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Author: Theresa M. Krier
Publisher:
ISBN: 9780813015521
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
This collection of essays surveys the diverse receptions and workings of Chaucer from the early sixteenth to the early seventeenth century. It emphasizes the many kinds of influence that Chaucer and his poems exerted on British letters and culture during these years and assesses how "Chaucer" - poet, works, and representations by others - became a cultural category that changed in Tudor and early Jacobean England, as the Reformation and increasing distance from Middle English made Chaucer representative of a lost medieval past.
Author: Theresa M. Krier
Publisher:
ISBN: 9780813015521
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
This collection of essays surveys the diverse receptions and workings of Chaucer from the early sixteenth to the early seventeenth century. It emphasizes the many kinds of influence that Chaucer and his poems exerted on British letters and culture during these years and assesses how "Chaucer" - poet, works, and representations by others - became a cultural category that changed in Tudor and early Jacobean England, as the Reformation and increasing distance from Middle English made Chaucer representative of a lost medieval past.
Author: Alice Miskimin
Publisher: New Haven : Yale University Press
ISBN: 9780300017687
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
For Elizabethans, modern English literary history began with Chaucer. Looking back, they say him as a noble primitive, a genius in spite of the barbarity of his age and language. In this book, Alice Miskimin attempts a new kind of comparative literary history, combining both historical perspective and critical close reading to reexamine England's Homer in the light of the two-hundred year period of transition from the Middle Ages to the Renaissance. A survey of the emergence of the Chaucer canon from manuscript to print shows how progressive corruption changed the texts and how the introduction of apocryphal poems into the early editions of Chaucer's published Works affected the Renaissance image of the Father of English Poetry. The history of Troilus and Criseyde, in particular, from its medieval origins in Boccaccio and Chaucer to the Renaissance imitations of Henryson, Shakespeare, and Dryden, is a paradigm of literary metamorphosis.Other perspectives on the evolution of Chaucer's poetry are found in Spenser's deliberate reinterpretations (in The Faerie Queene and The Shepherd's Calendar) and in the Elizabethans' apprehension of the poet's personae-the Canterbury pilgrim the dreamer of the vision poems, the historian of Troilus and Criseyde.The Renaissance Chaucer is a skillful recreation of Chaucer as he appeared to Elizabethan authors. It is a provocative and a successful attempt to get beyond simple influence in literary and cultural history.
Author: Rachel Stenner
Publisher: Manchester University Press
ISBN: 1526136937
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Rereading Chaucer and Spenser: Dan Geffrey with the New Poete offers dynamic new approaches to the relationship between the works of Geoffrey Chaucer and Edmund Spenser. Contributors draw on current and emerging preoccupations in contemporary scholarship and offer new perspectives on poetic authority, influence, and intertextuality.
Author: Isabel Davis
Publisher: Boydell & Brewer Ltd
ISBN: 1843844079
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Fama, or fame, is a central concern of late medieval literature. Where fame came from, who deserved it, whether it was desirable, how it was acquired and kept were significant inquiries for a culture that relied extensively on personal credit and reputation. An interest in fame was not new, being inherited from the classical world, but was renewed and rethought within the vernacular revolutions of the later Middle Ages. The work of Geoffrey Chaucer shows a preoccupation with ideas on the subject of fama, not only those received from the classical world but also those of his near contemporaries; via an engagement with their texts, he aimed to negotiate a place for his own work in the literary canon, establishing fame as the subject-site at which literary theory was contested and writerly reputation won. Chaucer's place in these negotiations was readily recognized in his aftermath, as later writers adopted and reworked postures which Chaucer had struck, in their own bids for literary place. This volume considers the debates on fama which were past, present and future to Chaucer, using his work as a centre point to investigate canon formation in European literature from the late Middle Ages and into the Early Modern period. Isabel Davis is Senior Lecturer in Medieval Literature at Birkbeck, University of London; Catherine Nall is Senior Lecturer in Medieval Literature at Royal Holloway, University of London. Contributors: Joanna Bellis, Alcuin Blamires, Julia Boffey, Isabel Davis, Stephanie Downes, A.S.G. Edwards, Jamie C. Fumo, Andrew Galloway, Nick Havely, Thomas A. Prendergast, Mike Rodman Jones, William T. Rossiter, Elizaveta Strakhov.
Author: Piero Boitani
Publisher: Cambridge University Press
ISBN: 1107494648
Category : Literary Criticism
Languages : en
Pages : 510
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Book Description
The Cambridge Companion to Chaucer is an extensively revised version of the first edition, which has become a classic in the field. This new volume responds to the success of the first edition and to recent debates in Chaucer Studies. Important material has been updated, and new contributions have been commissioned to take into account recent trends in literary theory as well as in studies of Chaucer's works. New chapters cover the literary inheritance traceable in his works to French and Italian sources, his style, as well as new approaches to his work. Other topics covered include the social and literary scene in England in Chaucer's time, and comedy, pathos and romance in the Canterbury Tales. The volume now offers a useful chronology, and the bibliography has been entirely updated to provide an indispensable guide for today's student of Chaucer.
