Author: Florian Arleth
Publisher: GRIN Verlag
ISBN: 3668972141
Category : Literary Collections
Languages : en
Pages : 21
Book Description
Academic Paper from the year 2018 in the subject Literature - Modern Literature, grade: 1,7, University of Heidelberg (Anglistisches Seminar), course: PS II Race and Racism in Contemporary American Literature, language: English, abstract: This term paper takes a look at how cultural appropriation works in the context of African-American music in general and rap music in particular. Relevant parts of Hari Kunzru's novel "White Tears" will be analyzed in order to understand the motivations and intentions that the two white twenty somethings have in their respective approaches to music that was made before they were born and to a subculture they never participated in due to their social backgrounds. The conclusion of this term paper then answers the following question: Was Carter right to reject the white rapper's business proposal? Especially in a society like the United States with its long history of racial and cultural contacts and clashes, the appropriation of items from different cultural backgrounds is a strongly contested issue. The intensity of recent mainstream debates concerning the professional sport franchises of the Cleveland Indians or the Washington Redskins and their respective marketing of Native American culture is proof of that. When cultural appropriation is used as a vehicle of capitalism, it becomes debatable. Hari Kunzru's novel "White Tears", published in 2017, deals with exactly these topics when portraying the business ventures of two young white music producers and their shared search for vintage sound in modern day New York City. In an early scene of the book, Seth and Carter, the producer duo, meet with representatives of a major label and their artist, a famous white rapper. Having heard of their vast archives of rare vintage sounds and their classic methods of production, the mainstream artists offers them the opportunity to work on his newest project, a tribute to all African-American music that was recorded prior to his birth in the Nineties. When Carter dismisses the project on the grounds of false cultural appropriation, he leaves his business partner as confused as the reader of the novel, since there is no further explanation offered and the plot continues.
Rap Music and Cultural Appropriation in Hari Kunzru's "White Tears"
Author: Florian Arleth
Publisher: GRIN Verlag
ISBN: 3668972141
Category : Literary Collections
Languages : en
Pages : 21
Book Description
Academic Paper from the year 2018 in the subject Literature - Modern Literature, grade: 1,7, University of Heidelberg (Anglistisches Seminar), course: PS II Race and Racism in Contemporary American Literature, language: English, abstract: This term paper takes a look at how cultural appropriation works in the context of African-American music in general and rap music in particular. Relevant parts of Hari Kunzru's novel "White Tears" will be analyzed in order to understand the motivations and intentions that the two white twenty somethings have in their respective approaches to music that was made before they were born and to a subculture they never participated in due to their social backgrounds. The conclusion of this term paper then answers the following question: Was Carter right to reject the white rapper's business proposal? Especially in a society like the United States with its long history of racial and cultural contacts and clashes, the appropriation of items from different cultural backgrounds is a strongly contested issue. The intensity of recent mainstream debates concerning the professional sport franchises of the Cleveland Indians or the Washington Redskins and their respective marketing of Native American culture is proof of that. When cultural appropriation is used as a vehicle of capitalism, it becomes debatable. Hari Kunzru's novel "White Tears", published in 2017, deals with exactly these topics when portraying the business ventures of two young white music producers and their shared search for vintage sound in modern day New York City. In an early scene of the book, Seth and Carter, the producer duo, meet with representatives of a major label and their artist, a famous white rapper. Having heard of their vast archives of rare vintage sounds and their classic methods of production, the mainstream artists offers them the opportunity to work on his newest project, a tribute to all African-American music that was recorded prior to his birth in the Nineties. When Carter dismisses the project on the grounds of false cultural appropriation, he leaves his business partner as confused as the reader of the novel, since there is no further explanation offered and the plot continues.
