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Author: Michael Bath
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300
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Book Description
This stunning book reveals in depth the variety and development of decorative paintings in Scottish buildings of the 16th and 17th centuries, as important as any in Europe. Most have never before been seen in one place or described. The result of 10 years of research, Renaissance Decorative Painting in Scotland contains 100 examples from ceilings, moldings, plaster, stonework, walls, window embrasures, overmantels and vaulting--from the palaces of royalty to the castles of noblemen to modest burgess houses. The imagery ranges from religious and classical, to emblematic and grotesque pictures that are full of meaning, to the antique, to tromp I'oeil. The author has managed to catalogue all known examples and has also included valuable information on different types of painting, on materials and processes.
Author: Michael Bath
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300
Get Book Here
Book Description
This stunning book reveals in depth the variety and development of decorative paintings in Scottish buildings of the 16th and 17th centuries, as important as any in Europe. Most have never before been seen in one place or described. The result of 10 years of research, Renaissance Decorative Painting in Scotland contains 100 examples from ceilings, moldings, plaster, stonework, walls, window embrasures, overmantels and vaulting--from the palaces of royalty to the castles of noblemen to modest burgess houses. The imagery ranges from religious and classical, to emblematic and grotesque pictures that are full of meaning, to the antique, to tromp I'oeil. The author has managed to catalogue all known examples and has also included valuable information on different types of painting, on materials and processes.
Author:
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 51
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Book Description
Author: Michael Bath
Publisher: BRILL
ISBN: 9004364064
Category : History
Languages : en
Pages : 374
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Book Description
Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the power of women to build a feminist City of God? Why did a presbyterian minister of Stirling decorate his manse with hieroglyphics? And why in the twentieth-century did Ian Hamilton Finlay publish a collection of Heroic Emblems?
Author: John Morrison
Publisher: Routledge
ISBN: 1351555316
Category : Art
Languages : en
Pages : 229
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Book Description
Painting Labour in Scotland and Europe, 1850-1900 explores hitherto unrecognized European variations in the phenomena of rural labour imagery, particularly in Scotland. In exploring these distinctions relative to Scotland and Europe it looks to develop a new understanding of the commonalities and idiosyncrasies of rural labour imagery which have often been treated as homogenous. Lacking the detailed analysis that has been accorded other images, writing about Scottish painting has often been appended to analyses of English or French imagery. It has generally been understood as intellectually divorced from the sometimes brutal realities of evolving Scottish nineteenth-century urbanism, or simply ignored. Painting Labour in Scotland and Europe, 1850-1900 sets out systematically to discuss the Scottish rural painting in relation to its particular Scottish historical context, both sociological and aesthetic and its English and European counterparts. Alongside canonical Scottish images by major figures such as James Guthrie, the book explores many hitherto under researched and unconsidered paintings by nineteenth-century Scottish artists, and considers them in relation to major English and Continental Realist and Romantic painters. The juxtaposition of J.F. Millet with W.D. McKay, and Edwin Landseer with George Reid makes for a volume that will appeal both to an academic audience and to one interested in European art history more generally.
Author: Lorna Hutson
Publisher: Cambridge University Press
ISBN: 1009253573
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Our image of England as island nation is the legacy of the Elizabethan literary erasure of Scotland.
Author: Alastair Fowler
Publisher: Oxford University Press
ISBN: 019102743X
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Alastair Fowler presents a fascinating study of title-pages printed in England from the early modern period to the nineteenth century. He examines pictorial title-pages in the context of the History of the Book for the first time. The first part of The Mind of the Book explores the forerunner of the frontispiece in late antiquity; the use of frames and borders in title-pages; portraits; printers' devices; emblematic title-pages of the sixteenth and seventeenth centuries, especially attending to explanatory verses and arcane features such as chronograms; title-pages as 'memory prompts'; and eighteenth and nineteenth-century title-pages, tracing 'the rejection of emblematic and symbolic features and the introduction of unadorned, unpictorial, title-pages'. The second part of the book presents illustrations of sixteen significant title-pages with commentaries, ranging from Chaucer's Works in 1532 through Bacon's Instauratio Magna in 1620, Dicken's The Mystery of Edwin Drood in 1870, and arriving back at Chaucer with Edward Burnes-Jones's illustrated title-page for the Works of 1896.
