Author: Walter Wilkinson
Publisher:
ISBN:
Category : Puppet plays
Languages : en
Pages : 264
Book Description
Puppets Through America
Author: Walter Wilkinson
Publisher:
ISBN:
Category : Puppet plays
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Puppet plays
Languages : en
Pages : 264
Book Description
The World of Puppets
Author: René Simmen
Publisher: London : Elsevier-Phaidon
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 152
Book Description
Publisher: London : Elsevier-Phaidon
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 152
Book Description
The Secret Life of Puppets
Author: Victoria Nelson
Publisher: Harvard University Press
ISBN: 0674041410
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
In one of those rare books that allows us to see the world not as we've never seen it before, but as we see it daily without knowing, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, The Secret Life of Puppets describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.
Publisher: Harvard University Press
ISBN: 0674041410
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
In one of those rare books that allows us to see the world not as we've never seen it before, but as we see it daily without knowing, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, The Secret Life of Puppets describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.
Puppets, Gods, and Brands
Author: Teri J. Silvio
Publisher: University of Hawaii Press
ISBN: 0824881168
Category : Social Science
Languages : en
Pages : 297
Book Description
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and the globalization of media markets. Rather, it points to a paradigm shift. In the last century, performance became a key term in academic and popular discourse: The idea that we construct identities through our gestures and speech proved extremely useful for thinking about many aspects of social life. The present volume proposes an anthropological concept of animation as a contrast and complement to performance: The idea that we construct social others by projecting parts of ourselves out into the world might prove useful for thinking about such topics as climate crisis, corporate branding, and social media. Like performance, animation can serve as a platform for comparisons of different cultures and historical eras. Teri Silvio presents an anthropology of animation through a detailed ethnographic account of how characters, objects, and abstract concepts are invested with lives, personalities, and powers—and how people interact with them—in contemporary Taiwan. The practices analyzed include the worship of wooden statues of Buddhist and Daoist deities and the recent craze for cute vinyl versions of these deities, as well as a wildly popular video fantasy series performed by puppets. She reveals that animation is, like performance, a concept that works differently in different contexts, and that animation practices are deeply informed by local traditions of thinking about the relationships between body and soul, spiritual power and the material world. The case of Taiwan, where Chinese traditions merge with Japanese and American popular culture, uncovers alternatives to seeing animation as either an expression of animism or as “playing God.” Looking at the contemporary world through the lens of animation will help us rethink relationships between global and local, identity and otherness, human and non-human.
Publisher: University of Hawaii Press
ISBN: 0824881168
Category : Social Science
Languages : en
Pages : 297
Book Description
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and the globalization of media markets. Rather, it points to a paradigm shift. In the last century, performance became a key term in academic and popular discourse: The idea that we construct identities through our gestures and speech proved extremely useful for thinking about many aspects of social life. The present volume proposes an anthropological concept of animation as a contrast and complement to performance: The idea that we construct social others by projecting parts of ourselves out into the world might prove useful for thinking about such topics as climate crisis, corporate branding, and social media. Like performance, animation can serve as a platform for comparisons of different cultures and historical eras. Teri Silvio presents an anthropology of animation through a detailed ethnographic account of how characters, objects, and abstract concepts are invested with lives, personalities, and powers—and how people interact with them—in contemporary Taiwan. The practices analyzed include the worship of wooden statues of Buddhist and Daoist deities and the recent craze for cute vinyl versions of these deities, as well as a wildly popular video fantasy series performed by puppets. She reveals that animation is, like performance, a concept that works differently in different contexts, and that animation practices are deeply informed by local traditions of thinking about the relationships between body and soul, spiritual power and the material world. The case of Taiwan, where Chinese traditions merge with Japanese and American popular culture, uncovers alternatives to seeing animation as either an expression of animism or as “playing God.” Looking at the contemporary world through the lens of animation will help us rethink relationships between global and local, identity and otherness, human and non-human.
Water Puppets
Author: Quan Barry
Publisher: University of Pittsburgh Press
ISBN: 0822978318
Category : Poetry
Languages : en
Pages : 106
Book Description
Winner of the 2010 Donald Hall Prize in Poetry In her third poetry collection, Quan Barry explores the universal image of war as evidenced in Afghanistan and Iraq as well as Vietnam, the country of her birth. In the long poem "meditations" Barry examines her own guilt in initially supporting the invasion of Iraq. Throughout the manuscript she investigates war and its aftermath by negotiating between geographically disparate landscapes—from the genocide in the Congo—to a series of pros poem "snapshots" of modern day Vietnam. Despite the gravity of war, Barry also turns her signature lyricism to other topics such as the beauty of Peru or the paintings of Ana Fernandez.
