Author: Jill Kraye
Publisher: Cambridge University Press
ISBN: 9780521436243
Category : History
Languages : en
Pages : 350
Book Description
From the fourteenth to the seventeenth century, humanism played a key role in European culture. Beginning as a movement based on the recovery, interpretation and imitation of ancient Greek and Roman texts and the archaeological study of the physical remains of antiquity, humanism turned into a dynamic cultural programme, influencing almost every facet of Renaissance intellectual life. The fourteen essays in this 1996 volume deal with all aspects of the movement, from language learning to the development of science, from the effect of humanism on biblical study to its influence on art, from its Italian origins to its manifestations in the literature of More, Sidney and Shakespeare. A detailed biographical index, and a guide to further reading, are provided. Overall, The Cambridge Companion to Renaissance Humanism provides a comprehensive introduction to a major movement in the culture of early modern Europe.
The Cambridge Companion to Renaissance Humanism
Author: Jill Kraye
Publisher: Cambridge University Press
ISBN: 9780521436243
Category : History
Languages : en
Pages : 350
Book Description
From the fourteenth to the seventeenth century, humanism played a key role in European culture. Beginning as a movement based on the recovery, interpretation and imitation of ancient Greek and Roman texts and the archaeological study of the physical remains of antiquity, humanism turned into a dynamic cultural programme, influencing almost every facet of Renaissance intellectual life. The fourteen essays in this 1996 volume deal with all aspects of the movement, from language learning to the development of science, from the effect of humanism on biblical study to its influence on art, from its Italian origins to its manifestations in the literature of More, Sidney and Shakespeare. A detailed biographical index, and a guide to further reading, are provided. Overall, The Cambridge Companion to Renaissance Humanism provides a comprehensive introduction to a major movement in the culture of early modern Europe.
Publisher: Cambridge University Press
ISBN: 9780521436243
Category : History
Languages : en
Pages : 350
Book Description
From the fourteenth to the seventeenth century, humanism played a key role in European culture. Beginning as a movement based on the recovery, interpretation and imitation of ancient Greek and Roman texts and the archaeological study of the physical remains of antiquity, humanism turned into a dynamic cultural programme, influencing almost every facet of Renaissance intellectual life. The fourteen essays in this 1996 volume deal with all aspects of the movement, from language learning to the development of science, from the effect of humanism on biblical study to its influence on art, from its Italian origins to its manifestations in the literature of More, Sidney and Shakespeare. A detailed biographical index, and a guide to further reading, are provided. Overall, The Cambridge Companion to Renaissance Humanism provides a comprehensive introduction to a major movement in the culture of early modern Europe.
Printing Images in Antwerp
Author: Jan van der Stock
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 0
Book Description
Painting the Page in the Age of Print
Author: Jeffrey F. Hamburger
Publisher: PIMS
ISBN: 9780888442086
Category : Art, Central European
Languages : en
Pages : 0
Book Description
"The history of the book in the fifteenth century is especially associated in German-speaking countries with Gutenberg's invention of printing with movable type. Over a century of scholarship has tended, often in rather gratuitous fashion, to dismiss the majority of illuminated manuscripts produced in central Europe between around 1400 and the Reformation as mediocre manifestations of a culture in decline. This book--originally published in German to accompany a series of exhibitions in Germany, Austria, and Switzerland from 2015 to 2017--was written to challenge these prejudices and the weight of tradition which they represent. It contains four wide-ranging art historical essays which for the first time give an overview of fifteenth-century illumination in Central Europe."--
Publisher: PIMS
ISBN: 9780888442086
Category : Art, Central European
Languages : en
Pages : 0
Book Description
"The history of the book in the fifteenth century is especially associated in German-speaking countries with Gutenberg's invention of printing with movable type. Over a century of scholarship has tended, often in rather gratuitous fashion, to dismiss the majority of illuminated manuscripts produced in central Europe between around 1400 and the Reformation as mediocre manifestations of a culture in decline. This book--originally published in German to accompany a series of exhibitions in Germany, Austria, and Switzerland from 2015 to 2017--was written to challenge these prejudices and the weight of tradition which they represent. It contains four wide-ranging art historical essays which for the first time give an overview of fifteenth-century illumination in Central Europe."--
Texts in Transit
Author: Lotte Hellinga
Publisher: BRILL
ISBN: 9004279008
Category : Literary Criticism
Languages : en
Pages : 466
Book Description
After Gutenberg’s Bible had appeared in print in 1455, other early printers found different ways to solve problems set by the new technique. Survival of printer’s copy or proofs permits rare views of compositors and printers manipulating a text before it emerged in its new form. Versions were corrected to be fit for purpose, and might be adapted for a much enlarged readership, especially if the language was vernacular. The printing press itself required careful measuring and fitting of texts. In twelve case-studies Lotte Hellinga explores what is revealed in printer’s copy and proofs used in diverse printing houses, covering the period from 1459 to the 1490s, and ranging from Rome and Venice to Mainz and Westminster. See also the companion volume by the same author, Incunabula in Transit (Brill, 2017).