Publisher: GRIN Verlag
ISBN: 3668972141
Category : Literary Collections
Languages : en
Pages : 21
Book Description
Academic Paper from the year 2018 in the subject Literature - Modern Literature, grade: 1,7, University of Heidelberg (Anglistisches Seminar), course: PS II Race and Racism in Contemporary American Literature, language: English, abstract: This term paper takes a look at how cultural appropriation works in the context of African-American music in general and rap music in particular. Relevant parts of Hari Kunzru's novel "White Tears" will be analyzed in order to understand the motivations and intentions that the two white twenty somethings have in their respective approaches to music that was made before they were born and to a subculture they never participated in due to their social backgrounds. The conclusion of this term paper then answers the following question: Was Carter right to reject the white rapper's business proposal? Especially in a society like the United States with its long history of racial and cultural contacts and clashes, the appropriation of items from different cultural backgrounds is a strongly contested issue. The intensity of recent mainstream debates concerning the professional sport franchises of the Cleveland Indians or the Washington Redskins and their respective marketing of Native American culture is proof of that. When cultural appropriation is used as a vehicle of capitalism, it becomes debatable. Hari Kunzru's novel "White Tears", published in 2017, deals with exactly these topics when portraying the business ventures of two young white music producers and their shared search for vintage sound in modern day New York City. In an early scene of the book, Seth and Carter, the producer duo, meet with representatives of a major label and their artist, a famous white rapper. Having heard of their vast archives of rare vintage sounds and their classic methods of production, the mainstream artists offers them the opportunity to work on his newest project, a tribute to all African-American music that was recorded prior to his birth in the Nineties. When Carter dismisses the project on the grounds of false cultural appropriation, he leaves his business partner as confused as the reader of the novel, since there is no further explanation offered and the plot continues.
White Tears
Author: Hari Kunzru
Publisher: Vintage
ISBN: 0451493702
Category : Fiction
Languages : en
Pages : 289
Book Description
White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music and Delta Mississippi Blues. "An incisive meditation on race, privilege and music. Spanning decades, this novel brings alive the history of old-time blues and America’s racial conscience."—Rabeea Saleem, Chicago Review of Books Two twenty-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America's great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it's a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter's troubled sister Leonie, spiral down into the heart of the nation's darkness, encountering a suppressed history of greed, envy, revenge, and exploitation.
Publisher: Vintage
ISBN: 0451493702
Category : Fiction
Languages : en
Pages : 289
Book Description
White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music and Delta Mississippi Blues. "An incisive meditation on race, privilege and music. Spanning decades, this novel brings alive the history of old-time blues and America’s racial conscience."—Rabeea Saleem, Chicago Review of Books Two twenty-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America's great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it's a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter's troubled sister Leonie, spiral down into the heart of the nation's darkness, encountering a suppressed history of greed, envy, revenge, and exploitation.
The Economics of Fantasy
Author: Sharon Stockton
Publisher: Ohio State University Press
ISBN: 081421018X
Category : Literary Collections
Languages : en
Pages : 244
Book Description
The author examines the evolution of the rape narrative in twentieth-century literature: What accounts for the persistence of the old story of male power and violence, and female passivity and penetrability? How has the story changed over the course of the twentieth century? She investigates the manner in which the violation of the female body serves as a metaphor for a synthesis of masculinity and political economy.
Publisher: Ohio State University Press
ISBN: 081421018X
Category : Literary Collections
Languages : en
Pages : 244
Book Description
The author examines the evolution of the rape narrative in twentieth-century literature: What accounts for the persistence of the old story of male power and violence, and female passivity and penetrability? How has the story changed over the course of the twentieth century? She investigates the manner in which the violation of the female body serves as a metaphor for a synthesis of masculinity and political economy.
Theatre/archaeology
Author: Mike Pearson
Publisher: Psychology Press
ISBN: 0415194571
Category : Art
Languages : en
Pages : 242
Book Description
Theatre/Archaeology is a provocative challenge to disciplinary practice and intellectual boundaries. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and intriguing methodological framework.
Publisher: Psychology Press
ISBN: 0415194571
Category : Art
Languages : en
Pages : 242
Book Description
Theatre/Archaeology is a provocative challenge to disciplinary practice and intellectual boundaries. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and intriguing methodological framework.
