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Author: Joan Judge
Publisher: Stanford University Press
ISBN: 080476493X
Category : Language Arts & Disciplines
Languages : en
Pages : 315
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Book Description
Print and Politics offers a cultural history of a late Qing newspaper, Shibao, the most influential reform daily of its time. Exploring the simultaneous emergence of a new print culture and a new culture of politics in early-twentieth-century China, the book treats Shibao as both institution and text and demonstrates how the journalists who wrote for the paper attempted to stake out a “middle realm” of discourse and practice. Chronicling the role these journalists played in educational and constitutional organizations, as well as their involvement in major issues of the day, it analyzes their essays as political documents and as cultural artifacts. Particular attention is paid to the language the journalists used, the cultural constructs they employed to structure their arguments, and the multiple sources of authority they appealed to in advancing their claims for reform.
Author: Joan Judge
Publisher: Stanford University Press
ISBN: 080476493X
Category : Language Arts & Disciplines
Languages : en
Pages : 315
Get Book Here
Book Description
Print and Politics offers a cultural history of a late Qing newspaper, Shibao, the most influential reform daily of its time. Exploring the simultaneous emergence of a new print culture and a new culture of politics in early-twentieth-century China, the book treats Shibao as both institution and text and demonstrates how the journalists who wrote for the paper attempted to stake out a “middle realm” of discourse and practice. Chronicling the role these journalists played in educational and constitutional organizations, as well as their involvement in major issues of the day, it analyzes their essays as political documents and as cultural artifacts. Particular attention is paid to the language the journalists used, the cultural constructs they employed to structure their arguments, and the multiple sources of authority they appealed to in advancing their claims for reform.
Author: Kevin Gilmartin
Publisher: Cambridge University Press
ISBN: 9780521496551
Category : History
Languages : en
Pages : 304
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Book Description
Literary study of the popular radical press in England, 1800-1830.
Author: James M. Lundberg
Publisher: JHU Press
ISBN: 1421432889
Category : History
Languages : en
Pages : 246
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Book Description
A lively portrait of Horace Greeley, one of the nineteenth century's most fascinating public figures. The founder and editor of the New-York Tribune, Horace Greeley was the most significant—and polarizing—American journalist of the nineteenth century. To the farmers and tradesmen of the rural North, the Tribune was akin to holy writ. To just about everyone else—Democrats, southerners, and a good many Whig and Republican political allies—Greeley was a shape-shifting menace: an abolitionist fanatic; a disappointing conservative; a terrible liar; a power-hungry megalomaniac. In Horace Greeley, James M. Lundberg revisits this long-misunderstood figure, known mostly for his wild inconsistencies and irrepressible political ambitions. Charting Greeley's rise and eventual fall, Lundberg mines an extensive newspaper archive to place Greeley and his Tribune at the center of the struggle to realize an elusive American national consensus in a tumultuous age. Emerging from the jangling culture and politics of Jacksonian America, Lundberg writes, Greeley sought to define a mode of journalism that could uplift the citizenry and unite the nation. But in the decades before the Civil War, he found slavery and the crisis of American expansion standing in the way of his vision. Speaking for the anti-slavery North and emerging Republican Party, Greeley rose to the height of his powers in the 1850s—but as a voice of sectional conflict, not national unity. By turns a war hawk and peace-seeker, champion of emancipation and sentimental reconciliationist, Greeley never quite had the measure of the world wrought by the Civil War. His 1872 run for president on a platform of reunion and amnesty toward the South made him a laughingstock—albeit one who ultimately laid the groundwork for national reconciliation and the betrayal of the Civil War's emancipatory promise. Lively and engaging, Lundberg reanimates this towering figure for modern readers. Tracing Greeley's twists and turns, this book tells a larger story about print, politics, and the failures of American nationalism in the nineteenth century.
Author: Sidney A. Pearson
Publisher: Lexington Books
ISBN: 0739135643
Category : Political Science
Languages : en
Pages : 207
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Book Description
In Print the Legend: Politics, Culture, and Civic Virtue in the Films of John Ford, a collection of writers explore Ford's view of politics, popular culture, and civic virtue in some of his best films: Drums Along the Mohawk, The Searchers, The Man Who Shot Liberty Valance, Stagecoach, How Green Was My Valley, and The Last Hurrah. John Ford, more than most motion picture directors, invites his viewers into a serious discussion of these themes. For instance, one can consider Plato's timeless question 'What is justice?' in The Man Who Shot Liberty Valance, vengeance as classical Greek tragedy in The Searchers, or ethnic politics in The Last Hurrah. Ford's films never grow stale or seem dated because he continually probes the most important questions of our civic culture: what must we do to survive, prosper, pursue happiness, and retain our common decency as a regime? Further, viewing them from a distance of time, we are subtly invited to ask whether anything has been lost or gained since Ford celebrated the civic virtues of an earlier America. Is Ford's America an idealized America or a lost America?
Author: Margaret Meserve
Publisher: JHU Press
ISBN: 142144044X
Category : Business & Economics
Languages : en
Pages : 452
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Book Description
An exciting interdisciplinary study based on new literary, historical, and bibliographical evidence, this book will appeal to students and scholars of the Italian Renaissance, the Reformation, and the history of the book.
