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Author: William Howard Adams
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 88
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Book Description
Author: William Howard Adams
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 88
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Book Description
Author: Francesca Cigola
Publisher: Princeton Architectural Press
ISBN: 9781616891299
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Whether located in the heart of a metropolis such as Chicago or on sprawling fields in the countryside, sculpture parks and gardens have become increasingly popular destinations for art and nature lovers alike. These art parks offer visitors a unique opportunity to interact with large-scale works designed for quiet contemplation in natural landscapes. Art Parks is the first comprehensive guide to North America's most important outdoor sculpture parks. Parks are divided into chapters thematically and by region, with four maps that locate parks within each geographic area. Each of the fifty-seven locations—from large-scale parks in the countryside to small urban gardens and corporate sculpture collections—is described in detail and beautifully photographed. With its handy flexibind format, it is equally at home in the traveler's backpack or on the sculpture lover's side table.
Author: Anne Pasternak
Publisher: Creative Time
ISBN: 9781928570028
Category : Art
Languages : en
Pages : 0
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Book Description
Foreword and essay by Doug Ashford. Introduction by Anne Pasternak.
Author: Pamela M. Lee
Publisher: MIT Press
ISBN: 9780262621564
Category : Architecture
Languages : en
Pages : 308
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Book Description
In this first critical account of Matta-Clark's work, Pamela M. Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs. Although highly regarded during his short life—and honored by artists and architects today—the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. Have art historians written so little about Matta-Clark's work because of its ephemerality, or, as Pamela M. Lee argues, because of its historiographic, political, and social dimensions? What did the activity of carving up a building-in anticipation of its destruction—suggest about the conditions of art making, architecture, and urbanism in the 1970s? What was one to make of the paradox attendant on its making—that the production of the object was contingent upon its ruination? How do these projects address the very writing of history, a history that imagines itself building toward an ideal work in the service of progress? In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Author: George R. Goldner
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362561
Category : Art
Languages : en
Pages : 170
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Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 21 of the J. Paul Getty Museum Journal includes articles by John Walsh, Barbara C. Anderson, Ariel Herrmann, Jill Finsten, Lynn F. Jacobs, And Peter J. Holliday.
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362081
Category : Art
Languages : en
Pages : 190
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Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.
Author: Michael Schwab
Publisher: Leuven University Press
ISBN: 905867973X
Category : Art
Languages : en
Pages : 232
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Book Description
In the sciences, the experimental approach has proved its worth in generating what subsequently requires understanding. Can the emergent field of artistic research be inspired by recent thinking about the history and workings of science?
Author: Bruce W. Ferguson
Publisher: Routledge
ISBN: 1134820011
Category : Art
Languages : en
Pages : 520
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Book Description
An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.
Author: Makeda Best
Publisher: Harvard Art Museums
ISBN: 9780300260083
Category : History
Languages : en
Pages : 224
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Book Description
Tracing the impacts of militarism on the American landscape, through the lens of art, environmental studies, and politics Devour the Land considers how contemporary photographers have responded to the US military's impact on the domestic environment since the 1970s, a dynamic period for environmental activism as well as for photography. This catalogue presents a lively range of voices at the intersection of art, environmentalism, militarism, photography, and politics. Alongside interviews with prominent contemporary artists working in the landscape photography tradition, the images speak to photographers' varied motivations, personal experiences, and artistic approaches. The result is a surprising picture of the ways violence and warfare surround us. Although most modern combat has taken place abroad, the US domestic landscape bears the footprint of armed conflict--much of the environmental damage we live with today was caused by our own military and the expansive network of industries supporting its work. Designed to evoke a field book and to nod toward ephemera produced by earlier artists and activists, the catalogue features works by dozens of photographers, including Ansel Adams, Robert Adams, Dorothy Marder, Alex Webb, Terry Evans, and many more.
