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Author: Julia Lloyd Williams
Publisher: Prestel Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 280
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Book Description
An examination of the women in Rembrandt's life, this volume details his unique approach to depicting the female form in paintings, drawings and prints.
Author: Julia Lloyd Williams
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
This is the first book to focus on Rembrandt's portrayal of women. It reveals the women in Rembrandt's life, as well as his unique approach to depicting the female form in paintings, drawings and prints, all shown through 140 superb works drawn from the finest collections in the world.
Author: Julia Lloyd Williams
Publisher: Prestel Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 280
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Book Description
An examination of the women in Rembrandt's life, this volume details his unique approach to depicting the female form in paintings, drawings and prints.
Author: Eric Jan Sluijter
Publisher: Amsterdam University Press
ISBN: 9053568379
Category : Art
Languages : en
Pages : 452
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Book Description
Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.
Author: Simon Schama
Publisher:
ISBN: 9780713993844
Category : Artists
Languages : en
Pages : 750
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Book Description
For Rembrandt, as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance: the strutting and mincing, the wardrobe and face-paint, the full repertoire and gesture and gimace, the flutter of hands and the roll of the eyes, the belly-laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle and to console; to strike a pose or preach a sermon, to shake a fist or uncover a breast; and how to sin and how to atone. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between.
Author: Alison McQueen
Publisher: Amsterdam University Press
ISBN: 9789053566244
Category : Art
Languages : en
Pages : 392
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Book Description
Rembrandt's life and art had an almost mythic resonance in nineteenth-century France with artists, critics, and collectors alike using his artistic persona both as a benchmark and as justification for their own goals. This first in-depth study of the traditional critical reception of Rembrandt reveals the preoccupation with his perceived "authenticity," "naturalism," and "naiveté," demonstrating how the artist became an ancestral figure, a talisman with whom others aligned themselves to increase the value of their own work. And in a concluding chapter, the author looks at the playRembrandt, staged in Paris in 1898, whose production and advertising are a testament to the enduring power of the artist's myth.
Author: Marlies Stoter
Publisher: W Books
ISBN: 9789462583030
Category : Frisians
Languages : en
Pages : 168
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Book Description
"In 1634 the up-and-coming painting talent Rembrandt van Rijn wed the love of this life in Friesland: Saskia Uylenburgh, the daughter of a councillor at the Court of Friesland. The story of their marriage is also that of seventeenth-century marriages in general, from courtship to drawing up a will. How did such a stylish wedding come about, and how did life proceed afterwards, when love and suffering were shared? Using evocative paintings, etchings, documents and precious wedding gifts, this book shows us the world of Friesland's most famous bride and groom ever--and that marriage vows back then actually appear to differ little from those of today."--from back cover
Author: Rembrandt
Publisher:
ISBN: 9780500181577
Category :
Languages : en
Pages :
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Book Description
Author: Anat Gilboa
Publisher: Eburon B V
ISBN: 9789051669541
Category : Art
Languages : en
Pages : 241
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Book Description
This study focuses on certain ideas and positions that define the woman in Rembrandt's work. In six chapters several aspects of the woman or feminine image are discussed: the development of female themes throughout Rembrandt's work, spirituality as embodied by Mary - the mother of Christ, portaiture - showing the women in her social context, the nude and the erotic, Rembrandt's intimate companions - Saskia van Uylenburgh, Geertge Dircx and Hendrickje Stoffels, and goddesses and heroines.
Author: Rembrandt Harmenszoon van Rijn
Publisher:
ISBN:
Category : Feminine beauty (Aesthetics)
Languages : en
Pages : 8
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Book Description
Author: Amy Golahny
Publisher: Amsterdam University Press
ISBN: 9789053566091
Category : Art
Languages : en
Pages : 296
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Book Description
Though Rembrandt's study of the Bible has long been recognized, his interest in secular literature has been relatively neglected. In this volume, Amy Golahny uses a 1656 inventory to reconstruct Rembrandt's library, discovering anew how his reading of history contributed to his creative process. In the end, Golahny places Rembrandt in the learned vernacular culture of seventeenth-century Holland, painting a picture of a pragmatic reader whose attention to historical texts strengthened his rivalry with Rubens for visual drama and narrative erudition.
