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Author: John O’Meara
Publisher: iUniverse
ISBN: 0595853544
Category : Literary Criticism
Languages : en
Pages : 42
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Book Description
As the third part of his trilogy on Shakespeare, Prospero's Powers extends the study of the late plays O'Meara offered in Othello's Sacrifice, to consider more closely how Shakespeare fulfills his personal artistic development in The Tempest. The play is seen as expressing in its structure the whole of Shakespeare's tragic development up to that time. Great powers of self-knowledge and of inner knowledge of the cosmos are shown to have emerged from this development, which Prospero now embodies. Structural links are pursued that further connect Prospero's powers with the mysterious process of self-growth that is dramatized in The Chymical Wedding of Christian Rosenkreutz. Behind both works, and the Renaissance alchemical tradition they mediate, lies the mystery of the sacrificial death of the Sophia into human consciousness that was taking place at the time Shakespeare was writing. From the event of this death come the great possibilities of self-development and inner power over the world that Shakespeare was boldly prophesizing in the play that brings his artistic career to consummation. "an excellent and profound study"-Richard Ramsbotham, Who Wrote Bacon?: William Shakespeare, Francis Bacon and James I
Author: John O’Meara
Publisher: iUniverse
ISBN: 0595853544
Category : Literary Criticism
Languages : en
Pages : 42
Get Book Here
Book Description
As the third part of his trilogy on Shakespeare, Prospero's Powers extends the study of the late plays O'Meara offered in Othello's Sacrifice, to consider more closely how Shakespeare fulfills his personal artistic development in The Tempest. The play is seen as expressing in its structure the whole of Shakespeare's tragic development up to that time. Great powers of self-knowledge and of inner knowledge of the cosmos are shown to have emerged from this development, which Prospero now embodies. Structural links are pursued that further connect Prospero's powers with the mysterious process of self-growth that is dramatized in The Chymical Wedding of Christian Rosenkreutz. Behind both works, and the Renaissance alchemical tradition they mediate, lies the mystery of the sacrificial death of the Sophia into human consciousness that was taking place at the time Shakespeare was writing. From the event of this death come the great possibilities of self-development and inner power over the world that Shakespeare was boldly prophesizing in the play that brings his artistic career to consummation. "an excellent and profound study"-Richard Ramsbotham, Who Wrote Bacon?: William Shakespeare, Francis Bacon and James I
Author: William Shakespeare
Publisher:
ISBN: 9781720051534
Category :
Languages : en
Pages : 77
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Book Description
The Tempest is a play by William Shakespeare, believed to have been written in 1610-11, and thought by many critics to be the last play that Shakespeare wrote alone. It is set on a remote island, where the sorcerer Prospero, rightful Duke of Milan, plots to restore his daughter Miranda to her rightful place using illusion and skilful manipulation. He conjures up a storm, the eponymous tempest, to cause his usurping brother Antonio and the complicit King Alonso of Naples to believe they are shipwrecked and marooned on the island. There, his machinations bring about the revelation of Antonio's lowly nature, the redemption of the King, and the marriage of Miranda to Alonso's son, Ferdinand.
Author: William Shakespeare
Publisher: Saddleback Educational Publ
ISBN: 9781562546397
Category : Juvenile Fiction
Languages : en
Pages : 52
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Book Description
35 reproducible exercises in each guide reinforce basic reading and comprehension skills as they teach higher order critical thinking skills and literary appreciation. Teaching suggestions, background notes, act-by-act summaries, and answer keys included.
Author: Sanghamitra Dasgupta
Publisher: Notion Press
ISBN:
Category : Study Aids
Languages : en
Pages : 119
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Book Description
Would you call studying Shakespeare an exercise in futility? Or an imposition of colonialism even after the sun has sunk deep for the Britishers? Why should we wrack our brains to understand an archaic language? Why, in our post-colonial times, would we wish to know what an English dramatist of the 16th century wrote about? Well, do read his plays, despite their sometimes-archaic language, to know the answers to those questions. They have so much to tell us about the ways of men and women, of rulers and governments, of illusions and delusions, of love and war, of order and anarchy! Sounds as if I am talking about current times? You think you’re living in tempestuous times? Well, so had Shakespeare. And the times haven’t changed! Because, men and women, despite everything, haven’t changed! Don’t believe me. Find out for yourselves. Just pick up Shakespeare Then and Again: The Tempest and see this play is a mirror for us. This book is meant for Shakespearean fans as well as sceptics, students, teachers, et al. And the answers to so many questions are not blowin’ in the wind but are to be found in this play.
Author: Helen Scott
Publisher: Routledge
ISBN: 1317055950
Category : Drama
Languages : en
Pages : 293
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Book Description
In this forceful study, Helen C. Scott situates The Tempest within Marxist analyses of the ‘primitive accumulation’ of capital, which she suggests help explain the play’s continued and particular resonance. The ‘storm’ of the title refers both to Shakespeare’s Tempest hurtling through time, and to Walter Benjamin’s concept of history as a succession of violent catastrophes. Scott begins with an account of the global processes of dispossession—of the peasantry and indigenous populations—accompanying the emergence of capitalism, which generated new class relationships, new understandings of human subjectivity, and new forms of oppression around race, gender, and disability. Developing a detailed reading of the play at its moment of production in the business of theatre in 1611, Scott then moves gracefully through the global reception history, showing how its central thematic concerns and figurative patterns bespeak the upheavals and dispossessions of successive stages of capitalist development. Paying particular attention to moments of social crisis, and unearthing a radical political tradition, Scott follows the play from its hostile takeover in the Restoration, through its revival by the Romantics, and consolidation and contestation in the nineteenth century. In the twentieth century transatlantic modernism generated an acutely dystopic Tempest, then during the global transformations of the 1960s postcolonial writers permanently associated it with decolonization. At century’s end the play became a vehicle for exploring intersectional oppression, and the remarkable ‘Sycorax school’ featured iconoclastic readings by writers such as Abena Busia, May Joseph, and Sylvia Wynter. Turning to both popular culture and high-profile stage productions in the twenty-first century, Scott explores the ramifications and figurative potential of Shakespeare's Tempest for global social and ecological crises today. Sensitive to the play’s original concerns and informed by recent scholarship on performance and reception history as well as disability studies, Scott’s moving analysis impels readers towards a fresh understanding of sea-change and metamorphosis as potent symbols for the literal and figurative tempests of capitalism’s old age now threatening ‘the great globe itself.’
