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Author: National Collection of Fine Arts (U.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: National Collection of Fine Arts (U.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: National Collection of Fine Arts (U.S.)
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 20
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Book Description
Author: Shifra M. Goldman
Publisher: Chicano Studies Library
ISBN:
Category : Art
Languages : en
Pages : 802
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Author:
Publisher:
ISBN:
Category : Hispanic Americans
Languages : en
Pages : 566
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 872
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Book Description
Author: Simon Knell
Publisher: Routledge
ISBN: 1317432428
Category : Social Science
Languages : en
Pages : 274
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Book Description
Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fundamentally rewrites the history of these institutions and encourages the reader to dispense with elitist views of their worth, Knell reveals an unseen geography and a rich complexity of performance. He considers the ways the national galleries entangle art and nation, and the differing trajectories and purposes of international and national art. Exploring galleries, artists and artworks from around the world, National Galleries is an argument about how we think about and study these institutions. Privileging the situatedness of each national gallery performance, and valuing localism over universalism, Knell looks particularly at how national art is constructed and represented. He ends with examples that show the mutability of national art and by questioning the necessity of art nationalism.
Author: James L. Garrett
Publisher: Intl Food Policy Res Inst
ISBN: 0896296040
Category : Social Science
Languages : en
Pages : 57
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Book Description
Author: Dylan Miner
Publisher: University of Arizona Press
ISBN: 0816530033
Category : Social Science
Languages : en
Pages : 302
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Book Description
"Creating Aztlâan interrogates the important role of Aztlâan in Chicano and Indigenous art and culture. Using the idea that lowriding is an Indigenous way of being, author Dylan A. T. Miner (Mâetis) discusses the multiple roles that Aztlâan has played atvarious moments in time, engaging pre-colonial indigeneities, alongside colonial, modern, and contemporary Xicano responses to colonization"--
Author: National Endowment for the Arts
Publisher:
ISBN:
Category :
Languages : en
Pages : 516
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Book Description
Reports for 1980- include also the Annual report of the National Council on the Arts.
Author: Jose Gamaliel Gonzalez
Publisher: University of Illinois Press
ISBN: 0252090144
Category : Social Science
Languages : en
Pages : 202
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Book Description
Bringing Aztlán to Mexican Chicago is the autobiography of Jóse Gamaliel González, an impassioned artist willing to risk all for the empowerment of his marginalized and oppressed community. Through recollections emerging in a series of interviews conducted over a period of six years by his friend Marc Zimmerman, González looks back on his life and his role in developing Mexican, Chicano, and Latino art as a fundamental dimension of the city he came to call home. Born near Monterey, Mexico, and raised in a steel mill town in northwest Indiana, González studied art at the School of the Art Institute of Chicago and the University of Notre Dame. Settling in Chicago, he founded two major art groups: El Movimiento Artístico Chicano (MARCH) in the 1970s and Mi Raza Arts Consortium (MIRA) in the 1980s. With numerous illustrations, this book portrays González's all-but-forgotten community advocacy, his commitments and conflicts, and his long struggle to bring quality arts programming to the city. By turns dramatic and humorous, his narrative also covers his bouts of illness, his relationships with other artists and arts promoters, and his place within city and barrio politics.
