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Author: Wilkins Kim Wilkins
Publisher: Edinburgh University Press
ISBN: 1474447643
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
ReFocus: The Films of Spike Jonze is the first collection of essays on this important and original contemporary filmmaker. It looks at his ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions. Each of Jonze's feature films, from Being John Malkovich (1999) to Her (2013), is discussed at length, focusing on issues of authorship, narration, genre and adaptation. As well as the textual aspects of Jonze's feature films, the contributors consider his work in music videos and shorts - investigating his position as a filmmaker on the blurred boundaries between studio and independent modes of production.
Author: Wilkins Kim Wilkins
Publisher: Edinburgh University Press
ISBN: 1474447643
Category : Performing Arts
Languages : en
Pages : 312
Get Book Here
Book Description
ReFocus: The Films of Spike Jonze is the first collection of essays on this important and original contemporary filmmaker. It looks at his ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions. Each of Jonze's feature films, from Being John Malkovich (1999) to Her (2013), is discussed at length, focusing on issues of authorship, narration, genre and adaptation. As well as the textual aspects of Jonze's feature films, the contributors consider his work in music videos and shorts - investigating his position as a filmmaker on the blurred boundaries between studio and independent modes of production.
Author: Kim Wilkins
Publisher: Edinburgh University Press
ISBN: 1474447635
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
This book looks at Spike Jonze's ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions
Author: Kim Wilkins
Publisher: Refocus: The American Director
ISBN: 9781474447621
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
This book looks at Spike Jonze's ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions.
Author: Brett Davies
Publisher: Edinburgh University Press
ISBN: 1399524097
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
AcknowledgementsIntroductionPart I: "e;I'm making this up as I go"e;: Lawrence Kasdan and Raiders of the Lost ArkChapter 1. Smith and Jones: Discourse Analysis of the Raiders of the Lost Ark Story ConferenceChapter 2. Visual Language in the Raiders of the Lost Ark ScreenplayPart II: Kasdan the Director: Developing Style(s)Chapter 3. Body Heat: Heightened Style in the Neo-NoirChapter 4. Classical Structure in the "e;Perfect Ensemble"e; of The Big ChillPart III: Voice of the Largest GenerationChapter 5. Altruism and Otherness in The Big Chill, The Accidental Tourist, and Grand CanyonChapter 6. Cowboys, Aliens, and Sixtysomethings: Age and Nostalgia in Kasdan's Later FilmsPart IV: Influences, Without and WithinChapter 7. From Noir to Kurosawa: Allusion and Homage in Lawrence Kasdan's FilmsChapter 8. Kasdan's Collaborations: Creation and PerformancePart V: A Long Time in a Galaxy Far, Far AwayChapter 9. From Star Wars to Saga: Lawrence Kasdan and The Empire Strikes BackChapter 10. Revenge of the Monomyth: Reclaiming the Hero's Journey in Return of the JediChapter 11. A New Hope in The Force AwakensChapter 12. A Changed Man: Solo and BeyondChapter 13. An Interview with Lawrence KasdanLawrence Kasdan: Writing and Directing CreditsFilmographyBibliography
Author: Michelle E. Moore
Publisher: Edinburgh University Press
ISBN: 1474462057
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
Offers the first comprehensive academic text to explore Paul Schrader's film career through analysis of his directing, screenwriting, and film criticismContains a chapter-length interview, in which Schrader examines the arc of his career for the first time and revises previous statements about filmmaking and film criticismProvides a valuable update to previous texts on SchraderConsiders Schrader's overlooked films and provides new insight into their connections with Schrader's better known filmsContains chapters on Schrader's work since 2008, the publication date of the last book on his filmmakingPaul Schrader's unique relationship to the role of the author (as screenwriter, director and critic) has long informed his cinema, and raises complicated questions about the definition of the auteur. This volume of essays - one of the first collections to assess Schrader's contributions to directing, screenwriting and criticism - includes the first original appraisals of his much-lauded masterpiece First Reformed (2017), as well as a chapter-length interview with Schrader himself, conducted by the editors. Providing a comprehensive exploration of his groundbreaking achievements in cinema, the book considers Schrader's more overlooked films and provides new insights to their connection with his celebrated work in direction and screenwriting such as Taxi Driver (1976), Cat People (1982) and The Comfort of Strangers (1990).
Author: Marcelline Block
Publisher: Edinburgh University Press
ISBN: 1474456030
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
In this book, a range of international scholars offers a comprehensive study of this significant and influential figure, covering his French and English-language films and videos, and framing Gondry as a transnational auteur whose work provides insight into both French/European and American cinematic and cultural identity.
