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Author: Joan Judge
Publisher: Stanford University Press
ISBN: 080476493X
Category : Language Arts & Disciplines
Languages : en
Pages : 315
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Book Description
Print and Politics offers a cultural history of a late Qing newspaper, Shibao, the most influential reform daily of its time. Exploring the simultaneous emergence of a new print culture and a new culture of politics in early-twentieth-century China, the book treats Shibao as both institution and text and demonstrates how the journalists who wrote for the paper attempted to stake out a “middle realm” of discourse and practice. Chronicling the role these journalists played in educational and constitutional organizations, as well as their involvement in major issues of the day, it analyzes their essays as political documents and as cultural artifacts. Particular attention is paid to the language the journalists used, the cultural constructs they employed to structure their arguments, and the multiple sources of authority they appealed to in advancing their claims for reform.
Author: Joan Judge
Publisher: Stanford University Press
ISBN: 080476493X
Category : Language Arts & Disciplines
Languages : en
Pages : 315
Get Book Here
Book Description
Print and Politics offers a cultural history of a late Qing newspaper, Shibao, the most influential reform daily of its time. Exploring the simultaneous emergence of a new print culture and a new culture of politics in early-twentieth-century China, the book treats Shibao as both institution and text and demonstrates how the journalists who wrote for the paper attempted to stake out a “middle realm” of discourse and practice. Chronicling the role these journalists played in educational and constitutional organizations, as well as their involvement in major issues of the day, it analyzes their essays as political documents and as cultural artifacts. Particular attention is paid to the language the journalists used, the cultural constructs they employed to structure their arguments, and the multiple sources of authority they appealed to in advancing their claims for reform.
Author: Christina M. Knopf
Publisher: Univ. Press of Mississippi
ISBN: 1496834240
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
From the moment Captain America punched Hitler in the jaw, comic books have always been political, and whether it is Marvel’s chairman Ike Perlmutter making a campaign contribution to Donald Trump in 2016 or Marvel’s character Howard the Duck running for president during America’s bicentennial in 1976, the politics of comics have overlapped with the politics of campaigns and governance. Pop culture opens avenues for people to declare their participation in a collective project and helps them to shape their understandings of civic responsibility, leadership, communal history, and present concerns. Politics in the Gutters: American Politicians and Elections in Comic Book Media opens with an examination of campaign comic books used by the likes of Herbert Hoover and Harry S. Truman, follows the rise of political counterculture comix of the 1960s, and continues on to the graphic novel version of the 9/11 Report and the cottage industry of Sarah Palin comics. It ends with a consideration of comparisons to Donald Trump as a supervillain and a look at comics connections to the pandemic and protests that marked the 2020 election year. More than just escapist entertainment, comics offer a popular yet complicated vision of the American political tableau. Politics in the Gutters considers the political myths, moments, and mimeses, in comic books—from nonfiction to science fiction, superhero to supernatural, serious to satirical, golden age to present day—to consider how they represent, re-present, underpin, and/or undermine ideas and ideals about American electoral politics.
Author: James M. Lundberg
Publisher: JHU Press
ISBN: 1421432889
Category : History
Languages : en
Pages : 246
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Book Description
A lively portrait of Horace Greeley, one of the nineteenth century's most fascinating public figures. The founder and editor of the New-York Tribune, Horace Greeley was the most significant—and polarizing—American journalist of the nineteenth century. To the farmers and tradesmen of the rural North, the Tribune was akin to holy writ. To just about everyone else—Democrats, southerners, and a good many Whig and Republican political allies—Greeley was a shape-shifting menace: an abolitionist fanatic; a disappointing conservative; a terrible liar; a power-hungry megalomaniac. In Horace Greeley, James M. Lundberg revisits this long-misunderstood figure, known mostly for his wild inconsistencies and irrepressible political ambitions. Charting Greeley's rise and eventual fall, Lundberg mines an extensive newspaper archive to place Greeley and his Tribune at the center of the struggle to realize an elusive American national consensus in a tumultuous age. Emerging from the jangling culture and politics of Jacksonian America, Lundberg writes, Greeley sought to define a mode of journalism that could uplift the citizenry and unite the nation. But in the decades before the Civil War, he found slavery and the crisis of American expansion standing in the way of his vision. Speaking for the anti-slavery North and emerging Republican Party, Greeley rose to the height of his powers in the 1850s—but as a voice of sectional conflict, not national unity. By turns a war hawk and peace-seeker, champion of emancipation and sentimental reconciliationist, Greeley never quite had the measure of the world wrought by the Civil War. His 1872 run for president on a platform of reunion and amnesty toward the South made him a laughingstock—albeit one who ultimately laid the groundwork for national reconciliation and the betrayal of the Civil War's emancipatory promise. Lively and engaging, Lundberg reanimates this towering figure for modern readers. Tracing Greeley's twists and turns, this book tells a larger story about print, politics, and the failures of American nationalism in the nineteenth century.