The Aesthetic of Our Anger
Author: Matthew Worley
Publisher: Minor Compositions/Autonomedia
ISBN: 9781570273186
Category : Music
Languages : en
Pages : 0
Book Description
Punk is one of the most fiercely debated post-war subcultures. Despite the attention surrounding the movement's origins, analyses of punk have been drawn predominantly from a now well-trodden historical narrative. The Aesthetic of Our Anger explores the development of the anarcho-punk scene from the late 1970s, raising questions over the origins of the scene, its form, structure and cultural significance examining how anarcho-punk moved away from using 'anarchy' as mere connotation and shock value towards an approach that served to make punk a threat again
Publisher: Minor Compositions/Autonomedia
ISBN: 9781570273186
Category : Music
Languages : en
Pages : 0
Book Description
Punk is one of the most fiercely debated post-war subcultures. Despite the attention surrounding the movement's origins, analyses of punk have been drawn predominantly from a now well-trodden historical narrative. The Aesthetic of Our Anger explores the development of the anarcho-punk scene from the late 1970s, raising questions over the origins of the scene, its form, structure and cultural significance examining how anarcho-punk moved away from using 'anarchy' as mere connotation and shock value towards an approach that served to make punk a threat again
Between Page and Screen
Author: Kiene Brillenburg Wurth
Publisher: Fordham Univ Press
ISBN: 0823239055
Category : Language Arts & Disciplines
Languages : en
Pages : 347
Book Description
The contributors to this volume re-assess literary practice at the edges of paper, electronic media, and film. They show how the emergence of a new medium reinvigorates the book and the page as literary media, rather than announcing their impending death.
Publisher: Fordham Univ Press
ISBN: 0823239055
Category : Language Arts & Disciplines
Languages : en
Pages : 347
Book Description
The contributors to this volume re-assess literary practice at the edges of paper, electronic media, and film. They show how the emergence of a new medium reinvigorates the book and the page as literary media, rather than announcing their impending death.
White Tears
Author: Hari Kunzru
Publisher: Vintage
ISBN: 1101973218
Category : Fiction
Languages : en
Pages : 290
Book Description
A PEN/JEAN STEIN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post • San Francisco Chronicle • NPR • GQ • Time • The Economist • Slate • HuffPost • Book Riot Ghost story, murder mystery, love letter to American music--White Tears is all of this and more, a thrilling investigation of race and appropriation in society today. Seth is a shy, awkward twentysomething. Carter is more glamorous, the heir to a great American fortune. But they share an obsession with music--especially the blues. One day, Seth discovers that he's accidentally recorded an unknown blues singer in a park. Carter puts the file online, claiming it's a 1920s recording by a made-up musician named Charlie Shaw. But when a music collector tells them that their recording is genuine--that there really was a singer named Charlie Shaw--the two white boys, along with Carter's sister, find themselves in over their heads, delving deeper and deeper into America's dark, vengeful heart. White Tears is a literary thriller and a meditation on art--who owns it, who can consume it, and who profits from it.
Publisher: Vintage
ISBN: 1101973218
Category : Fiction
Languages : en
Pages : 290
Book Description
A PEN/JEAN STEIN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post • San Francisco Chronicle • NPR • GQ • Time • The Economist • Slate • HuffPost • Book Riot Ghost story, murder mystery, love letter to American music--White Tears is all of this and more, a thrilling investigation of race and appropriation in society today. Seth is a shy, awkward twentysomething. Carter is more glamorous, the heir to a great American fortune. But they share an obsession with music--especially the blues. One day, Seth discovers that he's accidentally recorded an unknown blues singer in a park. Carter puts the file online, claiming it's a 1920s recording by a made-up musician named Charlie Shaw. But when a music collector tells them that their recording is genuine--that there really was a singer named Charlie Shaw--the two white boys, along with Carter's sister, find themselves in over their heads, delving deeper and deeper into America's dark, vengeful heart. White Tears is a literary thriller and a meditation on art--who owns it, who can consume it, and who profits from it.