Author: J.M. Fladmark
Publisher: Routledge
ISBN: 1317742249
Category : Architecture
Languages : en
Pages : 484
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Book Description
Was the shaping of nation states in Northern Europe governed by military might, or by Christian and democratic ideals? How has trade and cross-cultural exchange between Scandinavia and the British Isles shaped our historic identities, and what about the impact of global politics and marketing in recent times? These are some of the questions explored by the contributors in the context of forces that shape national identities today. Their analysis highlights the need for historical awareness when developing future cultural policy, brand profiles and marketing strategies. Looking back, Jesse Byock tells how democracy was first embraced in the north by the early settlers of Iceland, Bjorn Myhre delves into the unpredictability of historical interpretation, Edward Cowan discusses the role of 'battles and beddings' in relations across the North Sea, John Purkis writes about William Morris' fascination with Nordic culture, Stephen Harrison presents the 'winning ways' of product development and marketing by Manx National Heritage, whilst Chris Powell looks at 'Cool Britannia' today and Simon Anholt at national branding strategies. This is an inspirational book that sheds new light on old subjects, equally relevant for both public and private sector policy makers alike.
Author:
Publisher: BRILL
ISBN: 9004189335
Category : History
Languages : en
Pages : 304
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Book Description
Captain John Anderson served in the Dutch East India Company (VOC) as ‘Pilot-Major’ in a fleet of ships that set sail from Europe in December 1640, and returned with his ships in July 1643. This was Anderson’s fourth voyage to the East Indies. His journey took three years during which time he safely brought a VOC fleet to Java and home again through tempests and full-scale battles with the Portuguese at sea. In this, the first-ever edition of Anderson’s Journal, the editors have complemented his own words with chapters discussing the author’s contributions to the History of Warfare in Asia, Maritime Navigation and Early Modern Travel Writing.
Author: Jane Geddes
Publisher: Routledge
ISBN: 1000107132
Category : Social Science
Languages : en
Pages : 366
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Book Description
This new edition is a revised and expanded version of the book produced in 2000 to celebrate the quincentenary of King's College Chapel, Aberdeen. Since then, exciting discoveries have taken place and old ideas have been reappraised. The choir stalls and woodwork have provided a fresh seam of information about the meaning and use of the medieval chapel. Daniel MacCannell has identified new iconography in the stalls. Jane Geddes, prompted by the installation of the new organ, has investigated the original function and appearance of the great pulpitum or screen between the choir and nave and discovered the location of a magnificent lost organ loft. Mary Pryor and John Morrison have examined the great baroque biblical paintings and come up with a totally new interpretation of their iconography and function: a political warning to King Charles II. Easter Smart, the university chaplain, describes the flexible and ecumenical use of the chapel today. The revised edition appears in time to honour the quincentenary of the death of Bishop William Elphinstone, the founder of Aberdeen University, who died in 1514. This book aims to integrate his legacy to the chapel: the liturgy, music, architecture and fittings. Thanks to an unusually tolerant and conservative attitude towards religion at the university following the Reformation, the chapel has survived in a more complete medieval state than any other church in Scotland. The rich archive of university documents show how benign neglect and a fierce pride in their iconic building caused the university to maintain the structure and its furnishings even during the long centuries when it ceased to serve a religious function.
Author:
Publisher: BRILL
ISBN: 9004358064
Category : Social Science
Languages : en
Pages : 249
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Book Description
This volume gathers together essays on Scottish literature, diverse in historical period, mode, and form in honour of Professor R.D.S. Jack, Professor Emeritus of English Literature at the University of Edinburgh. Chronologically, the collection sweeps from the early middle ages to the early twentieth century, from Robert Henryson to J.M. Barrie, conveying a sense of the shifting and subtle identities and continuities of Scottish literary traditions across the centuries, and opening up, through a distinctive and unusual range of writers and texts, unfamiliar aesthetic, cultural, and linguistic landscapes. Unusual and wide-ranging in subject and scope, the volume explores Scottish medieval romance and allegory, Renaissance court performance, early modern travel writing, seventeenth-century poetry, Sir Thomas Urquhart’s universal language theory, Scottish Romanticism, Burns and Barrie. Shared threads of interest run through the collection: a questioning of the canonical; attentiveness to questions of language, rhetoric, and form; and a commitment to uncovering the dynamic interaction between European and Scottish traditions. Collectively, the volume charts a new series of imaginative cross-currents across historical periods and literary modes, attesting the importance of, and necessity for, a critical vision of Scottish literature which is pluralistic, comparative, and sensitive to form, mode, and rhetoric.
