Author: Anthony John Woodman
Publisher: Cambridge University Press
ISBN: 0521205328
Category : History
Languages : en
Pages : 178
Book Description
1974 study of Latin poetry designed to encourage fresh readings and to illustrate critical approaches to the literature.
Quality and Pleasure in Latin Poetry
Author: Anthony John Woodman
Publisher: Cambridge University Press
ISBN: 0521205328
Category : History
Languages : en
Pages : 178
Book Description
1974 study of Latin poetry designed to encourage fresh readings and to illustrate critical approaches to the literature.
Publisher: Cambridge University Press
ISBN: 0521205328
Category : History
Languages : en
Pages : 178
Book Description
1974 study of Latin poetry designed to encourage fresh readings and to illustrate critical approaches to the literature.
Latin Poetry and Its Reception
Author: C. W. Marshall
Publisher: Routledge
ISBN: 1000351769
Category : History
Languages : en
Pages : 302
Book Description
This volume offers 18 new studies reflecting the latest scholarship on Latin verse, explored both in its original context and in subsequent contexts as it has been translated and re-imagined. All chapters reflect the wide research interests of Professor Susanna Braund, to whom the volume is dedicated. Latin Poetry and Its Reception assembles a blend of senior scholars and new voices in Latin literary studies. It makes important contributions to the understanding of kingship in Hellenistic and Roman thought, with the first four chapters dedicated to exploring this theme in Republican poetry, Virgil, Seneca, and Statius. Chapters focusing on the modern reception include case studies from the 16th to the 21st century, with discussions on Gavin Douglas, Edward Gibbon, Herman Melville, Igor Stravinsky, and Elena Ferrante, among others. No comparable volume provides a similar range. Latin Poetry and Its Reception will appeal to all scholars of Latin poetry and classical reception, from senior undergraduates to scholars in classics and other disciplines.
Publisher: Routledge
ISBN: 1000351769
Category : History
Languages : en
Pages : 302
Book Description
This volume offers 18 new studies reflecting the latest scholarship on Latin verse, explored both in its original context and in subsequent contexts as it has been translated and re-imagined. All chapters reflect the wide research interests of Professor Susanna Braund, to whom the volume is dedicated. Latin Poetry and Its Reception assembles a blend of senior scholars and new voices in Latin literary studies. It makes important contributions to the understanding of kingship in Hellenistic and Roman thought, with the first four chapters dedicated to exploring this theme in Republican poetry, Virgil, Seneca, and Statius. Chapters focusing on the modern reception include case studies from the 16th to the 21st century, with discussions on Gavin Douglas, Edward Gibbon, Herman Melville, Igor Stravinsky, and Elena Ferrante, among others. No comparable volume provides a similar range. Latin Poetry and Its Reception will appeal to all scholars of Latin poetry and classical reception, from senior undergraduates to scholars in classics and other disciplines.
Catullus
Author: Ian M. le M. Du Quesnay
Publisher: Cambridge University Press
ISBN: 1139789120
Category : History
Languages : en
Pages : 319
Book Description
In this book, a sequel to Traditions and Contexts in the Poetry of Horace (Cambridge, 2002), ten leading Latin scholars provide specially commissioned in-depth discussions of the poetry of Catullus, one of ancient Rome's most favourite and best loved poets. Some chapters focus on the collection as a whole and the interrelationship of various poems; others deal with intertextuality and translation, and Catullus' response to his Greek predecessors, both classical and Hellenistic. Two of the key subjects are the communication of desire and the presentation of the real world. Some chapters provide analyses of individual poems, while others discuss how Catullus' poetry was read by Virgil and Ovid. A wide variety of critical approaches is on offer, and in the Epilogue the editors provide a provocative survey of the issues raised by the volume.