Author: Jane Griffiths
Publisher: Oxford University Press
ISBN: 019927360X
Category : Language Arts & Disciplines
Languages : en
Pages : 226
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Book Description
John Skelton and Poetic Authority is the first book-length study of Skelton for almost twenty years, and the first to trace the roots of his poetic theory to his practice as a writer and translator. It demonstrates that much of what has been found challenging in his work may be attributed to his attempt to reconcile existing views of the poet's role in society with discoveries about the writing process itself. The result is a highly idiosyncratic poetics that locates thepoet's authority decisively within his own person, yet at the same time predicates his 'liberty to speak' upon the existence of an engaged, imaginative audience. Skelton is frequently treated as a maverick, but this book places his theory and practice firmly in the context of later sixteenth as well asfifteenth-century traditions. Focusing on his relations with both past and present readers, it reassess his place in the English literary canon.
Author: Darren Dyck
Publisher: Wipf and Stock Publishers
ISBN: 1666798959
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Will & Love examines four of Shakespeare's love plays (Romeo and Juliet, Troilus and Cressida, Twelfth Night, and Antony and Cleopatra) in light of the Augustinian psychology at the heart of the theological romance tradition. This tradition, which Shakespeare inherits from medieval theologian-poets such as Boethius, Dante, Petrarch, and Chaucer, issues from the idea, initially expressed by Augustine in his Confessions, that love functions as volitional weight, as a kind of magnetism or almost-gravitational force--that it moves the lover in mysterious ways yet without diminishing his or her agency. Will & Love highlights Shakespeare's conception of love in terms of motion and explores the metaphysical, ethical, psychological, and dramatic implications of his doing so.
Author: Jennifer Summit
Publisher: University of Chicago Press
ISBN: 9780226780122
Category : Language Arts & Disciplines
Languages : en
Pages : 296
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Book Description
The English literary canon is haunted by the figure of the lost woman writer. In our own age, she has been a powerful stimulus for the rediscovery of works written by women. But as Jennifer Summit argues, "the lost woman writer" also served as an evocative symbol during the very formation of an English literary tradition from the fourteenth through the sixteenth centuries. Lost Property traces the representation of women writers from Margery Kempe and Christine de Pizan to Elizabeth I and Mary Queen of Scots, exploring how the woman writer became a focal point for emerging theories of literature and authorship in English precisely because of her perceived alienation from tradition. Through original archival research and readings of key literary texts, Summit writes a new history of the woman writer that reflects the impact of such developments as the introduction of printing, the Reformation, and the rise of the English court as a literary center. A major rethinking of the place of women writers in the histories of books, authorship, and canon-formation, Lost Property demonstrates that, rather than being an unimaginable anomaly, the idea of the woman writer played a key role in the invention of English literature.
Author: Megan L. Cook
Publisher: University of Pennsylvania Press
ISBN: 081229582X
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Between 1532 and 1602, the works of Geoffrey Chaucer were published in no less than six folio editions. These were, in fact, the largest books of poetry produced in sixteenth-century England, and they significantly shaped the perceptions of Chaucer that would hold sway for centuries to come. But it is the stories behind these editions that are the focus of Megan L. Cook's interest in The Poet and the Antiquaries. She explores how antiquarians—historians, lexicographers, religious polemicists, and other readers with a professional, but not necessarily literary, interest in the English past—played an indispensable role in making Chaucer a figure of lasting literary and cultural importance. After establishing the antiquarian involvement in the publication of the folio editions, Cook offers a series of case studies that discuss Chaucer and his works in relation to specific sixteenth-century discourses about the past. She turns to early accounts of Chaucer's biography to show how important they were in constructing the poet as a figure whose life and works could be known, understood, and valued by later readers. She considers the claims made about Chaucer's religious views, especially the assertions that he was a proto-Protestant, and the effects they had on shaping his canon. Looking at early modern views on Chaucerian language, she illustrates how complicated the relations between past and present forms of English were thought to be. Finally, she demonstrates the ways in which antiquarian readers applied knowledge from other areas of scholarship to their reading of Middle English texts. Linking Chaucer's exceptional standing in the poetic canon with his role as a symbol of linguistic and national identity, The Poet and the Antiquaries demonstrates how and why Chaucer became not only the first English author to become a subject of historical inquiry but also a crucial figure for conceptualizing the medieval in early modern England.
Author: James R. Siemon
Publisher: Associated University Presse
ISBN: 0838644864
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
Shakespeare Studies is an annual volume featuring the work of scholars, critics, and cultural historians from across the globe. This issue includes a Forum on the drama of the 1580s, from eleven contributors; a Next Gen Plenary, from four contributors, three articles, and reviews of sixteen books.
