La Horda

La Horda PDF Author: Vicente Blasco Ibez
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539417385
Category :
Languages : en
Pages : 304

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Book Description
La Horda

La Horda

La Horda PDF Author: Vicente Blasco Ibez
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539417385
Category :
Languages : en
Pages : 304

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Book Description
La Horda

Oedipus at Thebes

Oedipus at Thebes PDF Author: Bernard Knox
Publisher: Yale University Press
ISBN: 9780300074239
Category : Literary Criticism
Languages : en
Pages : 304

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Book Description
Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.

The Poems of Edgar Allan Poe

The Poems of Edgar Allan Poe PDF Author: Edgar Allan Poe
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 414

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The Dead Command

The Dead Command PDF Author: Vicente Blasco Ibáñez
Publisher:
ISBN:
Category : Ibiza (Spain)
Languages : en
Pages : 370

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The Shadow of the Cathedral

The Shadow of the Cathedral PDF Author: Vicente Blasco Ibáñez
Publisher: Library of Alexandria
ISBN: 1465534628
Category : Fiction
Languages : en
Pages : 426

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French Opera at the Fin de Siècle

French Opera at the Fin de Siècle PDF Author: Steven Huebner
Publisher: Oxford University Press
ISBN: 9780199719921
Category : Music
Languages : en
Pages : 552

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Book Description
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.

The Prima Donna and Opera, 1815-1930

The Prima Donna and Opera, 1815-1930 PDF Author: Susan Rutherford
Publisher: Cambridge University Press
ISBN: 052185167X
Category : Music
Languages : en
Pages : 26

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Book Description
An examination of the female opera singer during the nineteenth and twentieth centuries.

Against the Madness of Manu

Against the Madness of Manu PDF Author: Bhimrao Ramji Ambedkar
Publisher:
ISBN: 9788189059538
Category : Caste
Languages : mr
Pages : 266

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Opera Acts

Opera Acts PDF Author: Karen Henson
Publisher: Cambridge University Press
ISBN: 1107004268
Category : Music
Languages : en
Pages : 281

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Book Description
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.

Satie the Bohemian

Satie the Bohemian PDF Author: Steven Moore Whiting
Publisher: Clarendon Press
ISBN: 0191584525
Category : Music
Languages : en
Pages : 610

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Book Description
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.