Publisher: Cambridge University Press
ISBN: 1139789120
Category : History
Languages : en
Pages : 319
Book Description
In this book, a sequel to Traditions and Contexts in the Poetry of Horace (Cambridge, 2002), ten leading Latin scholars provide specially commissioned in-depth discussions of the poetry of Catullus, one of ancient Rome's most favourite and best loved poets. Some chapters focus on the collection as a whole and the interrelationship of various poems; others deal with intertextuality and translation, and Catullus' response to his Greek predecessors, both classical and Hellenistic. Two of the key subjects are the communication of desire and the presentation of the real world. Some chapters provide analyses of individual poems, while others discuss how Catullus' poetry was read by Virgil and Ovid. A wide variety of critical approaches is on offer, and in the Epilogue the editors provide a provocative survey of the issues raised by the volume.
Author and Audience in Latin Literature
Author: Anthony John Woodman
Publisher: Cambridge University Press
ISBN: 0521383072
Category : History
Languages : en
Pages : 294
Book Description
Essays by distinguished scholars on the relationship between Latin authors and their audiences.
Publisher: Cambridge University Press
ISBN: 0521383072
Category : History
Languages : en
Pages : 294
Book Description
Essays by distinguished scholars on the relationship between Latin authors and their audiences.
Horace
Author: Randall L. B. McNeill
Publisher: JHU Press
ISBN: 0801876516
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Traditional views of Horace seek to present the poet as a consistent, vivid personality who stands behind and orchestrates the diverse "Horatian" writings that have come down to us. In recent years, however, an alternate tradition suggests that there may be many Horaces, that his work is more productively read as the constant invention of rhetorical techniques sensitively attuned to the requirements of different situations and audiences. As Randall L. B. McNeill argues, any sense that readers have of the "real" Horace is clearly deceptive; Horace offers us no unguarded self-portrait, but rather a number of consciously developed characterizations to suit diverse audiences, whether patron, peers, or the public. Horace: Image, Identity, and Audience provides a wide-ranging analysis of Horace's use of self-presentation in his poetry: in his portrayal of his relationships with his patron Maecenas and with his larger readership as a whole; in his discussion of the craft of poetry and his own identity as a poet; and in his handling of contemporary Roman political events in the light of his assumed role as critic of his own society. McNeill uncovers the techniques Horace uses to depict the intricacies of his personal existence; in the book's conclusion, he explores how similar techniques were adapted by later poets such as Ovid. This volume will interest scholars of Horace, Latin poetry, rhetoric, as well as those interested in the cultural studies aspect of persona and identity.
Publisher: JHU Press
ISBN: 0801876516
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Traditional views of Horace seek to present the poet as a consistent, vivid personality who stands behind and orchestrates the diverse "Horatian" writings that have come down to us. In recent years, however, an alternate tradition suggests that there may be many Horaces, that his work is more productively read as the constant invention of rhetorical techniques sensitively attuned to the requirements of different situations and audiences. As Randall L. B. McNeill argues, any sense that readers have of the "real" Horace is clearly deceptive; Horace offers us no unguarded self-portrait, but rather a number of consciously developed characterizations to suit diverse audiences, whether patron, peers, or the public. Horace: Image, Identity, and Audience provides a wide-ranging analysis of Horace's use of self-presentation in his poetry: in his portrayal of his relationships with his patron Maecenas and with his larger readership as a whole; in his discussion of the craft of poetry and his own identity as a poet; and in his handling of contemporary Roman political events in the light of his assumed role as critic of his own society. McNeill uncovers the techniques Horace uses to depict the intricacies of his personal existence; in the book's conclusion, he explores how similar techniques were adapted by later poets such as Ovid. This volume will interest scholars of Horace, Latin poetry, rhetoric, as well as those interested in the cultural studies aspect of persona and identity.
