Queer Beats: Stories from LGBTQ+ Artists in the Music Industry PDF Download
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Author: Young Penny
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 75
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Book Description
From the trailblazing mind of Young Penny, the sensational hip-hop artist who defied norms with hits like 'White Boy Money', 'Fair Casket', and 'Love International', comes a sonic tapestry unlike any other. "Queer Beats: Stories from LGBTQ+ Artists in the Music Industry" is a riveting, no-holds-barred exploration, and a "melodiously penned odyssey through the rhythms of queer representation in the world of music" (East Bay Express). Young Penny, who shattered ceilings by claiming the title of NYC's first openly gay gangsta rapper, orchestrates an intimate concert of voices, giving readers front-row seats to the symphony of struggles, triumphs, beats, and ballads of the LGBTQ+ community in the music scene. As the maestro of this tale, Penny draws from his own journey, juxtaposing it against the broader crescendo of the queer music movement—each note resonating with tales of love, resilience, activism, and liberation. Punctuated with vibrant anecdotes and deep reflections, this tome unveils the untold narratives of artists who've danced on the fringes, serenaded from the shadows, and are now stepping into the limelight. It's not just a chronicle of queer music, but a manifesto of self-expression, challenging every reader to find their own rhythm in the cacophony of life. For fans of Young Penny, music aficionados, and anyone curious about the harmonies of the heart, this book is a ticket to the most evocative concert you'll ever attend. So, turn the pages, feel the pulse, and let the music of 'Queer Beats' transport you.
Author: Young Penny
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 75
Get Book Here
Book Description
From the trailblazing mind of Young Penny, the sensational hip-hop artist who defied norms with hits like 'White Boy Money', 'Fair Casket', and 'Love International', comes a sonic tapestry unlike any other. "Queer Beats: Stories from LGBTQ+ Artists in the Music Industry" is a riveting, no-holds-barred exploration, and a "melodiously penned odyssey through the rhythms of queer representation in the world of music" (East Bay Express). Young Penny, who shattered ceilings by claiming the title of NYC's first openly gay gangsta rapper, orchestrates an intimate concert of voices, giving readers front-row seats to the symphony of struggles, triumphs, beats, and ballads of the LGBTQ+ community in the music scene. As the maestro of this tale, Penny draws from his own journey, juxtaposing it against the broader crescendo of the queer music movement—each note resonating with tales of love, resilience, activism, and liberation. Punctuated with vibrant anecdotes and deep reflections, this tome unveils the untold narratives of artists who've danced on the fringes, serenaded from the shadows, and are now stepping into the limelight. It's not just a chronicle of queer music, but a manifesto of self-expression, challenging every reader to find their own rhythm in the cacophony of life. For fans of Young Penny, music aficionados, and anyone curious about the harmonies of the heart, this book is a ticket to the most evocative concert you'll ever attend. So, turn the pages, feel the pulse, and let the music of 'Queer Beats' transport you.
Author: Darryl W. Bullock
Publisher: ABRAMS
ISBN: 1468316257
Category : Social Science
Languages : en
Pages : 471
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Book Description
LGBT musicians have shaped the development of music over the last century, with a sexually progressive soundtrack in the background of the gay community’s struggle for acceptance. With the advent of recording technology, LGBT messages were for the first time brought to the forefront of popular music. David Bowie Made Me Gay is the first book to cover the breadth of history of recorded music by and for the LGBT community and how those records influenced the evolution of the music we listen to today.
Author: Jill Gutowitz
Publisher: Simon and Schuster
ISBN: 1982158514
Category : Humor
Languages : en
Pages : 240
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Book Description
“Wickedly funny and heartstoppingly vulnerable…every page twinkles with brilliance.” —Refinery29 Perfect for fans of Samantha Irby and Trick Mirror, a hilarious, whip-smart collection of personal essays exploring the intersection of queerness, pop culture, the internet, and identity, introducing one of the most undeniably original new voices today. Jill Gutowitz’s life—for better and worse—has always been on a collision course with pop culture. There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life. And of course, the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill’s own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture. Dusting off her own personal traumas and artifacts of her not-so-distant youth she examines how pop culture acts as a fun house mirror reflecting and refracting our values—always teaching, distracting, disappointing, and revealing us. Girls Can Kiss Now is a fresh and intoxicating blend of personal stories, sharp observations, and laugh-out-loud humor. This timely collection of essays helps us make sense of our collective pop-culture past even as it points the way toward a joyous, uproarious, near—and very queer—future.
Author: Angela Y. Davis
Publisher: Vintage
ISBN: 030757444X
Category : Social Science
Languages : en
Pages : 465
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Book Description
From one of this country's most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture. The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith−published here in their entirety for the first time−Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.
