Author: Roy Osamu Kamada
Publisher: Peter Lang
ISBN: 9781433108181
Category : Literary Criticism
Languages : en
Pages : 172
Book Description
Postcolonial Romanticisms: Landscape and the Possibilities of Inheritance describes the production of a new and particular kind of postcolonial text and resituates the notion of literary influence in the context of postcolonial literatures. This book addresses the ways in which Derek Walcott, Garrett Hongo, and Jamaica Kincaid have appropriated aspects of «colonial» culture and how they deploy the tropes of British Romanticism in their own texts. Postcolonial Romanticisms argues that Walcott, Hongo, and Kincaid radically reimagine and rewrite the various traditions that have figured their island landscapes as unhistoricized, unoccupied, and marginal. The landscapes that they write about are necessarily politicized; their own subjectivities are intimately implicated in both the natural beauty as well as the traumatic history of place; they confront and engage to varying degrees the history of their postcolonial geographies, the history of diaspora, of slavery, of the capitalist commodification of the landscape, and the devastating consequences this history has on the individual. These postcolonial writers confront what Derek Walcott calls the «shards of an ancient pastoral», the literal and literary remains of colonial cultural authority that clutter their landscapes. Postcolonial Romanticisms is ideally suited for courses in cultural, literary, and postcolonial studies, specifically courses in world literature, global literature, postcolonial literature, Caribbean literature, contemporary poetry, and eco-literary studies.
Postcolonial Romanticisms
Author: Roy Osamu Kamada
Publisher: Peter Lang
ISBN: 9781433108181
Category : Literary Criticism
Languages : en
Pages : 172
Book Description
Postcolonial Romanticisms: Landscape and the Possibilities of Inheritance describes the production of a new and particular kind of postcolonial text and resituates the notion of literary influence in the context of postcolonial literatures. This book addresses the ways in which Derek Walcott, Garrett Hongo, and Jamaica Kincaid have appropriated aspects of «colonial» culture and how they deploy the tropes of British Romanticism in their own texts. Postcolonial Romanticisms argues that Walcott, Hongo, and Kincaid radically reimagine and rewrite the various traditions that have figured their island landscapes as unhistoricized, unoccupied, and marginal. The landscapes that they write about are necessarily politicized; their own subjectivities are intimately implicated in both the natural beauty as well as the traumatic history of place; they confront and engage to varying degrees the history of their postcolonial geographies, the history of diaspora, of slavery, of the capitalist commodification of the landscape, and the devastating consequences this history has on the individual. These postcolonial writers confront what Derek Walcott calls the «shards of an ancient pastoral», the literal and literary remains of colonial cultural authority that clutter their landscapes. Postcolonial Romanticisms is ideally suited for courses in cultural, literary, and postcolonial studies, specifically courses in world literature, global literature, postcolonial literature, Caribbean literature, contemporary poetry, and eco-literary studies.
Publisher: Peter Lang
ISBN: 9781433108181
Category : Literary Criticism
Languages : en
Pages : 172
Book Description
Postcolonial Romanticisms: Landscape and the Possibilities of Inheritance describes the production of a new and particular kind of postcolonial text and resituates the notion of literary influence in the context of postcolonial literatures. This book addresses the ways in which Derek Walcott, Garrett Hongo, and Jamaica Kincaid have appropriated aspects of «colonial» culture and how they deploy the tropes of British Romanticism in their own texts. Postcolonial Romanticisms argues that Walcott, Hongo, and Kincaid radically reimagine and rewrite the various traditions that have figured their island landscapes as unhistoricized, unoccupied, and marginal. The landscapes that they write about are necessarily politicized; their own subjectivities are intimately implicated in both the natural beauty as well as the traumatic history of place; they confront and engage to varying degrees the history of their postcolonial geographies, the history of diaspora, of slavery, of the capitalist commodification of the landscape, and the devastating consequences this history has on the individual. These postcolonial writers confront what Derek Walcott calls the «shards of an ancient pastoral», the literal and literary remains of colonial cultural authority that clutter their landscapes. Postcolonial Romanticisms is ideally suited for courses in cultural, literary, and postcolonial studies, specifically courses in world literature, global literature, postcolonial literature, Caribbean literature, contemporary poetry, and eco-literary studies.
Romanticism and Aesthetic Life in Postcolonial Writing
Author: Philip Dickinson
Publisher: Springer
ISBN: 3319703412
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
This book explores Romanticism as a force that exerts an insistent but critically neglected pressure on the postcolonial imagination. From the decolonizing poetics of the Caribbean to the white writing of South Africa, from the aesthetics of post-imperial disappointment to postcolonial theory itself, it develops an account of the textual and philosophical interpenetration of postcolonial aesthetics with Romantic ideas about sense, history and world. What emerges is a reading of Romantic/postcolonial co-involvement that moves beyond well-worn models of intercanonical antagonism and the historicizing biases of conventional literary history. Caught somewhere between the effects of reanimation and estrangement, Romanticism appears here not as a stable textual repository prior to the postcolonial, but as echo, spectre, self-interruption, or vital force, that can yet only emerge in the guise of the afterlife, its agency mediated — but never exhausted — by postcolonial writing.