Author: Kay Stockholder
Publisher: John Wiley & Sons
ISBN: 1119059003
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Explores the challenges of maintaining bonds, living up to ideals, and fulfilling desire in Shakespeare’s plays In Thinking About Shakespeare, Kay Stockholder reveals the rich inner lives of some of Shakespeare’s most enigmatic characters and the ways in which their emotions and actions shape and are shaped by the social and political world around them. In addressing all genres in the Shakespeare canon, the authors explore the possibility of people being constant to each other in many different kinds of relationships: those of lovers, kings and subjects, friends, and business partners. While some bonds are irrevocably broken, many are reaffirmed. In all cases, the authors offer insight into what drives Shakespeare’s characters to do what they do, what draws them together or pulls them apart, and the extent to which bonds can ever be eternal. Ultimately, the most durable bond may be between the playwright and the audience, whereby the playwright pleases and the audience approves. The book takes an in-depth look at a dozen of The Bard’s best-loved works, including: A Midsummer Night’s Dream; Romeo and Juliet; The Merchant of Venice; Richard II; Henry IV, Part I; Hamlet; Troilus and Cressida; Othello; Macbeth; King Lear; Antony and Cleopatra; and The Tempest. It also provides an epilogue titled: Prospero and Shakespeare. Written in a style accessible for all levels Discusses 12 plays, making it a comprehensive study of Shakespeare’s work Covers every genre of The Bard’s work, giving readers a full sense of Shakespeare’s art/thought over the course of his oeuvre Provides a solid overall sense of each play and the major characters/plot lines in them Providing new and sometimes unconventional and provocative ways to think about characters that have had a long critical heritage, Thinking About Shakespeare is an enlightening read that is perfect for scholars, and ideal for any level of student studying one of history’s greatest storytellers.
Author: Edward Venn
Publisher: Cambridge University Press
ISBN: 1108486657
Category : Music
Languages : en
Pages : 337
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Book Description
This wide-ranging and authoritative volume discusses the major works of acclaimed contemporary composer Adès from a variety of critical perspectives.
Author: Amy L. Tigner
Publisher: Routledge
ISBN: 1317104358
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Spanning the period from Elizabeth I's reign to Charles II's restoration, this study argues the garden is a primary site evincing a progressive narrative of change, a narrative that looks to the Edenic as obtainable ideal in court politics, economic prosperity, and national identity in early modern England. In the first part of the study, Amy L. Tigner traces the conceptual forms that the paradise imaginary takes in works by Gascoigne, Spenser, and Shakespeare, all of whom depict the garden as a space in which to imagine the national body of England and the gendered body of the monarch. In the concluding chapters, she discusses the function of gardens in the literary works by Jonson, an anonymous masque playwright, and Milton, the herbals of John Gerard and John Parkinson, and the tract writing of Ralph Austen, Lawrence Beal, and Walter Blithe. In these texts, the paradise imaginary is less about the body politic of the monarch and more about colonial pursuits and pressing environmental issues. As Tigner identifies, during this period literary representations of gardens become potent discursive models that both inspire constructions of their aesthetic principles and reflect innovations in horticulture and garden technology. Further, the development of the botanical garden ushers in a new world of science and exploration. With the importation of a new world of plants, the garden emerges as a locus of scientific study: hybridization, medical investigation, and the proliferation of new ornamentals and aliments. In this way, the garden functions as a means to understand and possess the rapidly expanding globe.
Author: Maurice Hunt
Publisher: Routledge
ISBN: 1135023298
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
A collection that includes a lengthy introduction describing historical trends in critical interpretations and theatrical performances of Shakespeare's play; 20 essays on the play, including two written especially for this volume (by Maurice Hunt and David Bergeron).
Author: Fabio Ciambella
Publisher: Skenè. Texts and Studies
ISBN: 8846767365
Category : Language Arts & Disciplines
Languages : en
Pages : 202
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Book Description
Is Shakespeare’s The Tempest a Mediterranean play? This volume explores the relationship between The Tempest and the Mediterranean Sea and analyses it from different perspectives. Some essays focus on close readings of the text in order to explore the importance of the Mediterranean Sea for the genesis of the play and the narration of the past and present events in which the Shakespearean characters participate. Other chapters investigate the relationship between the Shakespearean play, its resources from the Mediterranean Graeco-Latin past and its afterlives in twentieth-century poems looking at the Mediterranean dimension of the play. Moreover, influences on and of The Tempest are investigated, looking at how Italian Renaissance music may have influenced some choices concerning Ariel’s song(s) and how The Tempest has shaped the production of twentieth-century Italian directors. Finally, other chapters try to reaffirm the centrality of the Mediterranean Sea in The Tempest, bringing to the fore new textual evidence in support of the Mediterraneity of the play, by adopting and/or criticising recent approaches.