Publisher: University of Pittsburgh Press
ISBN: 0822978318
Category : Poetry
Languages : en
Pages : 106
Book Description
Winner of the 2010 Donald Hall Prize in Poetry In her third poetry collection, Quan Barry explores the universal image of war as evidenced in Afghanistan and Iraq as well as Vietnam, the country of her birth. In the long poem "meditations" Barry examines her own guilt in initially supporting the invasion of Iraq. Throughout the manuscript she investigates war and its aftermath by negotiating between geographically disparate landscapes—from the genocide in the Congo—to a series of pros poem "snapshots" of modern day Vietnam. Despite the gravity of war, Barry also turns her signature lyricism to other topics such as the beauty of Peru or the paintings of Ana Fernandez.
American Puppet Modernism
Author: John Bell
Publisher: Springer
ISBN: 0230613764
Category : History
Languages : en
Pages : 290
Book Description
Please note this is a 'Palgrave to Order' title (PTO). Stock of this book requires shipment from an overseas supplier. It will be delivered to you within 12 weeks. This study analyses the history of puppet, mask, and performing object theatre in the United States over the past 150 years to understand how a peculiarly American mixture of global cultures, commercial theatre, modern-art idealism, and mechanical innovation reinvented the ancient art of puppetry.
Publisher: Springer
ISBN: 0230613764
Category : History
Languages : en
Pages : 290
Book Description
Please note this is a 'Palgrave to Order' title (PTO). Stock of this book requires shipment from an overseas supplier. It will be delivered to you within 12 weeks. This study analyses the history of puppet, mask, and performing object theatre in the United States over the past 150 years to understand how a peculiarly American mixture of global cultures, commercial theatre, modern-art idealism, and mechanical innovation reinvented the ancient art of puppetry.
Real Puppets, Real Issues
Author: Paul Reed
Publisher: AuthorHouse
ISBN: 1504982053
Category : Crafts & Hobbies
Languages : en
Pages : 143
Book Description
It is no secret that some people are feeling alienated from the church, for various reasons; social status, sexual orientation, or how they dress, among others. For these reasons, as well as others, some have felt compelled to leave the church. The purpose of this book is to minister to those very people; to show them that although the church is not perfect, Jesus Christ is real and alive and will never mistreat them or abuse them; that in His heart there is a place for them too. Perhaps the most important part of ministering to those feeling like there is no spiritual home for them in the church, is to demonstrate that, while the church struggles to exemplify the love of Christ, Christ Himself is still real and is still alive and loves each and every one with a deep and abiding love. It is my hope that those who either read these scripts or see them performed will come to realize that Christ is calling us all and we have only to say Yes!
Publisher: AuthorHouse
ISBN: 1504982053
Category : Crafts & Hobbies
Languages : en
Pages : 143
Book Description
It is no secret that some people are feeling alienated from the church, for various reasons; social status, sexual orientation, or how they dress, among others. For these reasons, as well as others, some have felt compelled to leave the church. The purpose of this book is to minister to those very people; to show them that although the church is not perfect, Jesus Christ is real and alive and will never mistreat them or abuse them; that in His heart there is a place for them too. Perhaps the most important part of ministering to those feeling like there is no spiritual home for them in the church, is to demonstrate that, while the church struggles to exemplify the love of Christ, Christ Himself is still real and is still alive and loves each and every one with a deep and abiding love. It is my hope that those who either read these scripts or see them performed will come to realize that Christ is calling us all and we have only to say Yes!
Pinocchio's Progeny
Author: Harold B. Segel
Publisher: JHU Press
ISBN: 9780801852626
Category : Literary Criticism
Languages : en
Pages : 386
Book Description
While Carlo Collodi's internationally revered Pinocchio may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny. Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces -- from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bound and commercialized. Pinocchio's Progeny offers a broad overview of the uses of these figures in European drama from 1890 to 1935. It considers developments in France, Spain, Italy, Austria, Germany, Sweden, Russia, Poland and Czechoslovakia. In his introduction, Segel reviews the premodernist literary and dramatic treatment of the puppet and marionette from Cervantes' Don Quixote to the turn-of-the- century European cabaret. His epilogue considers the appearance of puppets and marionettes in postmodern European and American drama by examining worksby such dramatists as Jean-Claude Van Itallie, Heiner MA1/4ller, and Tadeusz Kantor.