Publisher: BRILL
ISBN: 9004279008
Category : Literary Criticism
Languages : en
Pages : 466
Book Description
After Gutenberg’s Bible had appeared in print in 1455, other early printers found different ways to solve problems set by the new technique. Survival of printer’s copy or proofs permits rare views of compositors and printers manipulating a text before it emerged in its new form. Versions were corrected to be fit for purpose, and might be adapted for a much enlarged readership, especially if the language was vernacular. The printing press itself required careful measuring and fitting of texts. In twelve case-studies Lotte Hellinga explores what is revealed in printer’s copy and proofs used in diverse printing houses, covering the period from 1459 to the 1490s, and ranging from Rome and Venice to Mainz and Westminster. See also the companion volume by the same author, Incunabula in Transit (Brill, 2017).
Origins of European Printmaking
Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Brand Luther
Author: Andrew Pettegree
Publisher:
ISBN: 1594204969
Category : Book industries and trade
Languages : en
Pages : 402
Book Description
A revolutionary look at Martin Luther, the Reformation, and the birth of publishing, on the eve of the Reformation's 500th anniversary When Martin Luther posted his "theses" on the door of the Wittenberg church in 1517, protesting corrupt practices, he was virtually unknown. Within months, his ideas spread across Germany, then all of Europe; within years, their author was not just famous, but infamous, responsible for catalyzing the violent wave of religious reform that would come to be known as the Protestant Reformation and engulfing Europe in decades of bloody war. Luther came of age with the printing press, and the path to glory of neither one was obvious to the casual observer of the time. Printing was, and is, a risky business--the questions were how to know how much to print and how to get there before the competition. Pettegree illustrates Luther's great gifts not simply as a theologian, but as a communicator, indeed, as the world's first mass-media figure, its first brand. He recognized in printing the power of pamphlets, written in the colloquial German of everyday people, to win the battle of ideas. But that wasn't enough--not just words, but the medium itself was the message. Fatefully, Luther had a partner in the form of artist and businessman Lucas Cranach, who together with Wittenberg's printers created the distinctive look of Luther's pamphlets. Together, Luther and Cranach created a product that spread like wildfire--it was both incredibly successful and widely imitated. Soon Germany was overwhelmed by a blizzard of pamphlets, with Wittenberg at its heart; the Reformation itself would blaze on for more than a hundred years. Publishing in advance of the Reformation's 500th anniversary, Brand Luther fuses the history of religion, of printing, and of capitalism--the literal marketplace of ideas--into one enthralling story, revolutionizing our understanding of one of the pivotal figures and eras in human history.
Publisher:
ISBN: 1594204969
Category : Book industries and trade
Languages : en
Pages : 402
Book Description
A revolutionary look at Martin Luther, the Reformation, and the birth of publishing, on the eve of the Reformation's 500th anniversary When Martin Luther posted his "theses" on the door of the Wittenberg church in 1517, protesting corrupt practices, he was virtually unknown. Within months, his ideas spread across Germany, then all of Europe; within years, their author was not just famous, but infamous, responsible for catalyzing the violent wave of religious reform that would come to be known as the Protestant Reformation and engulfing Europe in decades of bloody war. Luther came of age with the printing press, and the path to glory of neither one was obvious to the casual observer of the time. Printing was, and is, a risky business--the questions were how to know how much to print and how to get there before the competition. Pettegree illustrates Luther's great gifts not simply as a theologian, but as a communicator, indeed, as the world's first mass-media figure, its first brand. He recognized in printing the power of pamphlets, written in the colloquial German of everyday people, to win the battle of ideas. But that wasn't enough--not just words, but the medium itself was the message. Fatefully, Luther had a partner in the form of artist and businessman Lucas Cranach, who together with Wittenberg's printers created the distinctive look of Luther's pamphlets. Together, Luther and Cranach created a product that spread like wildfire--it was both incredibly successful and widely imitated. Soon Germany was overwhelmed by a blizzard of pamphlets, with Wittenberg at its heart; the Reformation itself would blaze on for more than a hundred years. Publishing in advance of the Reformation's 500th anniversary, Brand Luther fuses the history of religion, of printing, and of capitalism--the literal marketplace of ideas--into one enthralling story, revolutionizing our understanding of one of the pivotal figures and eras in human history.
