Projekt Des Internationalen Institutes Der Typografischen Künste (ICTA)

Projekt Des Internationalen Institutes Der Typografischen Künste (ICTA) PDF Author: International Center for the Typographic Arts
Publisher:
ISBN:
Category : Book design
Languages : en
Pages : 242

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Projekt Des Internationalen Institutes Der Typografischen Künste (ICTA)

Projekt Des Internationalen Institutes Der Typografischen Künste (ICTA) PDF Author: International Center for the Typographic Arts
Publisher:
ISBN:
Category : Book design
Languages : en
Pages : 242

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Book Description


Typomundus 20

Typomundus 20 PDF Author:
Publisher:
ISBN:
Category :
Languages : de
Pages :

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Typomundus zwanzig

Typomundus zwanzig PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 44

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Typography

Typography PDF Author: Emil Ruder
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 273

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Swiss Graphic Design

Swiss Graphic Design PDF Author: Richard Hollis
Publisher: Yale University Press
ISBN: 9780300106763
Category : Design
Languages : en
Pages : 288

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Book Description
Originally published: London: Laurence King Pub., 2006.

Graphic Design

Graphic Design PDF Author: Richard Hollis
Publisher: Thames & Hudson
ISBN: 9780500202708
Category : Book design
Languages : en
Pages : 224

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Book Description
Covers a wide range of graphic design including film, magazines and posters. Also cover techniques used such as airbrushing and computer generated images

Typography Today

Typography Today PDF Author: Vivian Lei
Publisher: Azur Corporation
ISBN: 9789881768414
Category : Graphic arts
Languages : en
Pages : 0

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Book Description
Over recent decades, type has been contextualized. It is no longer at home in static, monotone print. It is now belongs in the domain of the image. Type is integrated into image as if it is a 'real' and tangible as any other subject or objects. It is treated as having physical presence with weight and depth. Among these pages we will see a return to the handmade. Hand-drawn scrawl has become increasingly popular over the past few years. We are currently entering a new typographic era, in which designers choose to focus on the form and substance of the individual letter more than on overall composition. Colour throughout