Publisher: JHU Press
ISBN: 9780801852626
Category : Literary Criticism
Languages : en
Pages : 386
Book Description
While Carlo Collodi's internationally revered Pinocchio may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny. Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces -- from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bound and commercialized. Pinocchio's Progeny offers a broad overview of the uses of these figures in European drama from 1890 to 1935. It considers developments in France, Spain, Italy, Austria, Germany, Sweden, Russia, Poland and Czechoslovakia. In his introduction, Segel reviews the premodernist literary and dramatic treatment of the puppet and marionette from Cervantes' Don Quixote to the turn-of-the- century European cabaret. His epilogue considers the appearance of puppets and marionettes in postmodern European and American drama by examining worksby such dramatists as Jean-Claude Van Itallie, Heiner MA1/4ller, and Tadeusz Kantor.
The Puppet Masters
Author: Robert A. Heinlein
Publisher: Baen
ISBN: 9781439133767
Category : Fiction
Languages : en
Pages : 0
Book Description
Now in Mass Market. An Epic Battle Against Mind-Controlling Alien Invaders as Only Robert A. Heinlein, the Best-Selling Grand Master of Science Fiction, Could Tell It. “One of the most influential writers in American literature.” —The New York Times Book Review. First came the news that a flying saucer had landed in Iowa. Then came the announcement that the whole thing was a hoax. End of story. Case closed. Except that two agents of the most secret intelligence agency in the U.S. government were on the scene and disappeared without reporting in. And four more agents who were sent in also disappeared. So the head of the agency and his two top agents went in and managed to get out with their discovery: an invasion is underway by slug-like aliens who can touch a human and completely control his or her mind. What the humans know, they know. What the slugs want, no matter what, the human will do. And most of Iowa is already under their control. Sam Cavanaugh was one of the agents who discovered the truth. Unfortunately, that was just before he was taken over by one of the aliens and began working for the invaders, with no will of his own. And he has just learned that a high official in the Treasury Department is now under control of the aliens. Since the Treasury Department includes the Secret Service, which safeguards the President of the United States, control of the entire nation is near at hand .
Publisher: Baen
ISBN: 9781439133767
Category : Fiction
Languages : en
Pages : 0
Book Description
Now in Mass Market. An Epic Battle Against Mind-Controlling Alien Invaders as Only Robert A. Heinlein, the Best-Selling Grand Master of Science Fiction, Could Tell It. “One of the most influential writers in American literature.” —The New York Times Book Review. First came the news that a flying saucer had landed in Iowa. Then came the announcement that the whole thing was a hoax. End of story. Case closed. Except that two agents of the most secret intelligence agency in the U.S. government were on the scene and disappeared without reporting in. And four more agents who were sent in also disappeared. So the head of the agency and his two top agents went in and managed to get out with their discovery: an invasion is underway by slug-like aliens who can touch a human and completely control his or her mind. What the humans know, they know. What the slugs want, no matter what, the human will do. And most of Iowa is already under their control. Sam Cavanaugh was one of the agents who discovered the truth. Unfortunately, that was just before he was taken over by one of the aliens and began working for the invaders, with no will of his own. And he has just learned that a high official in the Treasury Department is now under control of the aliens. Since the Treasury Department includes the Secret Service, which safeguards the President of the United States, control of the entire nation is near at hand .
Punch and Judy in 19th Century America
Author: Ryan Howard
Publisher: McFarland
ISBN: 1476601542
Category : Performing Arts
Languages : en
Pages : 285
Book Description
The hand-puppet play starring the characters Punch and Judy was introduced from England and became extremely popular in the United States in the 1800s. This book details information on nearly 350 American Punch players. It explores the significance of the 19th-century American show as a reflection of the attitudes and conditions of its time and place. The century was a time of changing feelings about what it means to be human. There was an intensified awareness of the racial, cultural, social and economical diversity of the human species, and a corresponding concern for the experience of human oneness. The American Punch and Judy show was one of the manifestations of these conditions.
Publisher: McFarland
ISBN: 1476601542
Category : Performing Arts
Languages : en
Pages : 285
Book Description
The hand-puppet play starring the characters Punch and Judy was introduced from England and became extremely popular in the United States in the 1800s. This book details information on nearly 350 American Punch players. It explores the significance of the 19th-century American show as a reflection of the attitudes and conditions of its time and place. The century was a time of changing feelings about what it means to be human. There was an intensified awareness of the racial, cultural, social and economical diversity of the human species, and a corresponding concern for the experience of human oneness. The American Punch and Judy show was one of the manifestations of these conditions.