Author: Pablo P. L. Tinio
Publisher: Cambridge University Press
ISBN: 1316123383
Category : Psychology
Languages : en
Pages : 1195
Get Book Here
Book Description
The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.
Author: Vernon Lee
Publisher: CUP Archive
ISBN:
Category : Aesthetics
Languages : en
Pages : 180
Get Book Here
Book Description
Author: Jean Mitry
Publisher: Indiana University Press
ISBN: 9780253213778
Category : Performing Arts
Languages : en
Pages : 428
Get Book Here
Book Description
Mitry was driven to explain the "why," "what if," and "how come" experiences that resulted after the "wow" experience in cinema. His theory uses psychology and phenomenology to understand how cinema can elevate the viewer from the everyday world.
Author: David Maclagan
Publisher: Jessica Kingsley Publishers
ISBN: 1853028347
Category : Psychology
Languages : en
Pages : 159
Get Book Here
Book Description
An introduction to the field of psychological aesthetics for art educators, art therapists, psychoanalysts, artists and art lovers, this book re-evaluates conventional philosophical and psychoanalytic approaches to aesthetic qualities themselves, to the kinds of psychological significance they can generate, and to the interweaving of inner and outer realities upon which this depends. Art history tends to see an artist's work in the context of their life and times; psychoanalysis and art therapy tend to see art works in terms of an unconscious' meaning that is beneath the surface of its aesthetic' properties, within the context of the therapeutic relationship. Maclagan draws attention to the intimate connections between the aesthetic qualities of an art work per se, felt out in its material handling, be they attractive, disconcerting or just bland, and a wide range of psychological meanings. Drawing on phenomenology and archetypal psychology, as well as on neglected writers on unconcious aspects of form, Psychological Aesthetics: Painting, Feeling and Making Sense explores this realm of feeling, the different ways in which it is embodied in art and how we can use subjective' strategies to articulate it in words. It will open new perspectives in understanding both the processes of art making and our creative response to its results.
Author: Vernon Lee
Publisher: Good Press
ISBN:
Category : Psychology
Languages : en
Pages : 83
Get Book Here
Book Description
Vernon Lee was a well-known English, especially for her supernatural fiction. Her real name was Violet Paget. This book is a departure from her usual genres, though she did write many non-fiction works on art and music. This book is a psychological look at what beauty means.
Author: Vernon Lee
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 414
Get Book Here
Book Description
Author: Arthur E. Stamps
Publisher: Springer Science & Business Media
ISBN: 1475763263
Category : Psychology
Languages : en
Pages : 408
Get Book Here
Book Description
Recent legislative trends in the United States, the United Kingdom, and many other countries now require accurate and efficient assessment of environmental aesthetics. Most of this assessment is currently undertaken using traditional design judgment, but when the powers of the government are used to enforce policy the scope of the aesthetic evaluation requires consideration of questions such as `What concepts will aesthetic decision makers need to perform their intended function?', `How can they obtain the information they need?', and `What is currently known about environmental aesthetics?'. This book answers those questions with a solid, logical theory of environmental aesthetics, empirical evidence covering 277 studies, 41,000 respondents and 12,000 stimuli, and seven case histories showing how the theory can be applied to actual aesthetic decisions. The book proposes a unified protocol for measuring the magnitude of aesthetic impacts. It also applies that protocol to 94 specific findings which span a very wide range of issues.
Author: Vernon Lee
Publisher: Cambridge University Press
ISBN: 1107401666
Category : Philosophy
Languages : en
Pages : 169
Get Book Here
Book Description
This 1913 volume explores the philosophical significance of the concepts of beauty and aesthetic preference.
Author: Tone Roald
Publisher: BRILL
ISBN: 9004309012
Category : Art
Languages : en
Pages : 174
Get Book Here
Book Description
How does art influence us? In The Subject of Aesthetics, Tone Roald approaches aesthetics as a psychological discipline, showing how works of art challenge our habitual ways of perceiving the world. While aesthetics has traditionally been a philosophical discipline, Roald discusses how it is very much alive in the realm of psychology – a qualitative psychology of lived experience. But what actually constitutes an aesthetics of lived experience? The book answers that question by analyzing people’s own engagement with visual art. What emerges is that the object of aesthetics is indeed the subject.
Author: Bjarne Sode Funch
Publisher: Museum Tusculanum Press
ISBN: 9788772894027
Category : Art
Languages : en
Pages : 338
Get Book Here
Book Description
This book is more than an introduction to the psychology of art appreciation, it puts into perspective the research carried out within the area and offers a new understanding of the relationship between art and viewer. A number of studies within the psycho-physical, cognitive, psychoanalytic, and existential-phenomenological schools of thought are presented in order to demonstrate how their views on the appreciation of visual art vary. Five different types of art appreciation, ranging from a spontaneous preference for a work of art to a blissful experience of trancendence, are identified and described.
