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Author: Bill Viola
Publisher: Thames & Hudson
ISBN: 9780500278376
Category : Installations (Art)
Languages : en
Pages : 301
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Book Description
Bill Viola ia a leading American artist working in video and sound installations, using innovative multi-media technologies to explore the phenomena of sense perception. This is a selection of his essays, notebook entries, interviews, drawings and descriptions of projects.
Author: Bill Viola
Publisher: Thames & Hudson
ISBN: 9780500278376
Category : Installations (Art)
Languages : en
Pages : 301
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Book Description
Bill Viola ia a leading American artist working in video and sound installations, using innovative multi-media technologies to explore the phenomena of sense perception. This is a selection of his essays, notebook entries, interviews, drawings and descriptions of projects.
Author: Charles L. Cohen
Publisher: Oxford University Press, USA
ISBN: 0199931925
Category : History
Languages : en
Pages : 406
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Book Description
Religious pluralism has characterized America almost from its seventeenth-century inception, but the past half century or so has witnessed wholesale changes in the religious landscape. Gods in America brings together leading scholars from a variety of disciplines to explain the historical roots of these phenomena and assess their impact on modern American society.
Author: Yvonne Sherwood
Publisher: Cambridge University Press
ISBN: 1107007860
Category : Bibles
Languages : en
Pages : 403
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Book Description
Explores the persistence of 'blasphemy' in modern secular democracies and examines ways of talking and thinking about the Bible.
Author: David Jasper
Publisher: John Wiley & Sons
ISBN: 0470777222
Category : Religion
Languages : en
Pages : 234
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Book Description
The Sacred Desert is a reflection on the role of the desert in theology, history, literature, art and film.:.; An original reflection on the role of the desert in theology, history, literature, art and film.; Discusses figures as diverse as Jesus, the early Christian Desert Fathers, T.E. Lawrence, T.S. Eliot, Georgia O'Keeffe, Wim Wenders and Jim Crace.; Makes connections across millennia of desert literature.; Deepens the reader's understanding of the desert as a real place, as an interior space, and as a textual site,.; Concludes with comments on the recent conflicts in Iraq.; Written in a r.
Author: Sabine Flach
Publisher: Peter Lang
ISBN: 9783034305310
Category : Art
Languages : en
Pages : 272
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Book Description
Which are the aspects of cognition not yet focused on as such by brain research? How can one deal with them? This book sheds light on the other sides of cognition, on what they mean for forms and figurations of subjective, cultural and social understanding. In examining nuances, exceptions, changes, emotions and absence of emotions, automatized actions and meaningful relations, states of minds and states of bodies, the volume searches new approaches to these phenomena in discussing the relation between the habitus - the habits and behavioral attitudes involved in cognition - and its embeddedness in a habitat. By opening a dialogue between artistic knowledge and the sciences, Other Sides of Cognition investigates novel avenues and concepts within science and research. At a Berlin-based conference: Other Sides of Cognition, scholars gathered from various disciplines to discuss these issues. This book broadens perspectives on the interdisciplinary field encompassing perception, action and epistemic formations. It offers a new view on the related field of habitus and cognition.
Author: David Craven
Publisher: Liverpool University Press
ISBN: 1846318114
Category : Art
Languages : en
Pages : 289
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Book Description
Few art critics in Western art history have ever had the broad-ranging impact over several decades of Donald Kuspit, a philosopher and psychoanalyst who from 1970 until the present has been a commanding figure on the international stage. A student of German thinker Theodor Adorno under whom he earned the first of his three doctorates, Kuspit introduced a new type of philosophical art criticism into the art world. He drew on both phenomenology and Critical Theory before he then increasingly adopted psychoanalysis. Since Kuspit himself has always measured his own place in the history of art criticism by how rigorously he engages with competing approaches, this book is a searching survey of Kuspit's role in triggering several historic shifts within art criticism, beginning with his now legendary 1974 article in Artforum, "A Phenomenological Approach to Artistic Intention." Dense and demanding, yet deft and incisive, Kuspit's multi-faceted art criticism has become world famous for reasons that artists, critics, art historians, and philosophers from at least ten different nations explain from various points of view. Divided into three parts and introduced by a lengthy introduction, the book features comments by recognized artists like Rudolf Baranik, Anselm Kiefer, and April Gornik, as well as critical commentaries by many scholars and critics from around the world on the richness of Kuspit's insights into art.
Author: Stamatia Portanova
Publisher: MIT Press
ISBN: 0262551179
Category : Art
Languages : en
Pages : 194
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Book Description
A radically empirical exploration of movement and technology and the transformations of choreography in a digital realm. Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think—rather than just perform or perceive—movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems.
Author:
Publisher: BRILL
ISBN: 9004407944
Category : Psychology
Languages : en
Pages : 366
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Book Description
This volume addresses trauma not only from a theoretical, descriptive and therapeutic perspective, but also through the survivor as narrator, meaning maker, and presenter. By conceptualising different outlooks on trauma, exploring transfigurations in writing and art, and engaging trauma through scriptotherapy, dharma art, autoethnography, photovoice and choreography, the interdisciplinary dialogue highlights the need for rethinking and re-examining trauma, as classical treatments geared towards healing do not recognise the potential for transfiguration inherent in the trauma itself. The investigation of the fissures, disruptions and shifts after punctual traumatic events or prolonged exposure to verbal and physical abuse, illness, war, captivity, incarceration, and chemical exposure, amongst others, leads to a new understanding of the transformed self and empowering post-traumatic developments. Contributors are Peter Bray, Francesca Brencio, Mark Callaghan, M. Candace Christensen, Diedra L. Clay, Leanne Dodd, Marie France Forcier, Gen’ichiro Itakura, Jacqueline Linder, Elwin Susan John, Kori D. Novak, Cassie Pedersen, Danielle Schaub, Nicholas Quin Serenati, Aslı Tekinay, Tony M. Vinci and Claudio Zanini.
Author: Paul Hegarty
Publisher: Bloomsbury Publishing USA
ISBN: 1623564131
Category : Music
Languages : en
Pages : 217
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Book Description
This is a book about video art, and about sound art. The thesis is that sound first entered the gallery via the video art of the 1960s and in so doing, created an unexpected noise. The early part of the book looks at this formative period and the key figures within it - then jumps to the mid-1990s, when video art has become such a major part of contemporary art production, it no longer seems an autonomous form. Paul Hegarty considers the work of a range of artists (including Steve McQueen, Christian Marclay, Ryan Trecartin, and Jane and Louise Wilson), proposing different theories according to the particular strategy of the artist under discussion. Connecting them all are the twinned ideas of intermedia and synaesthesia. Hegarty offers close readings of video works, as influenced by their sound, while also considering the institutional and material contexts. Applying contemporary sound theory to the world of video art, Paul Hegarty offers an entirely fresh perspective on the interactions between sound, sound art, and the visual.
Author: C. Spretnak
Publisher: Springer
ISBN: 1137342579
Category : Religion
Languages : en
Pages : 460
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Book Description
This book demonstrates that numerous prominent artists in every period of the modern era were expressing spiritual interests when they created celebrated works of art. This magisterial overview insightfully reveals the centrality of an often denied and misunderstood element in the cultural history of modern art.