Heavenly Craft
Author: Library of Congress
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 244
Book Description
This volume explores the evolution of the technique, composition and colouration of the woodcut beginning with the earliest publications. It features examples from Germany, Italy, France, Spain and The Netherlands.
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 244
Book Description
This volume explores the evolution of the technique, composition and colouration of the woodcut beginning with the earliest publications. It features examples from Germany, Italy, France, Spain and The Netherlands.
Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540)
Author: Alejandro Coroleu
Publisher: Cambridge Scholars Publishing
ISBN: 1443861057
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
With the advent of the printing press throughout Europe in the last quarter of the fifteenth century, the key Latin texts of Italian humanism began to be published outside Italy, most of them by a small group of printers who, in most cases, worked in close collaboration with lecturers and teachers. This study provides the first comprehensive account of the dissemination of this important literary corpus in Spain, France, the Low Countries and the German-speaking world between ca. 1470 and ca. 1540. By combining an examination of book production and consumption with attention to the educational system of Renaissance Europe, this book highlights both the historical significance of the Latin literature of Italian humanism within the school and university curriculum of the time, and the impact of such a body of texts on the rising national literary traditions, in Latin and in the vernacular, of the period. Printing and Reading Italian Latin Humanism in Renaissance Europe will appeal to scholars of classical and Renaissance literature, and to anyone interested in intellectual history and in the history of education in the Renaissance. It will be of particular interest to scholars in Hispanic studies.
Publisher: Cambridge Scholars Publishing
ISBN: 1443861057
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
With the advent of the printing press throughout Europe in the last quarter of the fifteenth century, the key Latin texts of Italian humanism began to be published outside Italy, most of them by a small group of printers who, in most cases, worked in close collaboration with lecturers and teachers. This study provides the first comprehensive account of the dissemination of this important literary corpus in Spain, France, the Low Countries and the German-speaking world between ca. 1470 and ca. 1540. By combining an examination of book production and consumption with attention to the educational system of Renaissance Europe, this book highlights both the historical significance of the Latin literature of Italian humanism within the school and university curriculum of the time, and the impact of such a body of texts on the rising national literary traditions, in Latin and in the vernacular, of the period. Printing and Reading Italian Latin Humanism in Renaissance Europe will appeal to scholars of classical and Renaissance literature, and to anyone interested in intellectual history and in the history of education in the Renaissance. It will be of particular interest to scholars in Hispanic studies.
The Fifteenth-century Printing Practices of Johann Zainer, Ulm, 1473-1478
Author: Claire Bolton
Publisher:
ISBN: 9780901420596
Category : Incunabula
Languages : en
Pages : 289
Book Description
Publisher:
ISBN: 9780901420596
Category : Incunabula
Languages : en
Pages : 289
Book Description
Print Culture in Renaissance Italy
Author: Brian Richardson
Publisher: Cambridge University Press
ISBN: 9780521893022
Category : Design
Languages : en
Pages : 288
Book Description
The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who determined the form in which texts from the Middle Ages would be read, and who could strongly influence the interpretation and status of texts by adding introductory material or commentary. Brian Richardson here examines the Renaissance circulation and reception of works by earlier writers including Dante, Petrarch, Boccaccio and Ariosto, as well as popular contemporary works of entertainment. In so doing he sheds light on the impact of the new printing and editing methods on Renaissance culture, including the standardisation of vernacular Italian and its spread to new readers and writers, the establishment of new standards in textual criticism, and the increasing rivalry between the two cities on which this study is chiefly focused, Venice and Florence.
Publisher: Cambridge University Press
ISBN: 9780521893022
Category : Design
Languages : en
Pages : 288
Book Description
The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who determined the form in which texts from the Middle Ages would be read, and who could strongly influence the interpretation and status of texts by adding introductory material or commentary. Brian Richardson here examines the Renaissance circulation and reception of works by earlier writers including Dante, Petrarch, Boccaccio and Ariosto, as well as popular contemporary works of entertainment. In so doing he sheds light on the impact of the new printing and editing methods on Renaissance culture, including the standardisation of vernacular Italian and its spread to new readers and writers, the establishment of new standards in textual criticism, and the increasing rivalry between the two cities on which this study is chiefly focused, Venice and Florence.