Author: Jason Peacey
Publisher: Cambridge University Press
ISBN: 1107044421
Category : History
Languages : en
Pages : 471
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Book Description
This book assesses how print culture transformed the political nation, at the level of everyday political practices, habits and thought.
Author: J. Matthew Gallman
Publisher: University of Virginia Press
ISBN: 0813946573
Category : History
Languages : en
Pages : 577
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Book Description
The Cacophony of Politics charts the trajectory of the Democratic Party as the party of opposition in the North during the Civil War. A comprehensive overview, this book reveals the myriad complications and contingencies of political life in the Northern states and explains the objectives of the nearly half of eligible Northern voters who cast a ballot against Abraham Lincoln in 1864. The party’s famous slogan "The Union as it was, the Constitution as it is" was meant to have broad appeal and promote solidarity among Northern Democrats by invoking their core ideological commitments to nationalism, law and order, tradition, and strict construction. But, as J. Matthew Gallman shows, the slogan was a poor reflection of the volatile, fluid, messy, and improvisational reality of political life for men and women, across the public and private spheres. Democrats experienced the war as a cascading series of dilemmas, for which their slogan did not always offer guidance or resolution. Offering a definitive account of the Democratic Party in the North, The Cacophony of Politics shows the limits of ideology and the ways the Civil War—and the nature of nineteenth-century political culture—confounded the Democrats’ self-image and exacerbated their divisions, especially over the central issue of slavery. A Nation Divided: Studies in the Civil War Era
Author: Kevin Gilmartin
Publisher: Cambridge University Press
ISBN: 9780521496551
Category : History
Languages : en
Pages : 304
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Book Description
Literary study of the popular radical press in England, 1800-1830.
Author: Rob Christensen
Publisher: Univ of North Carolina Press
ISBN: 0807899631
Category : History
Languages : en
Pages : 372
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Book Description
How can a state be represented by Jesse Helms and John Edwards at the same time? Journalist Rob Christensen answers that question and navigates a century of political history in North Carolina, one of the most politically vibrant and competitive southern states, where neither conservatives nor liberals, Democrats nor Republicans, have been able to rest easy. It is this climate of competition and challenge, Christensen argues, that enabled North Carolina to rise from poverty in the nineteenth century to become a leader in research, education, and banking in the twentieth. In this new paperback edition, Christensen provides updated coverage of recent changes in North Carolina's political landscape, including the scandals surrounding John Edwards and Mike Easley, the defeat of U.S. senator Elizabeth Dole, the election of the state's first woman governor, and voters' approval of an African American candidate for president. The book provides an overview of the run-up to the 2010 elections and explains how North Carolina has become, arguably, the most politically competitive state in the South.
