"Race" and Realism - Vision, Textuality, and Charles Chesnutt's The Marrow of Tradition PDF Download
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Author: Katja Kanzler
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Katja Kanzler
Publisher:
ISBN:
Category :
Languages : en
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Author: Charles Waddell Chesnutt
Publisher: CreateSpace
ISBN: 9781499607857
Category : Social Science
Languages : en
Pages : 232
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The Marrow of Tradition by Charles W. Chestnutt. The Marrow of Tradition is considered to be one of the most important works of African American realist fiction. Complete Edition. The Marrow of Tradition (1901) is a historical novel by the African-American author Charles Chesnutt, set at the time and portraying a fictional account of the Wilmington Insurrection of 1898 in Wilmington, North Carolina. This is a fictional account of the rise of the white supremacist movement, specifically as it contributed to what was originally referred to as the "race riots" that took place in Wilmington, North Carolina in 1898. Critics argue over what would be a more proper term; some favor "massacre" while a North Carolina state commission ruled that it was a coup d'etat, the only overthrow of a legitimately elected government in United States history. Whites attacked and killed blacks in the city and overthrew the county government, establishing white supremacists in power. Set in the fictional town of Wellington, The Marrow of Tradition features several interweaving plots that encompass the poles of the racially segregated society of the American South at the turn of the century. One plot follows Major Carteret, the white owner of the major Wellington newspaper, as he colludes with several other powerful white men to take political control of the town. They are outraged about a provocative editorial published in a black paper that questioned white justifications for lynchings. As the town's unrest intensifies, Carteret faces domestic pressures; his only child Dodie and wife Olivia are both unwell. Carteret's niece Clara, recently introduced to society, is courted by the young Tom Delamere, a handsome and conniving aristocrat who spends most evenings nurturing his penchant for drink and cards. His habits are contrasted with those of Lee Ellis, a rival for Clara, and William Miller, a young black physician who with his wife has returned to his hometown of Wellington to practice medicine. He gained his medical education in Paris and Vienna. Though jarred by segregation and Jim Crow racism, Miller sets up his practice and starts his life. Miller's wife, Janet, is the mulatto half-sister of Mrs. Olivia Carteret; Janet spends her entire life hoping to be acknowledged by her white sister, who is too proud to accept her father's miscegenation after her mother died. Josh Green as a boy witnessed the murder of his father at the hands of a white man—a character named Captain McBane—and is intent on exacting revenge. All these subplots are forced to a crisis through two events: the murder of a white woman, Polly Ochiltree, for which a black servant, Sandy Campbell, is accused, and county elections. Campbell would have been lynched and burned without a trial if it weren't for Miller alerting his boss, the grandfather of the actual murderer, Tom Delamere. Old Mr. Delamere and Lee Ellis discover the truth and save Sandy's life, but Tom is never apprehended for his crime. A few months later, on the eve of the elections Major Carteret, Captain McBain, and one General Belmont conspired to incite a "revolution," overthrowing the Republican party from power and keeping blacks from participating in the elections. They published inflammatory statements in the Morning Chronicle and the revolution quickly became a riot which engulfed the town. The novel culminates with justice for some-- the faithful servant Campbell is saved by his patron, Delamere falls from grace, Josh Green avenges his father's death albeit at the cost of his own life, and Janet Miller gains recognition from her sister, who, along with Major Carteret, was humbled to respect the black Miller family in order to save an ailing Dodie.
Author: Charles Waddell Chesnutt
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 350
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A landmark in the history of African-American fiction, this gripping 1901 novel was among the first literary challenges to racial stereotypes. Its tragic history of 2 families unfolds against the backdrop of the post-Reconstruction South and climaxes with a race riot based on an actual 1898 incident.&
Author: Charles Waddell Chesnutt
Publisher: W. W. Norton
ISBN: 9780393934144
Category : History
Languages : en
Pages : 0
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Book Description
The Norton Critical Edition of this hugely influential novel gives readers the fullest possible sense of its historical background and critical assessment.
Author: Charles Waddell Chesnutt
Publisher: Read Books Ltd
ISBN: 1528793102
Category : Fiction
Languages : en
Pages : 304
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Book Description
"The Marrow of Tradition" is a 1901 historical novel written by the African-American author Charles W. Chesnutt. Set in 1898, it presents a fictionalised version of events related to the Wilmington Insurrection in Wilmington, a riot enacted by white supremacists in North Carolina. Charles Waddell Chesnutt (1858 –1932) was an African-American essayist, lawyer, author, and political activist most famous for his novels and short stories that deal with the issues of racial identity in the post-Civil War South. "The Marrow of Tradition" offers a glimpse into what transpired during the terrible events of that year—highly recommended for those with an interest in African-American history. Contents include: "Charles W. Chesnutt by Benjamin Brawley", "At Break of Day", "The Christening Party", "The Editor at Work", "Theodore Felix", "A Journey Southward", "Janet", "The Operation", "The Campaign Drags", "White Man's 'Nigger'", "Delamere Plays a Trump", etc. Read & Co. Classics is proudly republishing this historical novel now complete the biography "Charles W. Chesnutt" by Benjamin Brawley.
Author: Charles W Chesnutt
Publisher:
ISBN: 9780393871395
Category :
Languages : en
Pages : 0
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The Marrow of Tradition (1901), Charles Chesnutt's second novel, is one of the most prominent entries in the canon of post-bellum, pre-Harlem Black writing. Notable for its fictionalized retelling of the 1898 Wilmington Race Riots, the novel is called to by scholars and readers for its acute depiction of America's turn-of-the-century racial atmosphere. The Norton Library edition features the original 1901 text, explanatory endnotes, and a sweeping introduction by Autumn Womack (Princeton University) that thoroughly details the work's historical contexts, literary achievements, and groundbreaking critique of white supremacy.
