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Author: Inga Clendinnen
Publisher: ReadHowYouWant.com
ISBN: 1458798607
Category : History
Languages : en
Pages : 131
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Book Description
In the third Quarterly Essay for 2006, Inga Clendinnen looks past the skirmishes and pitched battles of the history wars and asks what's at stake - what kind of history do we want and need? Should our historians be producing the ''''''''objective record of achievement'''''''' that the Prime Minister has called for? For Clendinnen, historians cannot be the midwives of national identity and also be true to their profession: history cannot do the work of myth. Clendinnen illuminates the ways in which history, myth and fiction differ from one another, and why the differences are important. In discussing what good history looks like, she pays tribute to the human need for story telling but notes the distinctive critical role of the historian. She offers a spirited critique of Kate Grenville's novel The Secret River, and discusses the Stolen Generations and the role of morality in history writing. This is an eloquent and stimulating essay about a subject that has generated much heat in recent times: how we should record and regard the nation's past. ''''''''Who owns the past? In a free society, everyone. It is a magic pudding belonging to anyone who wants to cut themselves a slice, from legend manufacturers through novelists looking for ready - made plots, to interest groups out to extend their influence.'''''''' - Inga Clendinnen, The History Question.
Author: Inga Clendinnen
Publisher: ReadHowYouWant.com
ISBN: 1458798607
Category : History
Languages : en
Pages : 131
Get Book
Book Description
In the third Quarterly Essay for 2006, Inga Clendinnen looks past the skirmishes and pitched battles of the history wars and asks what's at stake - what kind of history do we want and need? Should our historians be producing the ''''''''objective record of achievement'''''''' that the Prime Minister has called for? For Clendinnen, historians cannot be the midwives of national identity and also be true to their profession: history cannot do the work of myth. Clendinnen illuminates the ways in which history, myth and fiction differ from one another, and why the differences are important. In discussing what good history looks like, she pays tribute to the human need for story telling but notes the distinctive critical role of the historian. She offers a spirited critique of Kate Grenville's novel The Secret River, and discusses the Stolen Generations and the role of morality in history writing. This is an eloquent and stimulating essay about a subject that has generated much heat in recent times: how we should record and regard the nation's past. ''''''''Who owns the past? In a free society, everyone. It is a magic pudding belonging to anyone who wants to cut themselves a slice, from legend manufacturers through novelists looking for ready - made plots, to interest groups out to extend their influence.'''''''' - Inga Clendinnen, The History Question.
Author: Mark McKenna
Publisher: Black Inc.
ISBN: 1743820372
Category : History
Languages : en
Pages : 144
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Book Description
Australia is on the brink of momentous change, but only if its citizens and politicians can come to new terms with the past. In this inspiring essay, Mark McKenna considers the role of history in making and unmaking the nation. From Captain Cook to the frontier wars, from Australia Day to the Uluru Statement, we are seeing fresh debates and recognitions. McKenna argues that it is time to move beyond the history wars, and that truth-telling about the past will be liberating and healing. This is an urgent essay about a nation’s moment of truth. ‘The time for pitting white against black, shame against pride, and one people’s history against another’s, has had its day. After nearly fifty years of deeply divisive debates over the country’s foundation and its legacy for Indigenous Australians, Australia stands at a crossroads – we either make the commonwealth stronger and more complete through an honest reckoning with the past, or we unmake the nation by clinging to triumphant narratives in which the violence inherent in the nation’s foundation is trivialised.’ —Mark McKenna, Moment of Truth
Author: Inga Clendinnen
Publisher: A&C Black
ISBN: 9781863952545
Category : Aboriginal Australians
Languages : en
Pages : 115
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Book Description
In QE23, acclaimed writer and thinker Inga Clendinnen looks past the skirmishes and pitched battles of the history wars and asks what's at stake - what kind of history do we want and need? What are the differences between memory, history and myth? Clendinnen discusses what good history looks like and, more specifically, what good Australian history looks like. She looks at the recent spate of books on our beginnings as a colony, as well as the vogue for popular story-telling accounts of key events in our past, such as Gallipoli. Why is there now a gulf separating popular writers and the historical professions? This is a characteristically original and eloquent essay that looks anew at one of the most divisive topics of recent times- how we as a nation remember the past.
Author: Gay Lynch
Publisher: Cambridge Scholars Publishing
ISBN: 1443826103
Category : Language Arts & Disciplines
Languages : en
Pages : 260
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Book Description
Apocryphal and Literary Influences on Galway Diasporic History establishes that apocryphal stories, in all their transformations, contribute to collective memory. Common characteristics frame their analysis: irreducible and enduring elements, often embedded in archetypal drama; lack of historical verification; establishment in collective memory; revivals after periods of dormancy; subjection to political and economic manipulation; implicit speculation; and literary transformations. This book contextualises Unsettled, an Australian novel about a convict play, derived from the Irish apocryphal story of The Magistrate of Galway, and documents previously unpublished primary material, including apocryphal stories passed through generations of descendents of settlers, Martin and Maria Lynch, and The Hibernian Father, a play by Irish convict, Edward Geoghegan. It puts forward new hypotheses: that the Irish hero Cuchulain may have provided a template for the archetypal and apocryphal story of the Magistrate of Galway; that disgraced Trinity College medical student and aspiring writer, Edward Geoghegan, enacted and recounted the same father-son archetypal conflict when he was transported to Botany Bay in 1839, and wrote the The Hibernian Father based on the Magistrate of Galway; that working-class Irish families were marginalised in South-east South Australian historical records; that oral apocryphal Lynch stories may be true; that Kate Grenville’s The Secret River (2006) offers an alternative history of the Hawkesbury River settlement, by some definitions apocryphal. The mystery of Geoghegan’s disappearance is solved, and knowledge about his life increased. French theorist Gerard Genette’s notion, advanced in Palimpsests: Literature in the Second Degree (1997), of all novels being transtextual, provides a model for the analysis of relationships between these key apocryphal texts.
