Réponse de l'académie des beaux-arts à S.E. le ministre de la maison de l'empereur et des beaux-arts PDF Download
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Author: Académie des beaux-arts (France)
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author: Académie des beaux-arts (France)
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author: Charles-Ernest Beulé
Publisher:
ISBN:
Category :
Languages : fr
Pages : 8
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Author: Beulé (M., Charles-Ernest)
Publisher:
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Category :
Languages : fr
Pages :
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Author: Charles Ernest Beulé
Publisher:
ISBN:
Category :
Languages : fr
Pages : 8
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Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
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Author: ohne Autor
Publisher: BoD – Books on Demand
ISBN: 3846048305
Category : Art
Languages : en
Pages : 1034
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Book Description
Reprint of the original, first published in 1870.
Author: Great Britain. Department of Science and Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 1044
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Book Description
Author: Christopher Curtis Mead
Publisher: University of Pennsylvania Press
ISBN: 9780271050874
Category : Architecture and society
Languages : en
Pages : 332
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Book Description
Investigates how architecture, technology, politics, and urban planning came together in French architect Victor Baltard's creation of the Central Markets of Paris. Presents a case study of the historical process that produced modern Paris between 1840 and 1870.
Author: National Art Library (Great Britain)
Publisher: New York : B. Franklin
ISBN:
Category : Art
Languages : en
Pages : 1048
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Author: Anna Brzyski
Publisher: Duke University Press
ISBN: 9780822390374
Category : Art
Languages : en
Pages : 380
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Book Description
Whether it is being studied or critiqued, the art canon is usually understood as an authoritative list of important works and artists. This collection breaks with the idea of a singular, transcendent canon. Through provocative case studies, it demonstrates that the content of any canon is both historically and culturally specific and dependent on who is responsible for the canon’s production and maintenance. The contributors explore how, where, why, and by whom canons are formed; how they function under particular circumstances; how they are maintained; and why they may undergo change. Focusing on various moments from the seventeenth century to the present, the contributors cover a broad geographic terrain, encompassing the United States, France, Germany, the Netherlands, Poland, Taiwan, and South Africa. Among the essays are examinations of the working and reworking of a canon by an influential nineteenth-century French critic, the limitations placed on what was acceptable as canonical in American textbooks produced during the Cold War, the failed attempt to define a canon of Rembrandt’s works, and the difficulties of constructing an artistic canon in parts of the globe marked by colonialism and the imposition of Eurocentric ideas of artistic value. The essays highlight the diverse factors that affect the production of art canons: market forces, aesthetic and political positions, nationalism and ingrained ideas concerning the cultural superiority of particular groups, perceptions of gender and race, artists’ efforts to negotiate their status within particular professional environments, and the dynamics of art history as an academic discipline and discourse. This volume is a call to historicize canons, acknowledging both their partisanship and its implications for the writing of art history. Contributors. Jenny Anger, Marcia Brennan, Anna Brzyski, James Cutting, Paul Duro, James Elkins, Barbara Jaffee, Robert Jensen, Jane C. Ju, Monica Kjellman-Chapin, Julie L. McGee, Terry Smith, Linda Stone-Ferrier, Despina Stratigakos
