Recueil factice d'articles de presse sur le Foyer des arts, en 1933 et 1934

Recueil factice d'articles de presse sur le Foyer des arts, en 1933 et 1934 PDF Author:
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Languages : fr
Pages : 2

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Recueil factice d'articles de presse sur le Foyer des arts, en 1933 et 1934

Recueil factice d'articles de presse sur le Foyer des arts, en 1933 et 1934 PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2

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Recueil factice d'articles de presse sur le budget des beaux-arts. 1933

Recueil factice d'articles de presse sur le budget des beaux-arts. 1933 PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 24

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Recueil factice d'articles de presse sur l'Opéra en 1932-1933-1934

Recueil factice d'articles de presse sur l'Opéra en 1932-1933-1934 PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 146

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Recueil factice d'articles de presse sur la Saison théâtrale 1933-1934

Recueil factice d'articles de presse sur la Saison théâtrale 1933-1934 PDF Author:
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Category :
Languages : fr
Pages :

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Recueil factice d'articles de presse sur le budget des beaux-arts, 1934

Recueil factice d'articles de presse sur le budget des beaux-arts, 1934 PDF Author:
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Category :
Languages : fr
Pages : 18

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Oedipus at Thebes

Oedipus at Thebes PDF Author: Bernard Knox
Publisher: Yale University Press
ISBN: 9780300074239
Category : Literary Criticism
Languages : en
Pages : 304

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Book Description
Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.

About the Contemplative Life

About the Contemplative Life PDF Author: Philo (of Alexandria.)
Publisher:
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Category :
Languages : en
Pages : 530

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The Pope's Body

The Pope's Body PDF Author: Agostino Paravicini-Bagliani
Publisher: University of Chicago Press
ISBN: 9780226034379
Category : History
Languages : en
Pages : 448

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Book Description
In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life. Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.

Platinotype, Its Preparation and Manipulation

Platinotype, Its Preparation and Manipulation PDF Author: Sir William de Wiveleslie Abney
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 192

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Epic and Empire

Epic and Empire PDF Author: David Quint
Publisher: Princeton University Press
ISBN: 0691222959
Category : Literary Criticism
Languages : en
Pages : 444

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Book Description
Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.