Horace's Narrative Odes
Author: Michèle Lowrie
Publisher: Oxford University Press
ISBN: 9780198150534
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
Narrative has not traditionally been a subject in the analysis of lyric poetry. This book deconstructs the polarity that divides and binds lyric and narrative means of representation in Horace's Odes. While myth is a canonical feature of Pindaric epinician, Horace cannot adopt the Pindaricmode for aesthetic and political reasons. Roman Callimacheanism's privileging of the small and elegant offers a pretext for Horace to shrink from the difficulty of writing praise poetry in the wake of civil war. But Horace by no means excludes story-telling from his enacted lyric. On the formallevel, numerous odes contain narration. Together they constitute a larger narrative told over the course of Horace's two lyric collections. Horace tells the story of his development as a lyricist and of the competing aesthetic and political demands on his lyric poetry. At issue is whether he canever truly become a poet of praise.
Publisher: Oxford University Press
ISBN: 9780198150534
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
Narrative has not traditionally been a subject in the analysis of lyric poetry. This book deconstructs the polarity that divides and binds lyric and narrative means of representation in Horace's Odes. While myth is a canonical feature of Pindaric epinician, Horace cannot adopt the Pindaricmode for aesthetic and political reasons. Roman Callimacheanism's privileging of the small and elegant offers a pretext for Horace to shrink from the difficulty of writing praise poetry in the wake of civil war. But Horace by no means excludes story-telling from his enacted lyric. On the formallevel, numerous odes contain narration. Together they constitute a larger narrative told over the course of Horace's two lyric collections. Horace tells the story of his development as a lyricist and of the competing aesthetic and political demands on his lyric poetry. At issue is whether he canever truly become a poet of praise.
Vergil ́s Political Commentary
Author: Leendert Weeda
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110456133
Category : Language Arts & Disciplines
Languages : en
Pages : 323
Book Description
In the book titled Vergil's political commentary in Eclogues, Georgics and Aeneid, the author examines Vergil’s political views by analyzing the whole of the poet’s work. He introduces the notion of the functional model suggesting that the poet often used this instrument when making a political statement. New interpretations of a number of the Eclogues and passages of the Georgics and the Aeneid are suggested and the author concludes that Vergil’s political engagement is visible in much of his work. During his whole career the poet was consistent in his views on several major political themes. These varied from, the distress caused by the violation of the countryside during and after the expropriations in the 40s B.C., to the horrors of the civil war and the violence of war in general, and the necessity of strong leadership. Vergil hoped and expected that Octavian would establish peace and order, and he supported a form of hereditary kingship for which he considered Octavian a suitable candidate. He held Cleopatra in high regard, and he appreciated a more meaningful role for women in society. Vergil wrote poetry that supported Augustus, but he had also the courage to criticize Octavian and his policies. He was a commentator with an independent mind and was not a member of Augustus’ putative propaganda machine.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110456133
Category : Language Arts & Disciplines
Languages : en
Pages : 323
Book Description
In the book titled Vergil's political commentary in Eclogues, Georgics and Aeneid, the author examines Vergil’s political views by analyzing the whole of the poet’s work. He introduces the notion of the functional model suggesting that the poet often used this instrument when making a political statement. New interpretations of a number of the Eclogues and passages of the Georgics and the Aeneid are suggested and the author concludes that Vergil’s political engagement is visible in much of his work. During his whole career the poet was consistent in his views on several major political themes. These varied from, the distress caused by the violation of the countryside during and after the expropriations in the 40s B.C., to the horrors of the civil war and the violence of war in general, and the necessity of strong leadership. Vergil hoped and expected that Octavian would establish peace and order, and he supported a form of hereditary kingship for which he considered Octavian a suitable candidate. He held Cleopatra in high regard, and he appreciated a more meaningful role for women in society. Vergil wrote poetry that supported Augustus, but he had also the courage to criticize Octavian and his policies. He was a commentator with an independent mind and was not a member of Augustus’ putative propaganda machine.
Horace: Odes and Epodes
Author: Michele Lowrie
Publisher: Oxford University Press
ISBN: 0199207690
Category : Foreign Language Study
Languages : en
Pages : 481
Book Description
A collection of recent articles representing some of the best recent writing on Horace's Odes and Epodes. Several classic studies in French, German, and Italian appear in English for the first time, while the Introduction surveys the state of current scholarship and offers guidance on the interpretation of Horatian lyric today.
