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Author: Robert H. Boyer
Publisher: Avon Books
ISBN: 9780380415335
Category : Fiction
Languages : en
Pages : 324
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Book Description
A collection of fantasy literature chosen from the most popular works of the past 100 years, and including brief biographical sketches of each author.
Author: Robert H. Boyer
Publisher: Avon Books
ISBN: 9780380415335
Category : Fiction
Languages : en
Pages : 324
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Book Description
A collection of fantasy literature chosen from the most popular works of the past 100 years, and including brief biographical sketches of each author.
Author: George MacDonald
Publisher: Read Books Ltd
ISBN: 1528790731
Category : Social Science
Languages : en
Pages : 18
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Book Description
“The Fantastic Imagination” is a 1893 essay by Scottish writer George MacDonald (1824–1905). A pioneer of fantasy literature, MacDonald was the mentor of Lewis Carroll and influenced the work of many other notable writers including J. M. Barrie, Mark Twain, C. S. Lewis, and J. R. R. Tolkien. This fascinating essay concentrates on writing and imagination, offering expert insights into fantasy and fiction writing by a master of the genre. Highly recommended for fantasy readers and writers alike. Contents include: “George Macdonald, by Richard Watson Gilder”, “Fairy Tales, by G. K. Chesterton”, “The Fantastic Imagination, by George Macdonald”. Other notable works by this author include: “At the Back of the North Wind” (1871), “The Princess and the Goblin” (1872), and “The Wise Woman: A Parable” (1875). Read & Co. Great Essays is republishing this classic essay now complete with an introduction by G. K. Chesterton.
Author: Dana Percec
Publisher:
ISBN:
Category : Fantasy literature
Languages : en
Pages : 278
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Book Description
Author: Dana Percec
Publisher: Cambridge Scholars Publishing
ISBN: 1443862975
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
The purpose of Reading the Fantastic Imagination: The Avatars of a Literary Genre is the observation of the very hybridity of the fantastic genre, as a typical postmodern form. The volume continues an older project of the editor and a large number of the contributors, that of investigating the current status of several popular genres, from historical fiction to romance. The scrutiny continues in this third volume, dedicated to the fantastic imagination and the plethora of themes, moods, media, and formats deriving from it. FanLit is surely trendy, even if it is not highbrow, despite its noble ancestry. This apparent paradox characterizes many of the literary genres en vogue today, from historical fiction to romance. This very contradiction forms part of the basis for this book. After the success of the previous book in the series dedicated to a “borderline” literary genre – Romance: The History of a Genre was declared by Cambridge Scholars Publishing as the Critics’ Choice Book of the Month in January 2013 – this collection of studies about the fantastic imagination takes a further step into completing a larger research project which seeks to investigate the varieties of popular fiction. Although all contributors in the series teach canonical literary texts, they did not hesitate to plunge into the opposite area of fictional work and, moreover, continued doing so even though such a project caused the “raise of a few (high)brows,” (Percec 2012, 232) as argued in the Endnote of Romance: The History of a Genre.
Author: Ebony Elizabeth Thomas
Publisher: NYU Press
ISBN: 1479806072
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Winner, 2022 Children's Literature Association Book Award, given by the Children's Literature Association Winner, 2020 World Fantasy Awards Winner, 2020 British Fantasy Awards, Nonfiction Finalist, Creative Nonfiction IGNYTE Award, given by FIYACON for BIPOC+ in Speculative Fiction Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”
Author: Brent H. Sudduth
Publisher: Marvel Comics
ISBN: 9780696225086
Category : Juvenile Fiction
Languages : en
Pages : 28
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Book Description
When the Fantastic Four are to be given a heroes award, their evil nemesis, Dr. Doom, returns.