Author: Iain McCalman
Publisher: Springer
ISBN: 0230277098
Category : History
Languages : en
Pages : 229
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Book Description
Since the late 1700s new forms of visual entertainment have tried to simulate the details of nature: reenactment has now become the most widely-consumed form of popular history. This book engages with the quest for definition and appropriate delimitation of reenactment as well as questions about the relationship between realism and affect.
Author: Sue Kossew
Publisher: Rodopi
ISBN: 9042032863
Category : Law
Languages : en
Pages : 279
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Book Description
Preliminary Material -- Reading Feminism in Kate Grenville's Fiction /Susan Sheridan -- Kate Grenville as Public Intellectual /Brigid Rooney -- Author, Author!: The Two Faces of Kate Grenville /Elizabeth Mcmahon -- Madness and Power: Lilian's Story and the Decolonized Body /Bill Ashcroft -- “Africa and Australia” Revisited: Reading Kate Grenville's Joan Makes History /Kwaku Larbi Korang -- “Mobility is the Key”: Bodies, Boundaries, and Movement in Kate Grenville's Lilian's Story /Ruth Barcan -- Homeless and Foreign: The Heroines of Lilian's Story and Dreamhouse /Kate Livett -- “Impossible Speech” and the Burden of Translation: Lilian's Story from Page to Screen /Alice Healy -- Constructions of Nation and Gender in The Idea of Perfection /Sue Kossew -- Poison in the Flour: Kate Grenville's The Secret River /Eleanor Collins -- History, Fiction, and The Secret River /Sarah Pinto -- Learning From Each Other: Language, Authority and Authenticity in Kate Grenville's The Lieutenant /Lynette Russell -- Bibliography -- Notes on Contributors -- Index.
Author: Grant Rodwell
Publisher: University of Adelaide Press
ISBN: 1922064505
Category : Education
Languages : en
Pages : 280
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Book Description
Somebody once quipped that any work of Australian historical fiction is a 'burning fuse', travelling over decades through Australian culture and society. In some manner, every newly published Australian historical novel is connected to what it has preceded. Each work belongs to a proud history. Through multiple examples, Grant Rodwell encourages readers to see how a work of historical fiction has evolved. Thus, under various themes, WHOSE HISTORY? examines the traditions in Australian historical fiction, and ponders how Australian historical novels can engage teachers and student teachers. WHOSE HISTORY? aims to illustrate how historical novels and their related genres may be used as an engaging teacher/learning strategy for student teachers in pre-service teacher education courses. It does not argue all teaching of History curriculum in pre-service units should be based on the use of historical novels as a stimulus, nor does it argue for a particular percentage of the use of historical novels in such courses. It simply seeks to argue the case for this particular approach, leaving the extent of the use of historical novels used in History curriculum units to the professional expertise of the lecturers responsible for the units.
Author: Hans Renders
Publisher: BRILL
ISBN: 9004434976
Category : Biography & Autobiography
Languages : en
Pages : 294
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Book Description
Internationally acclaimed biographies are mostly written by Anglophone biographers. How does biography function as a public genre in the rest of the world? Different Lives offers a global perspective on the biographical tradition by seventeen scholars of fifteen different countries.
Author: Brigid Rooney
Publisher: Sydney University Press
ISBN: 1743329679
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Time, Tide and History: Eleanor Dark’s Fiction is the first book-length edited collection of scholarly essays to treat the full span of Eleanor Dark’s fiction, advancing a recent revival of critical and scholarly interest in Dark’s writing. This volume not only establishes a new view of Dark’s fiction as a whole, but also reflects on the ways in which her fiction speaks to our present moment, in the context of a globally fraught, post-pandemic, Anthropocene era. Above all, the revisiting of Dark’s fiction is mandated by a desire to recognise the ways in which it anticipates vital debates in Australian literary and national culture today, about settler colonialism and its legacies, and with regard to the histories, condition and status of Australia’s First Nations people. This volume interweaves varied topical themes, from formal debates about modernism, historical realism and melodrama, to questions about modernity’s time and space, about gender and cultural difference, and about the specifics of built and natural environments. Time, Tide and History intentionally loosens the conventions of literary scholarship by including other kinds of work alongside critical and scholarly readings: a written dialogue between two contemporary historians about Dark’s legacy, and a biographical piece on the life and role of Eleanor Dark’s husband, Eric Payten Dark. Bringing together the interwar fiction’s feminist and modernist dimensions with the historical turn of The Timeless Land trilogy, the essays in Time, Tide and History collectively pursue ethical and political questions while teasing out the distinctive thematic, formal and aesthetic features of Dark’s fiction.
Author: Jim McKay
Publisher: Springer
ISBN: 9811300267
Category : Social Science
Languages : en
Pages : 185
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Book Description
This book offers a fresh account of the Anzac myth and the bittersweet emotional experience of Gallipoli tourists. Challenging the straightforward view of the Anzac obsession as a kind of nationalistic military Halloween, it shows how transnational developments in tourism and commemoration have created the conditions for a complex, dissonant emotional experience of sadness, humility, anger, pride and empathy among Anzac tourists. Drawing on the in-depth testimonies of travellers from Australia and New Zealand, McKay shines a new and more complex light on the history and cultural politics of the Anzac myth. As well as making a ground breaking, empirically-based intervention into the culture wars, this book offers new insights into the global memory boom and transnational developments in backpacker tourism, sports tourism and “dark” or “dissonant” tourism.