Publisher: Oxford University Press
ISBN: 0199207690
Category : Foreign Language Study
Languages : en
Pages : 481
Book Description
A collection of recent articles representing some of the best recent writing on Horace's Odes and Epodes. Several classic studies in French, German, and Italian appear in English for the first time, while the Introduction surveys the state of current scholarship and offers guidance on the interpretation of Horatian lyric today.
Vergil’s Eclogues
Author: George C. Paraskeviotis
Publisher: Cambridge Scholars Publishing
ISBN: 1527542793
Category : Literary Criticism
Languages : en
Pages : 526
Book Description
Between 42 and 39 BC, Vergil composed the first Latin pastoral collection, entitled Eclogues, and consisting of ten poems in the form in which it has come down to us. Vergil’s Eclogues represent the introduction of a new genre, the pastoral, to Latin literature, and recall the Hellenistic poet Theocritus who invented this genre. The fact that the Roman author inserts into the text elements from other Greek and Latin texts modifying them through innovations and changes (constitutes an attractive field of research. This book shows that Vergil’s dialogue with the earlier Greek and Latin tradition is not only typical of the way in which Latin literature was written in the 1st century BC; rather, it is also a dynamic literary method used to affect and define the character of each Eclogue.
Publisher: Cambridge Scholars Publishing
ISBN: 1527542793
Category : Literary Criticism
Languages : en
Pages : 526
Book Description
Between 42 and 39 BC, Vergil composed the first Latin pastoral collection, entitled Eclogues, and consisting of ten poems in the form in which it has come down to us. Vergil’s Eclogues represent the introduction of a new genre, the pastoral, to Latin literature, and recall the Hellenistic poet Theocritus who invented this genre. The fact that the Roman author inserts into the text elements from other Greek and Latin texts modifying them through innovations and changes (constitutes an attractive field of research. This book shows that Vergil’s dialogue with the earlier Greek and Latin tradition is not only typical of the way in which Latin literature was written in the 1st century BC; rather, it is also a dynamic literary method used to affect and define the character of each Eclogue.
Latin Erotic Elegy
Author: Paul Allen Miller
Publisher: Routledge
ISBN: 1135641889
Category : History
Languages : en
Pages : 497
Book Description
This indispensable volume provides a complete course on Latin erotic elegy, allowing students to trace a coherent narrative of the genre's rise and fall, and to understand its relationship to the changes that marked the collapse of the Roman republic, and the founding of the empire. The book begins with a detailed and wide-ranging introduction, looking at major figures, the evolution of the form, and the Roman context, with particular focus on the changing relations between the sexes. The texts that follow range from the earliest manifestations of erotic elegy, in Catullus, through Tibullus, Sulpicia (Rome's only female elegist), Propertius and Ovid. An accessible commentary explores the historical background, issues of language and style, and the relation of each piece to its author's larger body of work. The volume closes with an anthology of critical essays representative of the main trends in scholarship; these both illuminate the genre's most salient features and help the student understand its modern reception.
Publisher: Routledge
ISBN: 1135641889
Category : History
Languages : en
Pages : 497
Book Description
This indispensable volume provides a complete course on Latin erotic elegy, allowing students to trace a coherent narrative of the genre's rise and fall, and to understand its relationship to the changes that marked the collapse of the Roman republic, and the founding of the empire. The book begins with a detailed and wide-ranging introduction, looking at major figures, the evolution of the form, and the Roman context, with particular focus on the changing relations between the sexes. The texts that follow range from the earliest manifestations of erotic elegy, in Catullus, through Tibullus, Sulpicia (Rome's only female elegist), Propertius and Ovid. An accessible commentary explores the historical background, issues of language and style, and the relation of each piece to its author's larger body of work. The volume closes with an anthology of critical essays representative of the main trends in scholarship; these both illuminate the genre's most salient features and help the student understand its modern reception.