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Author: Shaikh Suhel Samad
Publisher: PartridgeIndia
ISBN: 9781482885248
Category :
Languages : en
Pages : 0
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Book Description
The book highlights that postmodern fiction and more so Rushdie's fiction is concerned with: 1. A preoccupation with viability of systems and representations. 2. The decentring of the subject and the inscription of multiple fictive selves. 3. Narrative fragmentation, narrative reflexivity and narratives which doubleback on their own pre-suppositions. 4. An open-ended play with formal divides challenging the pre-suppositions of literary realism. 5. Abolition of the cultural divide between high and popular forms of culture, embracing all in a mélange. 6. The displacement of the real by simulacra in Baudrillardian sense. 7. Incredulity towards the meta-narratives as Lyotard puts it.
Author: Shaikh Suhel Samad
Publisher: PartridgeIndia
ISBN: 9781482885248
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
The book highlights that postmodern fiction and more so Rushdie's fiction is concerned with: 1. A preoccupation with viability of systems and representations. 2. The decentring of the subject and the inscription of multiple fictive selves. 3. Narrative fragmentation, narrative reflexivity and narratives which doubleback on their own pre-suppositions. 4. An open-ended play with formal divides challenging the pre-suppositions of literary realism. 5. Abolition of the cultural divide between high and popular forms of culture, embracing all in a mélange. 6. The displacement of the real by simulacra in Baudrillardian sense. 7. Incredulity towards the meta-narratives as Lyotard puts it.
Author: Dr Shaikh Suhel Samad
Publisher: Partridge Publishing
ISBN: 1482885255
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
The book highlights postmodern fiction and more so Rushdies fiction, which is concerned with: 1. A preoccupation with viability of systems and representations 2. The decentring of the subject and the inscription of multiple fictive selves 3. Narrative fragmentation, narrative reflexivity, and narratives which double-back on their own presuppositions 4. An open-ended play with formal divides challenging the presuppositions of literary realism 5. Abolition of the cultural divide between high and popular forms of culture, embracing all in a mlange 6. The displacement of the real by simulacra in Baudrillardian sense 7. Incredulity toward the metanarratives as Lyotard puts it
Author: Veronica Ghirardi
Publisher: Vernon Press
ISBN: 1648892000
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Postmodernism is a notoriously elusive concept and still the object of critical debates among scholars across a range of different disciplines. In literature, in particular, these debates are complicated by “postmodern” styles emanating from outside the concept’s Western origins. By analyzing contemporary Hindi novels, and drawing on both Western and Hindi literary criticism, "Postmodern Traces and Recent Hindi Novels" aims to understand some of the manifestations of postmodernism in contemporary Hindi fiction, including ways the latter might challenge the traditional parameters of postmodern literature. This book is essential reading for scholars and students specializing in South Asian studies and both postcolonial and comparative literature. It will also interest the general reader curious to know more about one of the less explored areas of world literature.
Author: Klaus Stierstorfer
Publisher: Walter de Gruyter
ISBN: 3110906813
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
After the veritable hype concerning postmodernism in the 1980s and early 1990s, when questions about when it began, what it means and which texts it comprises were apt to trigger heated discussions, the excitement has notably cooled down at the turn of the century. Voices are now beginning to be heard which seem to suggest a new episteme in the making which points beyond postmodernism, while it remains at the same time very uncertain whether what appears as newness is not rather a return to traditional concepts, theoretical premises, and authorial practices. Contributors to this volume propose to explore new openings and recent developments in anglophone literatures and cultural theories which engage with issues seen to be central in the construction of a postmodern paradigm, but deal with them in ways that promise new openings or a new Zeitgeist.
Author: Sumit Chakrabarti
Publisher: Cambridge Scholars Publishing
ISBN: 1443851191
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
It is a cliché now to claim that we live in a “post”-marked world, and indeed the “post-isms” are some of the most used, and abused, expressions in the language. In a general sense, the various kinds of “post-isms” are regarded as a rejection of a prevailing number of cultural certainties on which our life in the so-called Western world has been structured since the eighteenth century. Engaging with the “post-isms” can be regarded as both a philosophical and political endeavour, which demonstrates, among other things, the instability of language, meaning, narrativity and generally any formal systems. In the wake of such theoretical aporia, this volume represents an investigation in the (re)thinking of the implications of the term “post” in current theoretical parlance. Is there a politics always/already embedded within the “post”? Do we need the “post” any more? Did we, in the first place, need it at all? Is it possible to counter essentialism with the “post” prefix? These are some of the questions the volume raises and explores by examining the “post”-marked terms in the theoretical market. The essays included in this volume address different and relevant issues related to the idea of the “post,” and those that are representative of different parts of the globe. Thus a reader of the volume will not only have a bird’s eye view of the various disciplines where the concept of the “post” is used, but also an eclectic range of contributions about issues that engage with different socio-political dynamics from various parts of the world.
