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Author: Chris Ridgway
Publisher: Blurb
ISBN: 9780994529718
Category : Photography
Languages : en
Pages : 124
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Book Description
"Renaissance Composition and Painting Techniques by Chris Ridgway" is a book for painters and fine artists who wish to learn the basics of composing and painting pictures in the style of the Renaissance artists. It is extensively illustrated with examples from the Renaissance masters, including Leonardo da Vinci, Albrecht Durer, Andrea Mantegna, and Raphael. Examples are given of the salient points relating to Renaissance composition and the book also provides a guide to Renaissance painting techniques such as grisaille underpainting and painting with glazes. The Appendix also contains information on drawing in perspective, silverpoint drawing, and the author's own thoughts as to what the young Leonardo da Vinci may have looked like. This book is the result of extensive research and practice by the author. He was prompted to produce the book due to a lack of available books that deal with the practical aspects of Renaissance composition for paintings. This book contains over 80 colour and 30 black and white images. It is suitable for the advanced beginner and intermediate artist. This book does not teach you how to draw. A basic ability to draw a representation of what you see in front of you is assumed.
Author: Chris Ridgway
Publisher: Blurb
ISBN: 9780994529718
Category : Photography
Languages : en
Pages : 124
Get Book Here
Book Description
"Renaissance Composition and Painting Techniques by Chris Ridgway" is a book for painters and fine artists who wish to learn the basics of composing and painting pictures in the style of the Renaissance artists. It is extensively illustrated with examples from the Renaissance masters, including Leonardo da Vinci, Albrecht Durer, Andrea Mantegna, and Raphael. Examples are given of the salient points relating to Renaissance composition and the book also provides a guide to Renaissance painting techniques such as grisaille underpainting and painting with glazes. The Appendix also contains information on drawing in perspective, silverpoint drawing, and the author's own thoughts as to what the young Leonardo da Vinci may have looked like. This book is the result of extensive research and practice by the author. He was prompted to produce the book due to a lack of available books that deal with the practical aspects of Renaissance composition for paintings. This book contains over 80 colour and 30 black and white images. It is suitable for the advanced beginner and intermediate artist. This book does not teach you how to draw. A basic ability to draw a representation of what you see in front of you is assumed.
Author: Joseph Sheppard
Publisher: Watson-Guptill
ISBN: 082302671X
Category : Art
Languages : en
Pages : 0
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Book Description
Generations of artists have learned from How to Paint Like the Old Masters, the classic volume that explores the techniques used by the great artists of the 16th and 17th centuries. Now Watson-Guptill proudly presents the 25th Anniversary Edition. Each chapter is devoted to a different Old Master—Dürer, Titian, Veronese, Caravaggio, Vermeer, Hals, Rubens, and Rembrandt—and is divided into two sections. The first part describes the artist’s techniques and discusses how artists can incorporate these methods within their own personal style. The second part is a full-color demonstration. Author Joseph Sheppard traces the artist’s working sequence, colors and mediums, surfaces and tools, as he creates a new painting. With today’s resurgence of interest in Old Master techniques, this unique, practical, and inspiring book is sure to teach countless artists exactly How to Paint Like the Old Masters.
Author: Marcia B. Hall
Publisher:
ISBN: 9780521457330
Category : Architecture
Languages : en
Pages : 288
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Book Description
Recent restoration campaigns, particularly to the Sistine Chapel, have focused attention on the importance of colour in our experience of paintings, but until recently it has been neglected by art historians. The author believes that the work of art can only be fully appreciated when it is regarded as the product of both the artist's hand and mind. This study utilizes the traditional sources, such as contemporary theoretical writings and iconographical analysis, but in addition draws on the scientific findings of the conservation laboratories. This is a new body of data assembled in large part since World War II, which art historians are only beginning to exploit to fill out the history of technique. Rather than writing merely a history of technique, however, the author has integrated this material with traditional approaches to cultural history. She undertakes to examine twenty major paintings of the period from Giotto to Tintoretto to elucidate how colour and technique contribute to their meaning. She gives us then, the first modern consideration of Renaissance paintings both as physical objects and as monuments of cultural history.
Author: Susan B. Puett
Publisher: Penn State Press
ISBN: 0271091320
Category : Art
Languages : en
Pages : 274
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Book Description
The creativity of the human mind was brilliantly displayed during the Florentine Renaissance when artists, mathematicians, astronomers, apothecaries, architects, and others embraced the interconnectedness of their disciplines. Artists used mathematical perspective in painting and scientific techniques to create new materials; hospitals used art to invigorate the soul; apothecaries prepared and dispensed, often from the same plants, both medicinals for patients and pigments for painters; utilitarian glassware and maps became objects to be admired for their beauty; art enhanced depictions of scientific observations; and innovations in construction made buildings canvases for artistic grandeur. An exploration of these and other intersections of art and science deepens our appreciation of the magnificent contributions of the extraordinary Florentines.
Author: Bosiljka Raditsa
Publisher: Metropolitan Museum of Art
ISBN: 0870999532
Category : Art, Renaissance
Languages : en
Pages : 225
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Book Description
Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author: Jill Dunkerton
Publisher: Yale University Press
ISBN: 0300050828
Category : Art
Languages : en
Pages : 414
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Book Description
"This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection ... some 70 of the finest and best known paintings in the Gallery are examined in detail"--Cover.
Author: Virgil Elliott
Publisher: Watson-Guptill
ISBN: 9780823030668
Category : Oils and fats
Languages : en
Pages : 0
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Book Description
"Traditional Oil Painting is that rare sourcebook that comprehensively covers the most advanced techniques and concepts of oil painting"--P. [2] of cover.
Author: David Alan Brown
Publisher: Yale University Press
ISBN: 9780300116779
Category : Art
Languages : en
Pages : 364
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Book Description
Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.