Author: Stephen Glynn
Publisher: Taylor & Francis
ISBN: 1040100740
Category : Social Science
Languages : en
Pages : 129
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Book Description
In this unique study, Stephen Glynn demonstrates that Kate Bush’s work, in both sound and vision, has long been influenced and characterised by, and at times aimed at, film and television media. The volume explores in depth Bush’s ‘music of allusion’ and analyses first the significance of film and television references throughout the lyrics and settings of her songs, beginning with her breakthrough hit ‘Wuthering Heights’. It also surveys the shaping presence of film and television in the look, narrative and artistry of her music videos, including the examination of celebrated works such as ‘Cloudbusting’ and ‘Hounds of Love’. Finally, the book assesses Bush’s most intensive cinematic undertaking, her 1993 album The Red Shoes, with its evident homage to the 1948 film of Michael Powell and Emeric Pressburger, and its concurrent visual reworking as Bush’s sole film venture, The Line, The Cross & The Curve. Thus, with its deployment across music, video and film, Glynn demonstrates the centrality of Kate Bush’s cinephilia to her work. Accessible yet academically rigorous, Kate Bush and the Moving Image is a stand-out study of the iconic singer-songwriter’s discography and cinematic ventures. It will appeal to both students and scholars of Film, Television, Media, Cultural and Popular Music Studies.
Author: Carlo Cenciarelli
Publisher: Oxford University Press
ISBN: 0190853611
Category : Music
Languages : en
Pages : 789
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Book Description
The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established and emergent scholars from musicology, film studies, and literary studies, ethnomusicology and sound studies, popular music,sociology, media and communications, and psychology, this Handbook offers a wide range of case studies and methodological perspectives on the archaeologies, aesthetics, and extensions of cinematic listening.Chapters are structured around six themes: Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing genres such as opera and shadow theatre, and explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations andRelocations") focuses on specific venues and presentational practices (from roadshow movies to and contemporary live-score screenings). Part III ("Representations and Re-presentations") zooms into the formal properties of specific films, analysing representations of listening on screen as well as onthe role of sound as a representational surplus. Part IV ("The Listening Body") focuses on cinematic sound as a powerful and sensual stimulus that has the power to engage the full body sensorium. Part V ("Listening again") discusses a range of ways in which film sound is encountered andreinterpreted outside the cinema, through ancillary materials like songs and soundtrack albums, in experimental conditions, and in pedagogical contexts. Part VI ("Between Media") compares the listening protocols of cinema with those of TV series and music video, promenade theatre and personalstereos, video games and Virtual Reality.
Author: James Lyons
Publisher: Taylor & Francis
ISBN: 1000814165
Category : Social Science
Languages : en
Pages : 292
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Book Description
This edited collection is the first book to offer a wide-ranging examination of the interface between American independent film and a converged television landscape that consists of terrestrial broadcasters, cable networks and streaming providers, in which independent film and television intersect in complex, multifaceted and creative ways. The book covers the long history of continuities and connections between the two sectors, as seen in the activities of PBS, HBO or Sundance. It considers the movement of filmmakers between indie film and TV such as Steven Soderbergh, Rian Johnson, the Duplass brothers, Joe Swanberg, Lynn Shelton and Gregg Araki; details the confluence of aesthetic and thematic elements seen in shows such as Girls, Breaking Bad, Master of None, or Glow; points to a shared interest in regional sensibilities evident in shows like One Mississippi or Fargo; and makes the case for documentaries and web series as significant entities in this domain. Collectively, the book builds a compelling picture of indie TV as a significant feature of US screen entertainment in the 21st Century. This interdisciplinary landmark volume will be a go-to reference for students and scholars of Television Studies, Film Studies and Media Studies.
Author: Joe Jackson
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 420
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Book Description
Kahlil Joseph has collaborated with musicians FKA twigs, Flying Lotus, Sampha and Shabazz Palaces among many others. He has directed numerous films, music videos and advertisements across Africa, America and Europe. The award-winning filmmaker's disruptive style – which frequently merges visual representations of transcontinental experiences with the countercultural energies of Afrodiasporic music – challenges the Eurocentric biases underpinning Western media. At the same time, his works generate various contradictions and tensions because they are themselves products situated within an economic framework of neoliberal capitalism, at once offering alternative ways of being while, simultaneously, participating in and thereby sustaining the social structures that they otherwise seek to subvert and dismantle. This is the first book-length study of Kahlil Joseph's work. Distinguishing the artist's personal and professional personas, it traces Joseph's career trajectory and artistic output, emphasizing how the director's construction of a multifaceted filmmaking persona operates in tandem with his artworks to challenge fixed, unidimensional or stable notions of identity. Through biographical study and deep examinations of the director's respective transmedia artworks, this book draws from various discussions shaped by Paul Gilroy's ground-breaking text The Black Atlantic (1993). By applying The Black Atlantic's disruptive audiocentric ideas to contemporary digital media forms generated by Kahlil Joseph and his peers alike, this book challenges the latent Eurocentricity on which dominant theorizations of 'modernity' – as well as the overlapping fields of Film, Media and Screen Studies – are grounded. In turn, it offers an alternative framework for negotiating the paradoxes, contradictions and transnational flows of our media-saturated present: namely, the Audiovisual Atlantic.
