliberately (and perhaps controversially) reminds readers that, while power is never absolute or irresistible, some narrative threads carry a particularly authoritative inheritance of ideas and power-relations through time.
Author: Annie E. Coombes
Publisher: Manchester University Press
ISBN: 9780719071683
Category : History
Languages : en
Pages : 296
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Book Description
Focusing on the long history of contact between indigenous peoples and the white colonial communities who settled in Australia, Aotearoa New Zealand, Canada and South Africa, this book investigates how histories of colonial settlement have been mythologized, narrated and embodied in public culture in the twentieth century through monuments, exhibitions and images.
Author: Bruno David
Publisher: ANU Press
ISBN: 1760461628
Category : Social Science
Languages : en
Pages : 527
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Book Description
Western Arnhem Land, in the Top End of Australia’s Northern Territory, has a rich archaeological landscape, ethnographic record and body of rock art that displays an astonishing array of imagery on shelter walls and ceilings. While the archaeology goes back to the earliest period of Aboriginal occupation of the continent, the rock art represents some of the richest, most diverse and visually most impressive regional assemblages anywhere in the world. To better understand this multi-dimensional cultural record, The Archaeology of Rock Art in Western Arnhem Land, Australia focuses on the nature and antiquity of the region’s rock art as revealed by archaeological surveys and excavations, and the application of novel analytical methods. This volume also presents new findings by which to rethink how Aboriginal peoples have socially engaged in and with places across western Arnhem Land, from the north to the south, from the plains to the spectacular rocky landscapes of the plateau. The dynamic nature of Arnhem Land rock art is explored and articulated in innovative ways that shed new light on the region’s deep time Aboriginal history.
Author: Tom Griffiths
Publisher: Black Inc.
ISBN: 1925203123
Category : History
Languages : en
Pages : 395
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Book Description
No matter how practised we are at history, it always humbles us. No matter how often we visit the past, it always surprises us. Winner of the Ernest Scott Prize and Shortlisted for the NSW Premier's Literary Award for Non-fiction 'A rare feat of imagination and generosity.' – Mark McKenna With every sentence they write, historians must walk the tightrope between discipline and imagination, empathy and evidence. In this landmark work, eminent historian and award-winning author Tom Griffiths shares his passion for the fascinating, complex craft of history – or, as he calls it, the art of time travel. In fourteen portraits, Griffiths illuminates how historians such as Inga Clendinnen, Judith Wright, Geoffrey Blainey and Henry Reynolds have approached their craft. In prose both earthy and elegant, he shows the new insights they have brought to Australian history, and in so doing reshapes our shared knowledge of this continent. The Art of Time Travel is an exhilarating book that will forever change the way you think of Australia's past. 'If the past is a foreign country, Tom Griffiths makes the perfect travelling companion. Let him be your eyes and ears on our shared history. Most of all, follow his heart.' – Clare Wright
Author: Peter Probst
Publisher: Getty Publications
ISBN: 1606068806
Category : Art
Languages : en
Pages : 274
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Book Description
An in-depth and nuanced look at the complex relationship between two dynamic fields of study. While today we are experiencing a revival of world art and the so-called global turn of art history, encounters between art historians and anthropologists remain rare. Even after a century and a half of interactions between these epistemologies, a skeptical distance prevails with respect to the disciplinary other. This volume is a timely exploration of the roots of this complex dialogue, as it emerged worldwide in the colonial and early postcolonial periods, between 1870 and 1970. Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses connections and rejections between art historians and anthropologists—often in the contested arena of “primitive art.” It examines the roles of a range of figures, including the art historian–anthropologist Aby Warburg, the modernist artist Tarsila do Amaral, the curator-impresario Leo Frobenius, and museum directors such as Alfred Barr and René d’Harnoncourt. Entering the current debates on decolonizing the past, this collection of essays prompts reflection on future relations between these two fields.
Author: Rebecca J. Conway
Publisher: Sydney University Press
ISBN: 1743327285
Category : Art
Languages : en
Pages : 320
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Book Description
“The patterns and designs were laid down on the country and in the minds of Yolŋu by the ancestral beings at the time of creation. They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are.” — Djambawa Marawili AM Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories. Featuring over 300 colour images, Djalkiri is published in conjunction with a largescale exhibition of Yolŋu art and culture at the University of Sydney’s new Chau Chak Wing Museum, opening in November 2020. Spanning almost 100 years of our shared history, these collections can expand our understanding of the past and help us to shape the future.
Author: Diana Newall
Publisher: Routledge
ISBN: 1317541162
Category : Art
Languages : en
Pages : 239
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Book Description
Now in its second edition, this volume is an accessible introduction to the history of art. Using an international range of examples, it provides the reader with a toolkit of concepts, ideas and methods relevant to understanding art history. This new edition is fully updated with colour illustrations, increased coverage of non-western art and extended discussions of contemporary art theory. It introduces key ideas, issues and debates, exploring questions such as: What is art and what is meant by art history? What approaches and methodologies are used to interpret and evaluate art? How have ideas regarding medium, gender, identity and difference informed representation? What perspectives can psychoanalysis, semiotics and social art histories bring to the study of the discipline? How are the processes of postcolonialism, decolonisation and globalisation changing approaches to art history? Complete with helpful subject summaries, a glossary, suggestions for future reading and guidance on relevant image archives, this book is an ideal starting point for anyone studying art history as well as general readers with an interest in the subject.
Author: Charles Green
Publisher: Taylor & Francis
ISBN: 1040144969
Category : Art
Languages : en
Pages : 345
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Book Description
This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art from 1962, the date of publication of a foundational book, Australian Painting 1788–1960, up to 1988, the year of the Australian Bicentennial. Across nine chapters about art, exhibitions, curators and critics, this book describes the shift from modern art to contemporary art through the successive attempts to define a place in the world for Australian art. But by 1988, Australian art looked less and less like a viable tradition inside which to interpret ‘our’ art. Instead, vast gaps appeared, since mostly male and often older White writers had limited their horizons to White Australia alone. National stories by White men, like borders, had less and less explanatory value. Underneath this, a perplexing subject remained: the absence of Aboriginal art in understanding what Australian art was during the period that established the idea of a distinctive Australian modern and then contemporary art. This book reflects on why the embrace of Aboriginal art was so late in art museums and histories of Australian art, arguing that this was because it was not part of a national story dominated by colonial, then neo-colonial dependency. It is important reading for all scholars of both global and Australian art, and for curators and artists.