Author: Nadine Hubbs
Publisher: Univ of California Press
ISBN: 0520958349
Category : Music
Languages : en
Pages : 241
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Book Description
In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase "I’ll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.
Author: Darryl W. Bullock
Publisher:
ISBN: 9781787592070
Category : Gay men
Languages : en
Pages : 270
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Book Description
"Concentrating on the friendship between impresario Larry Parnes, Beatles manager Brian Epstein, and showbiz solicitor David Jacobs, the book details how they shaped the Swinging 60s, along with their associates including songwriter Lionel Bart (author of the hit musical Oliver!), record producer Joe Meek, Sir Joseph Lockwood (the head of EMI), Vicki Wickham (manager of Dusty Springfield and assistant producer on the influential TV show Ready Steady Go), songwriter and record label head Norman Newell, Simon Napier-Bell (manager of Marc Bolan), Kit Lambert (manager of the Who), playwright Joe Orton, and Robert Stigwood (manager of the Bee Gees and Cream). Drawing on rare and unpublished archive material, personal diaries, and new interviews from some of the survivors of that turbulent decade, The Velvia Mafia shows how--in the period leading up to the partial decriminalisation of homosexuality and the founding of the Gay Liberation movement--LGBT professionals in the music industry were working together, supporting each other and changing history."--Publisher description
Author: Sasha Geffen
Publisher: University of Texas Press
ISBN: 147731878X
Category : Music
Languages : en
Pages : 265
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Book Description
Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day. Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today’s conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here.
Author: Phylis W Johnson
Publisher: Routledge
ISBN: 1317461509
Category : History
Languages : en
Pages : 315
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Book Description
This book is both a retrospective history of the gay community's use of electronic media as a way of networking and creating a sense of community, and an examination of the current situation, an analysis and critical assessment of gay/lesbian electronic media. Keith and Johnson use original interviews and oral history to delineate the place of electronic media in the lives of this increasingly visible and vocal minority in America.
Author: Michael Alago
Publisher: Rowman & Littlefield
ISBN: 1493050672
Category : Biography & Autobiography
Languages : en
Pages : 305
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Book Description
Record label executive, photographer, and author, Michael Alago takes readers through this amazing journey that is his life. Alago grew up in Brooklyn, New York, in a large, spirited, and devoted Puerto Rican family. Through his early passion for music, art, theater, and photography, he soon found himself rubbing elbows with many downtown NYC scene makers, from Stiv Bators to Jean Michel Basquiat, Cherry Vanilla and Wayne County to Deborah Harry and Robert Mapplethorpe. As an underage teenager going to Max's Kansas City, CBGB, and various art galleries, Alago also began running The Dead Boys fan club. A few years later, he became the assistant music director for legendary nightclubs the Ritz and the Red Parrot. At age twenty-four, he began a storied career as an A&R executive at Elektra Records that started with signing Metallica in the summer of 1984, changing the entire landscape of rock 'n' roll and heavy metal. Alago continued to work in A&R for both Palm Pictures and Geffen Records. He was thrilled to executive-produce albums by Cyndi Lauper, Public Image Ltd, White Zombie, and Nina Simone. In the late 1980s, he was diagnosed with HIV, which manifested into full-blown AIDS ten years later. He survived to continue his music career, but in 2005, he left music to pursue his other love: photography. Alago went on to publish three bestselling books: Rough Gods, Brutal Truth, and Beautiful Imperfections with German-based publisher Bruno Gmünder. He has since overcome his longtime addiction to drugs and alcohol. In his clean and sober life, he has reconnected with his family, continues to be a working photographer as well as record producer, and only through the grace of his 12-Step program is he able to live this big, beautiful life. In 2017, a documentary directed by Drew Stone and produced by Michael Alex on Alago's wildly successful career in music was released in theaters and on Netflix, entitled Who the Fuck Is That Guy? The Fabulous Journey of Michael Alago.
Author: Matthew Oware
Publisher: Springer
ISBN: 331990454X
Category : Social Science
Languages : en
Pages : 245
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Book Description
What do millennial rappers in the United States say in their music? This timely and compelling book answers this question by decoding the lyrics of over 700 songs from contemporary rap artists. Using innovative research techniques, Matthew Oware reveals how emcees perpetuate and challenge gendered and racialized constructions of masculinity, femininity, and sexuality. Male and female artists litter their rhymes with misogynistic and violent imagery. However, men also express a full range of emotions, from arrogance to vulnerability, conveying a more complex manhood than previously acknowledged. Women emphatically state their desires while embracing a more feminist approach. Even LGBTQ artists stake their claim and express their sexuality without fear. Finally, in the age of Black Lives Matter and the presidency of Donald J. Trump, emcees forcefully politicize their music. Although complicated and contradictory in many ways, rap remains a powerful medium for social commentary.
