The National Union Catalog, Pre-1956 Imprints PDF Download
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Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 714
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 714
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Book Description
Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 794
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Book Description
Author: Abram Loft
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
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Book Description
As performer, coach, teacher, scholar, and author, Abram Loft has devoted himself to chamber music for almost half a century. In this useful and diverting book, he draws on his vast experience to guide the reader through thirty compositions, from piano trio to string sextet, from Haydn to Britten. The treatment by this master teacher is both detailed and serious, but far from solemn. Bowings, fingerings, tone color, dynamics, tempo, balance, rubato, phrasing, repeats--these are among the many facets of rehearsal and performance that Loft touches on in his discussions. He relates every element to the movement at hand, and to the musical logic of the composition as a whole. He lets us know when to heat up the melody, and when to exit laughing. He draws us into the composer's perspective and attunes us to the significant musical events as they unfold. His enjoyment and respect for the work are evident. And always there is the good-humored understanding that his own approach--highly informed though it is--is but one among a number of possible concepts. His aim is to encourage each ensemble to arrive at its own thoughtful interpretation of the composition under study. Ensemble! speaks to the professionally oriented group, the serious student ensemble, and the amateur enthusiast of chamber music. This book can supplement the advice and observation of the live instructor and also serve as a surrogate coach and tutor. Ensemble! guides the reader through the challenges and around the pitfalls of a most demanding pursuit: the playing of fine chamber music. Convincing and confident performance is the attainable goal.
Author: Hedi Siegel
Publisher: Cambridge University Press
ISBN: 9780521360388
Category : Music
Languages : en
Pages : 234
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Book Description
The essays contained in this volume provide a focus on the work of the music theorist Heinrich Schenker - a figure of legendary status who has had an incalculable influence on developments in music theory and analysis in this century. His theories, not always fully understood, have aroused some controversy. The broad spectrum of essays presented here will help clarify Schenker's ideas and their application and will also serve as a useful introduction to his work for music theorists. The essays, written by fourteen leading theorists, originate in papers delivered at the Schenker Symposium held at The Mannes College of Music, New York in 1985.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 788
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Book Description
Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 590
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1112
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 984
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Book Description
Author: University of California (System). Institute of Library Research
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 950
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Book Description
Author: John M. Gingerich
Publisher: Cambridge University Press
ISBN: 1139952080
Category : Music
Languages : en
Pages : 446
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Book Description
Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony.