Author: Colin A. Palmer
Publisher: Univ of North Carolina Press
ISBN: 0807899615
Category : History
Languages : en
Pages : 376
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Book Description
Colin Palmer, one of the foremost chroniclers of twentieth-century British and U.S. imperialism in the Caribbean, here tells the story of British Guiana's struggle for independence. At the center of the story is Cheddi Jagan, who was the colony's first premier following the institution of universal adult suffrage in 1953. Informed by the first use of many British, U.S., and Guyanese archival sources, Palmer's work details Jagan's rise and fall, from his initial electoral victory in the spring of 1953 to the aftermath of the British-orchestrated coup d'etat that led to the suspension of the constitution and the removal of Jagan's independence-minded administration. Jagan's political odyssey continued--he was reelected to the premiership in 1957--but in 1964 he fell out of power again under pressure from Guianese, British, and U.S. officials suspicious of Marxist influences on the People's Progressive Party, founded in 1950 by Jagan and his activist wife, Janet Rosenberg. But Jagan's political life was not over--after decades in the opposition, he became Guyana's president in 1992. Subtly analyzing the actual role of Marxism in Caribbean anticolonial struggles and bringing the larger story of Caribbean colonialism into view, Palmer examines the often malevolent roles played by leaders at home and abroad and shows how violence, police corruption, political chicanery, racial politics, and poor leadership delayed Guyana's independence until 1966, scarring the body politic in the process.
Author: Margaret Meserve
Publisher: JHU Press
ISBN: 1421440458
Category : Technology & Engineering
Languages : en
Pages : 452
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Book Description
How did Europe's oldest political institution come to grips with the disruptive new technology of print? Printing thrived after it came to Rome in the 1460s. Renaissance scholars, poets, and pilgrims in the Eternal City formed a ready market for mass-produced books. But Rome was also a capital city—seat of the Renaissance papacy, home to its bureaucracy, and a hub of international diplomacy—and print played a role in these circles, too. In Papal Bull, Margaret Meserve uncovers a critical new dimension of the history of early Italian printing by revealing how the Renaissance popes wielded print as a political tool. Over half a century of war and controversy—from approximately 1470 to 1520—the papacy and its agents deployed printed texts to potent effect, excommunicating enemies, pursuing diplomatic alliances, condemning heretics, publishing indulgences, promoting new traditions, and luring pilgrims and their money to the papal city. Early modern historians have long stressed the innovative press campaigns of the Protestant Reformers, but Meserve shows that the popes were even earlier adopters of the new technology, deploying mass communication many decades before Luther. The papacy astutely exploited the new medium to broadcast ancient claims to authority and underscore the centrality of Rome to Catholic Christendom. Drawing on a vast archive, Papal Bull reveals how the Renaissance popes used print to project an authoritarian vision of their institution and their capital city, even as critics launched blistering attacks in print that foreshadowed the media wars of the coming Reformation. Papal publishing campaigns tested longstanding principles of canon law promulgation, developed new visual and graphic vocabularies, and prompted some of Europe's first printed pamphlet wars. An exciting interdisciplinary study based on new literary, historical, and bibliographical evidence, this book will appeal to students and scholars of the Italian Renaissance, the Reformation, and the history of the book.
Author: Josh MacPhee
Publisher: PM Press
ISBN: 1604862882
Category : Art
Languages : en
Pages : 264
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Book Description
Paper Politics: Socially Engaged Printmaking Today is a major collection of contemporary politically and socially engaged printmaking. This full-color book showcases print art that uses themes of social justice and global equity to engage community members in political conversation. Based on an art exhibition that has traveled to a dozen cities in North America, Paper Politics features artwork by over 200 international artists; an eclectic collection of work by both activist and non-activist printmakers who have felt the need to respond to the monumental trends and events of our times. Paper Politics presents a breathtaking tour of the many modalities of printing by hand: relief, intaglio, lithography, serigraph, collagraph, monotype, and photography. In addition to these techniques, included are more traditional media used to convey political thought, finely crafted stencils and silk-screens intended for wheat pasting in the street. Artists range from the well established (Sue Coe, Swoon, Carlos Cortez) to the up-and-coming (Favianna Rodriguez, Chris Stain, Nicole Schulman), from street artists (BORF, You Are Beautiful) to rock poster makers (EMEK, Bughouse).
