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Languages : en
Pages : 0
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Languages : en
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Languages : en
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Author: Franz Xaver Haberl
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Languages : en
Pages : 0
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Category :
Languages : en
Pages : 0
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Category : Music
Languages : en
Pages : 152
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Author: British Library. Department of Printed Books
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Category : Music
Languages : en
Pages : 464
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Category : Church music
Languages : en
Pages : 714
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Issues for include section: The Organ world.
Author: Patrick Paul Macey
Publisher: Oxford University Press
ISBN: 9780198166696
Category : Biography & Autobiography
Languages : en
Pages : 390
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Fra Girolamo Savonarola had a profound effect on the political and moral life of Florence in the 1490s, and his legacy lived on during the century after his execution in 1498, not just in Florence but in Ferrara and beyond the Alps, as far as Paris, Munich, and London. This study reconstructscontexts and musical settings for the popular tradition of sacred laude that were sung during the Savonarolan carnivals in 1496, 1497, and 1498. It further examines a broad network of patronage for the courtly tradition of Latin motets that provided elaborate musical settings for Savonarola'smeditations on Psalms 30 and 50. The friar's success in Florence can be partially attributed to his adoption of sacred laude (and the tunes of bawdy carnival songs) that had been promoted by Lorenzo de' Medici. The texts of the old carnival songs were suppressed, but the music was adapted to laudewith texts that proclaim the friar's prophecy of castigation and renewal. The citizens could thus internalize Savonarola's message by singing it. Savonarola himself wrote several lauda texts, and their musical settings are reconstructed here, as well as those for an underground tradition of laudewritten to venerate him after his execution. Part II turns to the courtly tradition and the Latin motet. Several Catholic patrons, scattered from Ferrara to France to England, were drawn to the friar's prison meditation on Psalms 30 and 50, and they commissioned elaborate musical settings of the opening words of both. A dozen motets on thefriar's psalm meditations can be traced from composes such as Willaert, Rore, Le Jeune, Lassus, and Byrd. Savonarola's highly personal texts inspired some of the most moving musical setings of the sixteenth century, in spite of the Church's unfavourable attitude toward the friar's disruptiveexample, which had set a precedent for Protestant reformers such as Martin Luther.
Author: Dominic Johner
Publisher: Createspace Independent Publishing Platform
ISBN: 9781540414694
Category :
Languages : en
Pages : 514
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In response to many requests for a book descriptive and explanatory of the Gregorian Mass chants, the monks of St. John's Abbey, Collegeville, Minn., undertook the translation from the German of Dom Johner's work under the above title. In the foreword the author indicates the scope of his work. He writes: "The present work is intended chiefly to serve as an aid to the prayerful rendition of the variable chanted parts of the Mass. At the same time it aims to be a guide for the worthy and artistic rendition of those chants which have been handed down to us from an age of strong faith and noble taste." Chant is essentially a form of worship offered by the faithful and as such is an integral part of the liturgy. It is intimately connected with the very source of all Liturgy, the Eucharistic Sacrifice, and attempts to interpret and express in music the sentiments which the text expresses in words. Individual consideration is given to the texts of the Introit, Gradual, Alleluia-verse, Tract, Sequence, Offertory, and Communion. These texts are given in Latin and in English, and are arranged in parallel columns. They are studied in their historical and liturgical setting, and their sentiments of joy and sorrow, hope and fear, gratitude and penance, are pointed out and developed. In this sense also the intimate relationship existing between these various texts is indicated; all are integrated into a unified whole and referred to the life of Christ and His Church. Following this short meditation, the author analyses the musical score accompanying the text, and attempts to show how Gregorian Chant interprets these various sentiments and gives adequate expression to them in short, how Gregorian Chant is the prefect yet simple medium of translating religious emotion into the language of music. An indispensable condition for the intelligent use of this book as a guide Jor interpretation is the simultaneous use of the Vatican Gradual, since musical notation has not been included in the present work. However, only a minimum and very elementary knowledge of Gregorian Chant is necessary for the fruitful use and understanding of the book. Further knowledge is given in a very significant Introduction, which describes the structure and expressiveness of the variable Mass Chants. The original German, as also the English manuscript, have been made the basis for a very successful summer school course in the study of Gregorian Chant. The book might adequately be described as "a study in the appreciation of Gregorian Chant."
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Category : Union catalogs
Languages : en
Pages : 712
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