Raphael, Cellini, & a Renaissance Banker PDF Download
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Author: Alan Chong
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 520
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Book Description
Author: Alan Chong
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 520
Get Book Here
Book Description
Author: Alan Chong
Publisher:
ISBN: 9780914660200
Category :
Languages : en
Pages : 487
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Book Description
Author: Francesco Guidi Bruscoli
Publisher: Routledge
ISBN: 1351912941
Category : History
Languages : en
Pages : 378
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Book Description
Benvenuto Olivieri was a Florentine banker active in Rome during the first half of the sixteenth century. A self made man without any great family patrimony, he rose to prominence during the pontificate of Pope Paul III, becoming involved with a variety of papal enterprises which allowed him to get to the heart of the mechanisms governing the papal finances. Amassing a considerable fortune along the way, Olivieri soon built himself a role as co-ordinator of the appalti (revenue farms) and became one of the most powerful players in the complex network that connected bankers and the papal revenue. This book explores the indissoluble link that had developed between the papacy and bankers, illuminating how the Apostolic Chamber, increasingly in need of money, could not meet its debts, without farming out the rights to future income. Utilising documents from a rich corpus of unpublished sources in Florence and Rome, Guidi Bruscoli unravels the web of financial connections that bound together Florentine and Genoese bankers with the papacy, and looks at how money was raised and the appalti managed.
Author: Nicholas Penny
Publisher: Oxford University Press
ISBN: 0190297956
Category : Art
Languages : en
Pages : 67
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Book Description
The Italian painter, draughtsman, and architect known as Raphael has always been acknowledged as one of the greatest European artists. In his own time he was one of the most famous painters working in Italy during the High Renaissance, commissioned to create celebrated altarpieces and devotional paintings, and to decorate the papal apartments in the Vatican Palace. This fully illustrated and comprehensive Grove Art Essentials title covers Raphael's life and prolific artistic career, exploring the development of his style and technique as well as his later critical reception.
Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317
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Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.
Author: Claudia La Malfa
Publisher: Reaktion Books
ISBN: 1789141796
Category : Art
Languages : en
Pages : 305
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Book Description
The Renaissance artist Raphael is known for his extraordinary frescoes, his sublime Madonnas, devotional altarpieces, architectural designs, and his inventive designs for prints and tapestries. It was his use of ancient Roman art—the sculptures, the marble reliefs, the wall-paintings, and the stuccoes—and architecture—the temples, the palaces, and the theaters—as well as the churches and mosaics of early-Christian Rome, that formed his much-admired classical style. In Raphael and the Antique, Claudia La Malfa gives a full account of Raphael’s prodigious career, from central Italy when he was seventeen years old, to Perugia, Siena, and Florence, where he first met with Leonardo and Michelangelo, to Rome where he became one of the most feted artists of the Renaissance. This book brings to light Raphael’s reinvention of classical models, his draftsmanship, and his concept of art—ideas he pursued and was still striving to perfect at the time of his death in 1520 at the young age of thirty-seven.
Author: Noah Charney
Publisher: W. W. Norton & Company
ISBN: 0393248399
Category : Biography & Autobiography
Languages : en
Pages : 353
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Book Description
“Readers curious about the making of Renaissance art, its cast of characters and political intrigue, will find much to relish in these pages.” —Wall Street Journal Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, painter, architect, writer, and scholar—but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari’s extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Lauded by Sarah Bakewell as “insightful, gripping, and thoroughly enjoyable,” The Collector of Lives reveals how one Renaissance scholar completely redefined how we look at art.
Author: Nicholas Scott Baker
Publisher: Harvard University Press
ISBN: 0674726391
Category : History
Languages : en
Pages : 383
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Book Description
In the middle decades of the sixteenth century, the republican city-state of Florence--birthplace of the Renaissance--failed. In its place the Medici family created a principality, becoming first dukes of Florence and then grand dukes of Tuscany. The Fruit of Liberty examines how this transition occurred from the perspective of the Florentine patricians who had dominated and controlled the republic. The book analyzes the long, slow social and cultural transformations that predated, accompanied, and facilitated the institutional shift from republic to principality, from citizen to subject. More than a chronological narrative, this analysis covers a wide range of contributing factors to this transition, from attitudes toward officeholding, clothing, the patronage of artists and architects to notions of self, family, and gender. Using a wide variety of sources including private letters, diaries, and art works, Nicholas Baker explores how the language, images, and values of the republic were reconceptualized to aid the shift from citizen to subject. He argues that the creation of Medici principality did not occur by a radical break with the past but with the adoption and adaptation of the political culture of Renaissance republicanism.
Author: Jill Burke
Publisher: Routledge
ISBN: 1351575716
Category : Art
Languages : en
Pages : 308
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Book Description
From the late fifteenth to the late seventeenth century, Rome was one of the most vibrant and productive centres for the visual arts in the West. Artists from all over Europe came to the city to see its classical remains and its celebrated contemporary art works, as well as for the opportunity to work for its many wealthy patrons. They contributed to the eclecticism of the Roman artistic scene, and to the diffusion of 'Roman' artistic styles in Europe and beyond. Art and Identity in Early Modern Rome is the first book-length study to consider identity creation and artistic development in Rome during this period. Drawing together an international cast of key scholars in the field of Renaissance studies, the book adroitly demonstrates how the exceptional quality of Roman court and urban culture - with its elected 'monarchy', its large foreign population, and unique sense of civic identity - interacted with developments in the visual arts. With its distinctive chronological span and uniquely interdisciplinary approach, Art and Identity in Early Modern Rome puts forward an alternative history of the visual arts in early modern Rome, one that questions traditional periodisation and stylistic categorisation.
Author: Klazina D. Botke
Publisher: Leuven University Press
ISBN: 9462702969
Category : Art
Languages : en
Pages : 320
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Book Description
The history of the Florentine patriciate did not end with the establishment of the Medici Duchy and Grand Duchy of Tuscany. Proud and self-confident, these patricians were not subservient courtiers; on the contrary, they continued to exert a considerable influence on Florentine culture and politics for centuries. The patrician class in sixteenth-century Florence were the descendants of wealthy, sophisticated and politically savvy families who, while acquiring noble titles, estates, and villas, retained their long-standing urban identity. The mark they left on the city’s cultural and artistic life was embraced by the Medici, who used their political and diplomatic knowhow, eleborate artistic commissions, and European networks to enhance their power and prestige. A Cultural Symbiosis highlights the contributions to Florentine art and culture of eight patricians, focusing on the Valori, Pucci, Ridolfi, Vecchietti, del Nero, Salviati, Guicciardini, and Niccolini families.