Harlem is Nowhere
Author: Sharifa Rhodes-Pitts
Publisher: Little Brown
ISBN: 031601723X
Category : Biography & Autobiography
Languages : en
Pages : 214
Book Description
"No geographic or racial qualification guarantees a writer her subject...Only interest, knowledge, and love will do that--all of which this book displays in abundance." (Zadie Smith, Harper's) National Book Critics Circle Award Finalist New York Times Notable Book of the Year Hurston/Wright Legacy Award Finalist One of Slate's best nonfiction books of the past 25 years For a century Harlem has been celebrated as the capital of black America, a thriving center of cultural achievement and political action. At a crucial moment in Harlem's history, as gentrification encroaches, Sharifa Rhodes-Pitts untangles the myth and meaning of Harlem's legacy. Examining the epic Harlem of official history and the personal Harlem that begins at her front door, Rhodes-Pitts introduces us to a wide variety of characters, past and present. At the heart of their stories, and her own, is the hope carried over many generations, hope that Harlem would be the ground from which blacks fully entered America's democracy. Rhodes-Pitts is a brilliant new voice who, like other significant chroniclers of places -- Joan Didion on California, or Jamaica Kincaid on Antigua -- captures the very essence of her subject. "Enchanting...Rhodes-Pitt's Harlem is a place worth fighting for." --New York Times Book Review
Publisher: Little Brown
ISBN: 031601723X
Category : Biography & Autobiography
Languages : en
Pages : 214
Book Description
"No geographic or racial qualification guarantees a writer her subject...Only interest, knowledge, and love will do that--all of which this book displays in abundance." (Zadie Smith, Harper's) National Book Critics Circle Award Finalist New York Times Notable Book of the Year Hurston/Wright Legacy Award Finalist One of Slate's best nonfiction books of the past 25 years For a century Harlem has been celebrated as the capital of black America, a thriving center of cultural achievement and political action. At a crucial moment in Harlem's history, as gentrification encroaches, Sharifa Rhodes-Pitts untangles the myth and meaning of Harlem's legacy. Examining the epic Harlem of official history and the personal Harlem that begins at her front door, Rhodes-Pitts introduces us to a wide variety of characters, past and present. At the heart of their stories, and her own, is the hope carried over many generations, hope that Harlem would be the ground from which blacks fully entered America's democracy. Rhodes-Pitts is a brilliant new voice who, like other significant chroniclers of places -- Joan Didion on California, or Jamaica Kincaid on Antigua -- captures the very essence of her subject. "Enchanting...Rhodes-Pitt's Harlem is a place worth fighting for." --New York Times Book Review
Literary Theory
Author: Johannes Willem Bertens
Publisher: Psychology Press
ISBN: 0415186641
Category : Criticism
Languages : en
Pages : 269
Book Description
This accessible guide provides the ideal first step in understanding literary theory.
Publisher: Psychology Press
ISBN: 0415186641
Category : Criticism
Languages : en
Pages : 269
Book Description
This accessible guide provides the ideal first step in understanding literary theory.
Monolingualism and Linguistic Exhibitionism in Fiction
Author: Anjali Pandey
Publisher: Palgrave Macmillan
ISBN: 9781137340351
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
How are linguistic wars for global prominence literarily and linguistically inscribed in literature? This book focuses on the increasing presence of cosmetic multilingualism in prize-winning fiction, making a case for an emerging transparent-turn in which momentary multilingualism works in the service of long-term monolingualism.
Publisher: Palgrave Macmillan
ISBN: 9781137340351
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
How are linguistic wars for global prominence literarily and linguistically inscribed in literature? This book focuses on the increasing presence of cosmetic multilingualism in prize-winning fiction, making a case for an emerging transparent-turn in which momentary multilingualism works in the service of long-term monolingualism.