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Author:
Publisher: CENDEAC
ISBN: 8496898881
Category : Drama
Languages : en
Pages : 410
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Book Description
Podemos pensar que la dramaturgia ocupa un espacio intermedio entre los tres factores que componen el fenómeno escénico: el teatro, la actuación y el drama. Y podríamos entonces descubrir cómo en distintas épocas y en diferentes contextos, desde cada uno de esos lugares se ha sometido a crítica y transformación a los otros. La dramaturgia se constituye como un lugar de mediación. Al definir dramaturgia de esta manera podría parecer que estamos reinventando algo muy antiguo. Y en cierto modo así es. Pero las redefiniciones tienen también la función de abrir nuevos espacios para la acción y la reflexión sin por ello prescindir de una densa red de memorias y mediaciones. En la presente obra se recogen las diferentes propuestas que en torno a la dramaturgia hicieron artistas y teóricos de las artes escénicas durante el Seminario Internacional sobre Nuevas Dramaturgias celebrado en Murcia en noviembre de 2009.
Author:
Publisher: CENDEAC
ISBN: 8496898881
Category : Drama
Languages : en
Pages : 410
Get Book Here
Book Description
Podemos pensar que la dramaturgia ocupa un espacio intermedio entre los tres factores que componen el fenómeno escénico: el teatro, la actuación y el drama. Y podríamos entonces descubrir cómo en distintas épocas y en diferentes contextos, desde cada uno de esos lugares se ha sometido a crítica y transformación a los otros. La dramaturgia se constituye como un lugar de mediación. Al definir dramaturgia de esta manera podría parecer que estamos reinventando algo muy antiguo. Y en cierto modo así es. Pero las redefiniciones tienen también la función de abrir nuevos espacios para la acción y la reflexión sin por ello prescindir de una densa red de memorias y mediaciones. En la presente obra se recogen las diferentes propuestas que en torno a la dramaturgia hicieron artistas y teóricos de las artes escénicas durante el Seminario Internacional sobre Nuevas Dramaturgias celebrado en Murcia en noviembre de 2009.
Author: Cristina Delgado-García
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110411229
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
The category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts and performances. However, claims on the dissolution of character narrowly demarcate what a subject is and how it may appear. This volume unmoors theatre scholarship from the regulatory ideals of liberal humanism, stretching the notion of character to encompass and illuminate otherwise unaccounted-for subjects, aesthetic strategies and political gestures in recent theatre works. To this aim, contemporary philosophical theories of subjectivation, European theatre studies, and experimental, script-led work produced in Britain since the late 1990s are mobilised as discussants on the question of subjectivity. Four contemporary playtexts and their performances are examined in depth: Sarah Kane’s Crave and 4.48 Psychosis, Ed Thomas’s Stone City Blue and Tim Crouch’s ENGLAND. Through these case studies, Delgado-García demonstrates alternative ways of engaging theoretically with character, and elucidating a range of subjective figures beyond identity and individuality. Alongside these analyses, the book traces a large body of work that has experimented with speech attribution since the early twentieth-century. This is a timely contribution to contemporary theatre scholarship, which demonstrates that character remains a malleable and politically-salient notion in which understandings of subjectivity are still being negotiated.
Author: Vanessa Montesi
Publisher: Leuven University Press
ISBN: 9462704392
Category : Fiction
Languages : en
Pages : 316
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Book Description
This book is situated in the breach opened up by recent debates on inherited notions of text, language, and translation that followed the emergence of new technologies. It examines two works of contemporary dance, Marie Chouinard’s Jérôme Bosch: Le Jardin des Délices (2016) and Mathieu Geffré’s Froth on the Daydream (2018), as examples of intermedial translation. Conceptualising translation through the lens of theatrical dance allows us to see the translation process as a creative, corporeal, and political practice of negotiating human and non-human agencies, deeply intertwined with issues of memory and struggles over representation. Drawing on a wide range of theoretical debates from translation theory, dance studies, cultural theory, gender studies, postcolonialism, art history, cognitive linguistics, multimodality, film studies, and memory studies, as well as on concrete examples of performative works, the book charts a course for the development of dance translation as a legitimate, if still under-researched, subfield of translation studies.