Author: Charles W. Chesnutt
Publisher: W. W. Norton & Company
ISBN: 0393888282
Category : Fiction
Languages : en
Pages : 0
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Book Description
The Marrow of Tradition (1901), Charles Chesnutt’s second novel, is one of the most prominent entries in the canon of post-bellum, pre-Harlem Black writing. Notable for its fictionalized retelling of the 1898 Wilmington Race Riots, the novel is called to by scholars and readers for its acute depiction of America's turn-of-the-century racial atmosphere. The Norton Library edition features the original 1901 text, explanatory endnotes, and a sweeping introduction by Autumn Womack (Princeton University) that thoroughly details the work’s historical contexts, literary achievements, and groundbreaking critique of white supremacy.
Author: Charles Waddell Chesnutt
Publisher: Createspace Independent Publishing Platform
ISBN: 9781507811719
Category : African Americans
Languages : en
Pages : 0
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Book Description
The Marrow of Tradition African American Realist Fiction By Charles W. Chestnutt The Marrow of Tradition (1901) is a historical novel by the African-American author Charles Chesnutt, set at the time and portraying a fictional account of the Wilmington Insurrection of 1898 in Wilmington, North Carolina. Set in the fictional town of Wellington, The Marrow of Tradition features several interweaving plots that encompass the poles of the racially segregated society of the American South at the turn of the century. One plot follows Major Carteret, the white owner of the major Wellington newspaper, as he colludes with several other powerful white men to take political control of the town. They are outraged about a provocative editorial published in a black paper that questioned white justifications for lynchings. As the town's unrest intensifies, Carteret faces domestic pressures; his only child Dodie and wife Olivia are both unwell. Carteret's niece Clara, recently introduced to society, is courted by the young Tom Delamere, a handsome and conniving aristocrat who spends most evenings nurturing his penchant for drink and cards. His habits are contrasted with those of Lee Ellis, a rival for Clara, and William Miller, a young black physician who with his wife has returned to his hometown of Wellington to practice medicine. He gained his medical education in Paris and Vienna. Though jarred by segregation and Jim Crow racism, Miller sets up his practice and starts his life. Miller's wife, Janet, is the mulatto half-sister of Mrs. Olivia Carteret; Janet spends her entire life hoping to be acknowledged by her white sister, who is too proud to accept her father's miscegenation after her mother died. Josh Green as a boy witnessed the murder of his father at the hands of a white man--a character named Captain McBane--and is intent on exacting revenge. All these subplots are forced to a crisis through two events: the murder of a white woman, Polly Ochiltree, for which a black servant, Sandy Campbell, is accused, and county elections. Campbell would have been lynched and burned without a trial if it weren't for Miller alerting his boss, the grandfather of the actual murderer, Tom Delamere. Old Mr. Delamere and Lee Ellis discover the truth and save Sandy's life, but Tom is never apprehended for his crime. A few months later, on the eve of the elections Major Carteret, Captain McBain, and one General Belmont conspired to incite a "revolution," overthrowing the Republican party from power and keeping blacks from participating in the elections. They published inflammatory statements in the Morning Chronicle and the revolution quickly became a riot which engulfed the town.
Author: Grégory Pierrot
Publisher: University of Georgia Press
ISBN: 0820372536
Category : History
Languages : en
Pages : 275
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Book Description
With the Ta-Nehisi Coates–authored Black Panther comic book series (2016); recent films Django Unchained (2012) and The Birth of a Nation (2016); Nate Parker’s cinematic imagining of the Nat Turner rebellion; and screen adaptations of Marvel’s Luke Cage (2016) and Black Panther (2018); violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values—honor, loyalty, love—reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity. Pierrot’s The Black Avenger in Atlantic Culture studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.
Author: Matthew Wilson
Publisher: Univ. Press of Mississippi
ISBN: 1496802004
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Charles W. Chesnutt (1858–1932), critically acclaimed for his novels, short stories, and essays, was one of the most ambitious and influential African American writers of the late nineteenth and early twentieth centuries. Today recognized as a major innovator of American fiction, Chesnutt is an important contributor to deromanticizing trends in post–Civil War southern literature, and a singular voice among turn-of-the-century realists who wrote about race in American life. Whiteness in the Novels of Charles W. Chesnutt is the first study to focus exclusively on Chesnutt's novels. Examining the three published in Chesnutt's lifetime—The House Behind the Cedars, The Marrow of Tradition, and The Colonel's Dream—as well as his posthumously published novels, this study explores the dilemma of a black writer who wrote primarily for a white audience. Throughout, Matthew Wilson analyzes the ways in which Chesnutt crafted narratives for his white readership and focuses on how he attempted to infiltrate and manipulate the feelings and convictions of that audience. Wilson pays close attention to the genres in which Chesnutt was working and also to the social and historical context of the novels. In articulating the development of Chesnutt's career, Wilson shows how Chesnutt's views on race evolved. By the end of his career, he felt that racial differences were not genetically inherent, but social constructions based on our background and upbringing. Finally, the book closely examines Chesnutt's unpublished manuscripts that did not deal with race. Even in these works, in which African Americans are only minor characters, Wilson finds Chesnutt engaged with the conundrum of race and reveals him as one of America's most significant writers on the subject.