Author: Rob Christensen
Publisher: Univ of North Carolina Press
ISBN: 0807899631
Category : History
Languages : en
Pages : 372
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Book Description
How can a state be represented by Jesse Helms and John Edwards at the same time? Journalist Rob Christensen answers that question and navigates a century of political history in North Carolina, one of the most politically vibrant and competitive southern states, where neither conservatives nor liberals, Democrats nor Republicans, have been able to rest easy. It is this climate of competition and challenge, Christensen argues, that enabled North Carolina to rise from poverty in the nineteenth century to become a leader in research, education, and banking in the twentieth. In this new paperback edition, Christensen provides updated coverage of recent changes in North Carolina's political landscape, including the scandals surrounding John Edwards and Mike Easley, the defeat of U.S. senator Elizabeth Dole, the election of the state's first woman governor, and voters' approval of an African American candidate for president. The book provides an overview of the run-up to the 2010 elections and explains how North Carolina has become, arguably, the most politically competitive state in the South.
Author: Jason Peacey
Publisher: Cambridge University Press
ISBN: 1107044421
Category : History
Languages : en
Pages : 471
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Book Description
This book assesses how print culture transformed the political nation, at the level of everyday political practices, habits and thought.
Author: Colin A. Palmer
Publisher: Univ of North Carolina Press
ISBN: 0807899615
Category : History
Languages : en
Pages : 376
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Book Description
Colin Palmer, one of the foremost chroniclers of twentieth-century British and U.S. imperialism in the Caribbean, here tells the story of British Guiana's struggle for independence. At the center of the story is Cheddi Jagan, who was the colony's first premier following the institution of universal adult suffrage in 1953. Informed by the first use of many British, U.S., and Guyanese archival sources, Palmer's work details Jagan's rise and fall, from his initial electoral victory in the spring of 1953 to the aftermath of the British-orchestrated coup d'etat that led to the suspension of the constitution and the removal of Jagan's independence-minded administration. Jagan's political odyssey continued--he was reelected to the premiership in 1957--but in 1964 he fell out of power again under pressure from Guianese, British, and U.S. officials suspicious of Marxist influences on the People's Progressive Party, founded in 1950 by Jagan and his activist wife, Janet Rosenberg. But Jagan's political life was not over--after decades in the opposition, he became Guyana's president in 1992. Subtly analyzing the actual role of Marxism in Caribbean anticolonial struggles and bringing the larger story of Caribbean colonialism into view, Palmer examines the often malevolent roles played by leaders at home and abroad and shows how violence, police corruption, political chicanery, racial politics, and poor leadership delayed Guyana's independence until 1966, scarring the body politic in the process.
Author: Derrick R. Spires
Publisher: University of Pennsylvania Press
ISBN: 0812295773
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does. In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing of the federal Constitution and the founding of the Free African Society by Absalom Jones and Richard Allen, and ending in 1861, with the onset of the Civil War. Between these two points he recovers understudied figures such as William J. Wilson, whose 1859 "Afric-American Picture Gallery" appeared in seven installments in The Anglo-African Magazine, and the physician, abolitionist, and essayist James McCune Smith. He places texts such as the proceedings of black state conventions alongside considerations of canonical figures such as Frances Ellen Watkins Harper and Frederick Douglass. Reading black print culture as a space where citizenship was both theorized and practiced, Spires reveals the degree to which concepts of black citizenship emerged through a highly creative and diverse community of letters, not easily reducible to representative figures or genres. From petitions to Congress to Frances Harper's parlor fiction, black writers framed citizenship both explicitly and implicitly, the book demonstrates, not simply as a response to white supremacy but as a matter of course in the shaping of their own communities and in meeting their own political, social, and cultural needs.
Author: Louis Marchesano
Publisher: Getty Publications
ISBN: 1606066153
Category : Art
Languages : en
Pages : 200
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Book Description
This collection explores Kollwitz’s most creative years, examining her sequences of images, with a focus on the tension between making and meaning. German printmaker Käthe Kollwitz (1867–1945) is known for her unapologetic social and political imagery; her representations of grief, suffering, and struggle; and her equivocal ideas about artistic and political labels. This volume explores her most creative years, roughly the late 1890s to the mid-1920s, highlighting the tension between making and meaning throughout her work. Correlating Kollwitz’s obsessive printmaking experiments with the evolution of her images, it assesses the unusually rich progressions of preparatory drawings, proofs, and rejected images behind Kollwitz’s compositions of struggling workers, rebellious peasants, and grieving mothers. This selected catalogue of the Dr. Richard A. Simms collection at the Getty Research Institute provides a bird’s-eye view of Kollwitz’s sequences of images as well as the interrelationships among prints produced over multiple years. The meanings and sentiments emerging from Kollwitz’s images are not, as is often implied, unmediated expressions of her politics and emotions. Rather, Kollwitz transformed images with deliberate technical and formal experiments, seemingly endless adjustments, wholesale rejections, and strategic regroupings of figures and forms—all of which demonstrate that her obsessive dedication to making art was never a straightforward means to political or emotional ends.