Author: Shariann Lewitt
Publisher: Positronic Publishing
ISBN: 9781633847354
Category :
Languages : en
Pages : 240
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Book Description
Fantastic Stories of the Imagination was newly revived by Hugo and World Fantasy Award nominated editor Warren Lapine as a webzine in 2014. Fantastic Stories brings you the very best in science fiction and fantasy with a blend of original fiction, reprints, and criticism of the field. Each month a new issue is posted free on the web for all to read at www.fantasticstoriesoftheimagination.com back issues may also be purchased either as e-books or print editions. Collected here are all of the original stories that ran in 2014. "New Beaches" by Daniel Hatch: Power, corruption, and danger rise with the tides. "Invisible Friends" by Steven Sawicki: He's just an all American boy with a dog that loves to drive his car, some talking monkeys, and a few damned aliens. "Invisible Friends Too (Or, I Have No Bananas and Ice Must Cream): by Steven Sawiki: Monkeys, aliens, and Elvis . . . oh my. "Rope Burns" by Kelly McCullough: He had a secret to keep, but then don't we all? "Night of Apophis" by Brenda Kalt: Eat, drink, and be merry, for tomorrow we die. "Chocolateland" by Shariann Lewitt: When they wanted to eat, to really enjoy a good pig out, they could go to Chocolateland
Author: Robert H. Boyer
Publisher: New York : Avon Books
ISBN:
Category : Fiction
Languages : en
Pages : 314
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Book Description
Eighteen fantasy writers share the secrets of their craft in essays, excerpts, and letters.
Author: Dana Percec
Publisher: Cambridge Scholars Publishing
ISBN: 1443838357
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Romance: The History of a Genre is a collection of essays devoted to the highly popular and no less controversial genre of romance. A genre often disregarded for its stereotypical language, shallow characters, and predictable plots, dismissed as “women’s” fiction, accused of conventionalism, romance is a genre which, after ups and downs in its millennial history, is now holding a leading position on the international bookselling market. This achievement has also been possible with the endorsement of contemporary media and modern technology, cinema, television, the Internet, etc. Much has been written in both traditional and more recent literary theory about the origins and evolution of the early forms of romance, from the classical Antiquity, through the Middle Ages, and into the Renaissance and early modernity in Western Europe. A corpus, which is becoming more and more substantial today, is already available about the gendered status of contemporary romance, both in terms of the writing ethos and in terms of reader response, with theories coming from the combined areas of feminism, social sciences, and psychoanalysis. The aim of the present volume is that of noting the fluid character of the genre, with the great number of subcategories, mixed and hybrid, bringing evidence to the polymorphous nature of contemporary popular culture. This book proposes, in four parts and twelve chapters, a fascinating and multifaceted journey into the history, substance and geography of romance. From its origins to the latest developments, from its subgenres to its features, from print to film, from television to Facebook, romance comes in various shapes and colours, which the reader can fully explore. The journey in the world of romance takes the reader from familiar corners to less familiar ones: from North America, Great Britain, Romania, or Turkey, to India or South Africa. The numerous approaches to romance generate diverse data, varied analytical frameworks and interesting, fresh and solidly grounded findings.
Author: Elizabeth Morrison
Publisher: Getty Publications
ISBN: 9780892368884
Category : Art
Languages : en
Pages : 120
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Book Description
Beasts Factual and Fantastic is the first in the Medieval Imagination series of small, affordable books that will draw on manuscript illuminations from the Middle Ages and early Renaissance. Each volume will focus on a particular theme or subject as represented by medieval artists. Often, as in the case of the imaginary beasts that readers will encounter in this volume, artists depicted that which they did not see or know, but which was nonetheless shaped by the prevailing beliefs, fears, and rudimentary science of the time. In other cases, manuscript illuminators recorded what they indeed did see--which, centuries later, reveals much about the world in which they lived. This inaugural volume features vivid and charming details from the wealth of manuscripts in the collections of the J. Paul Getty Museum and the British Library, along with a lively text; together both word and image provide an accessible and delightful introduction to the imagination of the medieval world. Future volumes in this series will cover such topics as costumes, portraiture, and marginalia, among others.