Author: Frederick Luis Aldama
Publisher: University of Texas Press
ISBN: 0292784376
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
Magical realism has become almost synonymous with Latin American fiction, but this way of representing the layered and often contradictory reality of the topsy-turvy, late-capitalist, globalizing world finds equally vivid expression in U.S. multiethnic and British postcolonial literature and film. Writers and filmmakers such as Oscar "Zeta" Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie have made brilliant use of magical realism to articulate the trauma of dislocation and the legacies of colonialism that people of color experience in the postcolonial, multiethnic world. This book seeks to redeem and refine the theory of magical realism in U.S. multiethnic and British postcolonial literature and film. Frederick Aldama engages in theoretically sophisticated readings of Ana Castillo's So Far from God, Oscar "Zeta" Acosta's Autobiography of a Brown Buffalo, Salman Rushdie's Midnight's Children, Shame, The Satanic Verses, and The Moor's Last Sigh, Julie Dash's Daughters of the Dust, and Stephen Frears and Hanif Kureishi's Sammy and Rosie Get Laid. Coining the term "magicorealism" to characterize these works, Aldama not only creates a postethnic critical methodology for enlarging the contact zone between the genres of novel, film, and autobiography, but also shatters the interpretive lens that traditionally confuses the transcription of the real world, where truth and falsity apply, with narrative modes governed by other criteria.
Author: Hasan Majed
Publisher: Cambridge Scholars Publishing
ISBN: 1443883212
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Islamic postcolonialism is a theoretical perspective that combines two components which have up until now existed in a state of tension. As a secular theory, postcolonialism has notably failed to account for Muslim priorities; it has, for instance, had severe problems critiquing the anti-Islam polemics of The Satanic Verses, as is evidenced by Edward Said’s support for Rushdie, in spite of his criticism of the stereotypical representation of Islam and Muslims in the West. Islamic postcolonialism applies the anti-colonial resistant methodology of postcolonialism from a Muslim perspective, exploring the continuance of colonial discourse in part of the contemporary western writing about Islam and Muslims. This book explores how Islam is depicted and Muslim identities are constructed in four representative works of contemporary British fiction: Hanif Kureishi’s The Black Album (1995), Monica Ali’s Brick Lane (2003), Fadia Faqir’s My Name is Salma (2007), and Leila Aboulela’s Minaret (2005). Salman Rushdie’s The Satanic Verses (1988) is also discussed in terms of its crucial role in fostering what some Muslims might consider polemical and stereotypical positions in writing about Islam.
Author: Brenda Marshall
Publisher: Routledge
ISBN: 1134976852
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Brenda Marshall engages with both literary texts and theory, providing an accessible and rigorous introduction to everything you wanted to know about postmodernism.
Author: Ursula Kluwick
Publisher: Routledge
ISBN: 1136480951
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Kluwick breaks new ground in this book, moving away from Rushdie studies that focus on his status as postcolonial or postmodern, and instead considering the significance of magic realism in his fiction. Rushdie’s magic realism, in fact, lies at the heart of his engagement with the post/colonial. In a departure from conventional descriptions of magic realism—based primarily on the Latin-American tradition—Kluwick here proposes an alternative definition, allowing for a more accurate description of the form. She argues that it is disharmony, rather than harmony, that is decisive: that the incompatibility of the realist and the supernatural needs to be recognized as a driving force in Rushdie’s fiction. In its rigorous analysis of this Rushdian magic realism, this book considers the entire corpus—Midnight’s Children, Shame, The Satanic Verses, The Moor’s Last Sigh, The Ground Beneath Her Feet, Shalimar the Clown, and The Enchantress of Florence. This study is the first of its kind to do so.
Author: Massimo Riva
Publisher: Yale University Press
ISBN: 0300129696
Category : Fiction
Languages : en
Pages : 292
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Book Description
This anthology serves as a literary map to guide readers through the varied geography of contemporary Italian fiction. Massimo Riva has gathered English-language translations of short stories and excerpts from novels that were originally published in Italian between 1975 and 2001. As an expression of a communal contemporary condition, these narratives suggest a new sensibility and a new way of seeing, exploring, and inhabiting the world, in writing. Riva provides a comprehensive introduction to Italian literary trends of the past twenty years. Each selection is preceded by a short introduction and biography of the writer. For English-language readers who are familiar with the work of Italo Calvino and Umberto Eco, this collection presents an opportunity to acquaint themselves with the work of other important contemporary Italian writers of fiction.
