Author: George Peabody Library
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 974
Book Description
Catalogue of the Library of the Peabody Institute of the City of Baltimore ...
Author: George Peabody Library
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 974
Book Description
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 974
Book Description
Catalogue of the Library of the Peabody Institute of the City of Baltimore
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385312779
Category : Fiction
Languages : en
Pages : 966
Book Description
Reprint of the original, first published in 1883.
Publisher: BoD – Books on Demand
ISBN: 3385312779
Category : Fiction
Languages : en
Pages : 966
Book Description
Reprint of the original, first published in 1883.
Rivals and Conspirators
Author: Fae Brauer
Publisher: Cambridge Scholars Publishing
ISBN: 144386370X
Category : Art
Languages : en
Pages : 457
Book Description
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
Publisher: Cambridge Scholars Publishing
ISBN: 144386370X
Category : Art
Languages : en
Pages : 457
Book Description
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
Catalogue of the Library of the Peabody Institute of the City of Baltimore ...
Author: George Peabody Library
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 514
Book Description
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 598
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 598
Book Description
مجلة التاريخية المغربية
Author:
Publisher:
ISBN:
Category : Africa, North
Languages : fr
Pages : 1176
Book Description
Epoque moderne et contemporaine.
Publisher:
ISBN:
Category : Africa, North
Languages : fr
Pages : 1176
Book Description
Epoque moderne et contemporaine.
Rapport fait au nom de la Commission du budget chargée d'examiner le projet de loi portant fixation du budget général de l'exercice ...
Author: France. Assemblée nationale (1871-1942). Chambre des députés. Commission annuelle du budget
Publisher:
ISBN:
Category : Budget
Languages : fr
Pages : 600
Book Description
Publisher:
ISBN:
Category : Budget
Languages : fr
Pages : 600
Book Description
Jerusalem 1900
Author: Vincent Lemire
Publisher: University of Chicago Press
ISBN: 022618823X
Category : Art
Languages : en
Pages : 226
Book Description
Elected Council Members: Citizens, City Dwellers, and Property Owners -- Yussuf Ziya al-Khalidi, the Founding Mayor -- At the Heart of Municipal Action: The Defense of Public Space -- Urbanites All? Public Health, Leisure, and Municipal Finances -- 6. The Wild Revolutionary Days of 1908 -- What Time Was It in Jerusalem? -- The Wild Days of August 1908: Jerusalem's Forgotten Revolution -- Unexpected Fracture Lines -- New Vectors of Lively Public Opinion -- Underneath Communities, Classes? -- 7. Intersecting Identities -- Albert Antébi, Levantine Urbanite -- An "Arab Awakening" in the Chaos of Battle -- Jerusalem and the Parochialism of the "People of the Holy Land"--Jerusalem, the Thrice-Holy City, and the Municipium -- Conclusion: The Bifurcation of Time -- The Bird People -- Ben-Yehuda, the Outsider -- Toward a Shared History -- Notes -- Bibliography -- Index
Publisher: University of Chicago Press
ISBN: 022618823X
Category : Art
Languages : en
Pages : 226
Book Description
Elected Council Members: Citizens, City Dwellers, and Property Owners -- Yussuf Ziya al-Khalidi, the Founding Mayor -- At the Heart of Municipal Action: The Defense of Public Space -- Urbanites All? Public Health, Leisure, and Municipal Finances -- 6. The Wild Revolutionary Days of 1908 -- What Time Was It in Jerusalem? -- The Wild Days of August 1908: Jerusalem's Forgotten Revolution -- Unexpected Fracture Lines -- New Vectors of Lively Public Opinion -- Underneath Communities, Classes? -- 7. Intersecting Identities -- Albert Antébi, Levantine Urbanite -- An "Arab Awakening" in the Chaos of Battle -- Jerusalem and the Parochialism of the "People of the Holy Land"--Jerusalem, the Thrice-Holy City, and the Municipium -- Conclusion: The Bifurcation of Time -- The Bird People -- Ben-Yehuda, the Outsider -- Toward a Shared History -- Notes -- Bibliography -- Index
Africa from the Sixteenth to the Eighteenth Century
Author: Bethwell A. Ogot
Publisher: Univ of California Press
ISBN: 9780435948115
Category : History
Languages : en
Pages : 1088
Book Description
The result of years of work by scholars from all over the world, The UNESCO General History of Africa reflects how the different peoples of Africa view their civilizations and shows the historical relationships between the various parts of the continent. Historical connections with other continents demonstrate Africa's contribution to the development of human civilization. Each volume is lavishly illustrated and contains a comprehensive bibliography. This fifth volume of the acclaimed series covers the history of the continent from the beginning of the sixteenth century to the close of the eighteenth century in which two themes emerge: first, the continuing internal evolution of the states and cultures of Africa during this period second, the increasing involvement of Africa in external trade--with major but unforeseen consequences for the whole world. In North Africa, we see the Ottomans conquer Egypt. South of the Sahara, some of the larger, older states collapse, and new power bases emerge. Traditional religions continue to coexist with both Christianity (suffering setbacks) and Islam (in the ascendancy). Along the coast, particularly of West Africa, Europeans establish a trading network which, with the development of New World plantation agriculture, becomes the focus of the international slave trade. The immediate consequences of this trade for Africa are explored, and it is argued that the long-term global consequences include the foundation of the present world-economy with all its built-in inequalities.
Publisher: Univ of California Press
ISBN: 9780435948115
Category : History
Languages : en
Pages : 1088
Book Description
The result of years of work by scholars from all over the world, The UNESCO General History of Africa reflects how the different peoples of Africa view their civilizations and shows the historical relationships between the various parts of the continent. Historical connections with other continents demonstrate Africa's contribution to the development of human civilization. Each volume is lavishly illustrated and contains a comprehensive bibliography. This fifth volume of the acclaimed series covers the history of the continent from the beginning of the sixteenth century to the close of the eighteenth century in which two themes emerge: first, the continuing internal evolution of the states and cultures of Africa during this period second, the increasing involvement of Africa in external trade--with major but unforeseen consequences for the whole world. In North Africa, we see the Ottomans conquer Egypt. South of the Sahara, some of the larger, older states collapse, and new power bases emerge. Traditional religions continue to coexist with both Christianity (suffering setbacks) and Islam (in the ascendancy). Along the coast, particularly of West Africa, Europeans establish a trading network which, with the development of New World plantation agriculture, becomes the focus of the international slave trade. The immediate consequences of this trade for Africa are explored, and it is argued that the long-term global consequences include the foundation of the present world-economy with all its built-in inequalities.
Revised Laws of Mauritius, 2000
Author: Mauritius
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 0
Book Description