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Author: Patricia R. Zimmermann
Publisher: Indiana University Press
ISBN: 9780253209443
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
Examines amateur film, filmmaking, and equipment from the late 1890s to the present, focusing on the emerging and changing discourse of aesthetics, creativity and innovation, and standards of production.
Author: Patricia R. Zimmermann
Publisher: Indiana University Press
ISBN: 9780253209443
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
Examines amateur film, filmmaking, and equipment from the late 1890s to the present, focusing on the emerging and changing discourse of aesthetics, creativity and innovation, and standards of production.
Author: Patricia Rodden Zimmermann
Publisher:
ISBN:
Category : Amateur films
Languages : en
Pages : 436
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Book Description
Author: Andrew J. Cherlin
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 618
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Book Description
Examines the family through the private family, in which we live our personal lives, and the public family, in which we deal with societal issues, such as raising the next generation, and the care of the elderly. This title looks at personal concerns, such as marriage, and societal concerns, such as governmental policies that affect families.
Author:
Publisher:
ISBN:
Category : Geneology
Languages : en
Pages : 844
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Book Description
Author: Ian Craven
Publisher: Cambridge Scholars Publishing
ISBN: 1527556735
Category : Performing Arts
Languages : en
Pages : 365
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Book Description
Movies on Home Ground: Explorations in Amateur Cinema offers a critical response to the still under-explored mode of amateur cinema, as a particular sphere of British film practice. Concentrating upon a roughly fifty-year period (1930–1980), during which such filmmaking grew rapidly as a significant leisure activity in Britain, the volume shows how popular ‘cine’ assumed distinctive institutional and ideological forms, and some remarkable aesthetic emphases, grounded in consistent technical and critical apparatuses. Although an outline history of such filmmaking is certainly implicit, the priority of Movies On Home Ground is to offer a series of overlapping perspectives on amateur movie-making, with a view to locating such filmmaking as a component of the broader shape of British film culture. Emphasis is thus given to institutional contexts, technical determinants, and the social formations of practising filmmakers, as well as to concerns with the construction of amateur outlooks, understandings of amateur aesthetics, and the remarkable diversity of amateur genericity. The anthology thus supplies a text offering support to study courses dealing with the many varieties of non-professional participation best understood as truly ‘amateur’, rather than as ‘independent’ or ‘alternative’ filmmaking. By granting the amateur a place within the acknowledged range of significant interventions, the recognised canon of British filmmaking is widened in fascinating new directions.
Author: Glyn Davis
Publisher: Routledge
ISBN: 1317623371
Category : Social Science
Languages : en
Pages : 888
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Book Description
Film Studies: A Global Introduction reroutes film studies from its Euro-American focus and canon in order to introduce students to a medium that has always been global but has become differently and insistently so in the digital age. Glyn Davis, Kay Dickinson, Lisa Patti and Amy Villarejo’s approach encourages readers to think about film holistically by looking beyond the textual analysis of key films. In contrast, it engages with other vital areas, such as financing, labour, marketing, distribution, exhibition, preservation, and politics, reflecting contemporary aspects of cinema production and consumption worldwide. Key features of the book include: clear definitions of the key terms at the foundation of film studies coverage of the work of key thinkers, explained in their social and historical context a broad range of relevant case studies that reflect the book’s approach to global cinema, from Italian "white telephone" films to Mexican wrestling films innovative and flexible exercises to help readers enhance their understanding of the histories, theories, and examples introduced in each chapter an extensive Interlude introducing readers to formal analysis through the careful explication and application of key terms a detailed discussion of strategies for writing about cinema Films Studies: A Global Introduction will appeal to students studying film today and aspiring to work in the industry, as well as those eager to understand the world of images and screens in which we all live.
Author: Haidee Wasson
Publisher: Univ of California Press
ISBN: 0520420896
Category : Performing Arts
Languages : en
Pages : 331
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Book Description
Haidee Wasson provides a rich cultural history of cinema's transformation from a passing amusement to an enduring art form by mapping the creation of the Film Library of the Museum of Modern Art (MoMA), New York, established in 1935. The first North American film archive and museum, the film library pioneered an expansive moving image network, comprising popular, abstract, animated, American, Canadian, and European films. More than a repository, MoMA circulated these films nationally and internationally, connecting the modern art museum to universities, libraries, women's clubs, unions, archives, and department stores. Under the aegis of the museum, cinema also changed. Like books, paintings, and photographs, films became discrete objects, integral to thinking about art, history, and the politics of modern life.
Author: André Jansson
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754674610
Category : Social Science
Languages : en
Pages : 366
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Book Description
Certain bizarre spaces, where disruption or disarray rule, leave us estranged and 'out of place'. This book examines such spaces, highlighting the emotional and mediated geographies of uncertainty and the state of being 'in-between'; of cognitive displacement, loss, fear, or exhilaration. It expands on why space is sometimes estranging and for whom it is strange.
Author: Ariel Rogers
Publisher: Columbia University Press
ISBN: 0231548036
Category : Performing Arts
Languages : en
Pages : 382
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Book Description
Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema’s golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of “classical” Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers’s history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media.
Author: Frank Theodore Cole
Publisher:
ISBN:
Category :
Languages : en
Pages : 378
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Book Description