Author: Jo Evans
Publisher: Routledge
ISBN: 131736595X
Category : Social Science
Languages : en
Pages : 272
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Book Description
While studying the theory and contemporary impact of ‘embodied’ viewing, this book celebrates the emergence and development of Visual Studies as a major subject of research and teaching in the field of Hispanic Studies within the UK over the last thirty years. By exploring current routes of investigation, as well as analysing future pathways for study in the field, seven highly distinguished Spanish and Latin American scholars examine their own entry into Visual Studies, and discuss the major trends and changes which occurred in the field as matters of the visual gradually became embedded in higher-education curricula and research trajectories. Each scholar also lays out a current research project, or interest, concerning Spain or Latin America within the visual field. The projects variously explore different media – including film, sculpture, photography, dance, and performance art – spread across a wide array of geographical locales, including Mexico, Cuba, mainland Spain, and the Canary Islands. Offering a map of current and future research in the field, this book provides the first history of visual studies within UK Hispanism. It will be of lasting value to a wide range of scholars and advanced students of Spanish and Latin American cultural, visual, and film studies. This book was originally published as a special issue of the Bulletin of Spanish Studies.
Author: Pil Hansen
Publisher: Springer
ISBN: 1137373229
Category : Performing Arts
Languages : en
Pages : 318
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Book Description
Ten international dramaturg-scholars advance proposals that reset notions of agency in contemporary dance creation. Dramaturgy becomes driven by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through audience engagement, and the dramaturg becomes a facilitator of dramaturgical awareness.
Author: Ralf Remshardt
Publisher: Taylor & Francis
ISBN: 1000913643
Category : Performing Arts
Languages : en
Pages : 978
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Book Description
This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice. With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters, this book’s first part contains a comprehensive listing of European nations, the second part charts responses to thematic complexes that define current European performance, and the third section gathers a series of case studies that explore the contribution of some of Europe’s foremost theatre makers. Rather than rehearsing rote knowledge, this is a collection of carefully curated, interpretive accounts from an international roster of scholars and practitioners. The Routledge Companion to Contemporary European Theatre and Performance gives undergraduate and graduate students as well as researchers and practitioners an indispensable reference resource that can be used broadly across curricula.
Author: Diego Garcia-Setien
Publisher: Actar D, Inc.
ISBN: 1638400326
Category : Architecture
Languages : en
Pages : 228
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Book Description
PostDomestiCity is an inquiry and speculative exercise into the conditions of obsolescence in the post-industrial city, from a contemporary perspective. Working with three paradigmatic cases that were conceived from industrial logics—the Packard plant in Detroit, Lima’s PREVI neighbourhood, and theGrand’Mare complex in Rouen—, we explore alternative ways of reusing, reprogramming, and redensifying the built environment as alternatives to demolition. Relevant voices in the field of architecture share their approaches and visions of the future for the pre-existing city, helping us imagine post-domesticity in the current climate crisis and socio-technological context. With Contributions of Anne Lacaton, Marina Otero, Ippolito Pestellini, Duplex Architects, Lacol, Antonio Vázquez de Castro, Carmen Espegel, Luis Takahashi, Lys Villalba, O.F. architects, DABG, Patricia Lucas, Ramón Araujo, Paulo Dam, Renato Manrique, CoLaboratorio (Diego García-Setién, Enrique Espinosa, Begoña de Abajo, Almudena Ribot).
Author:
Publisher:
ISBN:
Category : American drama
Languages : es
Pages : 432
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Book Description
Author: Eduardo Protto
Publisher: Lulu.com
ISBN: 0557665108
Category : Fiction
Languages : es
Pages : 105
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Book Description
Dramas diversos donde se entremezclan los grandes mitos que atraviesan la existencia humana.Póker servido, o los desafíos de la amistad.Epitafios o las brumas del más allá.La boda, o el eterno malentendido.Georgie ha llegado o la imposibilidad del cambioSalud vincular o el poder de lo efímeroPunto de encuentro: Una cita con la propia identidad.
Author: Hans-Thies Lehmann
Publisher: Routledge
ISBN: 1134496834
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.