Publisher: Springer
ISBN: 3319703412
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
This book explores Romanticism as a force that exerts an insistent but critically neglected pressure on the postcolonial imagination. From the decolonizing poetics of the Caribbean to the white writing of South Africa, from the aesthetics of post-imperial disappointment to postcolonial theory itself, it develops an account of the textual and philosophical interpenetration of postcolonial aesthetics with Romantic ideas about sense, history and world. What emerges is a reading of Romantic/postcolonial co-involvement that moves beyond well-worn models of intercanonical antagonism and the historicizing biases of conventional literary history. Caught somewhere between the effects of reanimation and estrangement, Romanticism appears here not as a stable textual repository prior to the postcolonial, but as echo, spectre, self-interruption, or vital force, that can yet only emerge in the guise of the afterlife, its agency mediated — but never exhausted — by postcolonial writing.
Romantic Literature and Postcolonial Studies
Author: Elizabeth A Bohls
Publisher: Edinburgh University Press
ISBN: 0748678751
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
This book examines the relationship between Romantic writing and the rapidly expanding British Empire.
Publisher: Edinburgh University Press
ISBN: 0748678751
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
This book examines the relationship between Romantic writing and the rapidly expanding British Empire.
Reclaiming Romanticism
Author: Kate Rigby
Publisher: Bloomsbury Academic
ISBN: 1474290590
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. The earliest environmental criticism took its inspiration from the Romantic poets and their immersion in the natural world. Today the “romanticising” of nature has come to be viewed with suspicion. Written by one of the leading ecocritics writing today, Reclaiming Romanticism rediscovers the importance of the European Romantic tradition to the ways that writers and critics engage with the environment in the Anthropocene era. Exploring the work of such poets as Wordsworth, Shelley and Clare, the book discovers a rich vein of Romantic ecomaterialism and brings these canonical poets into dialogue with contemporary American and Australian poets and artists. Kate Rigby demonstrates the ways in which Romantic ecopoetics responds to postcolonial challenges and environmental peril to offer a collaborative artistic practice for an era of human-non-human cohabitation and kinship.
Publisher: Bloomsbury Academic
ISBN: 1474290590
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. The earliest environmental criticism took its inspiration from the Romantic poets and their immersion in the natural world. Today the “romanticising” of nature has come to be viewed with suspicion. Written by one of the leading ecocritics writing today, Reclaiming Romanticism rediscovers the importance of the European Romantic tradition to the ways that writers and critics engage with the environment in the Anthropocene era. Exploring the work of such poets as Wordsworth, Shelley and Clare, the book discovers a rich vein of Romantic ecomaterialism and brings these canonical poets into dialogue with contemporary American and Australian poets and artists. Kate Rigby demonstrates the ways in which Romantic ecopoetics responds to postcolonial challenges and environmental peril to offer a collaborative artistic practice for an era of human-non-human cohabitation and kinship.
Romantic Revisions in Novels from the Americas
Author: Lauren Rule Maxwell
Publisher: Purdue University Press
ISBN: 1557536414
Category : Literary Collections
Languages : en
Pages : 190
Book Description
Returning to British Romantic poetry allows the novels to extend the Romantic poetics of landscape that traditionally considered the British subject's relation to place. By recasting Romantic poetics in the Americas, these novels show how negotiations of identity and power are defined by the legacies of British imperialism, illustrating that these nations, their peoples, and their works of art are truly postcolonial. While many postcolonial scholars and critics have dismissed the idea that Romantic poetry can be used to critique colonialism, Maxwell suggests that, on the contrary, it has provided contemporary writers across the Americas with a means of charting the literary and cultural legacies of British imperialism in the New World. The poems of the British Romantics offer postcolonial writers particularly rich material, Maxwell argues, because they characterize British influence at the height of the British empire.
Publisher: Purdue University Press
ISBN: 1557536414
Category : Literary Collections
Languages : en
Pages : 190
Book Description
Returning to British Romantic poetry allows the novels to extend the Romantic poetics of landscape that traditionally considered the British subject's relation to place. By recasting Romantic poetics in the Americas, these novels show how negotiations of identity and power are defined by the legacies of British imperialism, illustrating that these nations, their peoples, and their works of art are truly postcolonial. While many postcolonial scholars and critics have dismissed the idea that Romantic poetry can be used to critique colonialism, Maxwell suggests that, on the contrary, it has provided contemporary writers across the Americas with a means of charting the literary and cultural legacies of British imperialism in the New World. The poems of the British Romantics offer postcolonial writers particularly rich material, Maxwell argues, because they characterize British influence at the height of the British empire.
„Trust Me – It’s Paradise“ The Escapist Motif in Into the Wild, The Beach and Are You Experienced?
Author: Hannes Krehan
Publisher: Anchor Academic Publishing (aap_verlag)
ISBN: 3954891859
Category : Language Arts & Disciplines
Languages : en
Pages : 97
Book Description
The author analyzes three books on escapism and the various ways in which it is represented in them. He focuses on Alex Garland’s backpacker cult novel 'The Beach' and William Sutcliffe’s satire of the gap-year traveler 'Are You Experienced?' as well as Jon Krakauer’s non-fiction book 'Into the Wild'.The first part of the analysis deals with the influence of literary genres like the Bildungsroman and travel literature. Unreliable narration as a narrative strategy is taken into consideration, as well as the colonial subtext of 'The Beach' and 'Are You Experienced?'. In 'Into the Wild' nature writing and road narratives are an integral part of the narrative.The second part deals with cultural aspects such as questions of authenticity that are raised during the narratives, the role of drugs as a means of escape, and also the problematic relationship between travelers and tourists. Finally, the author compares two film adaptations, Danny Boyle’s 'The Beach' (2000) and Sean Penn’s 'Into the Wild' (2007), with their corresponding literary source texts.
Publisher: Anchor Academic Publishing (aap_verlag)
ISBN: 3954891859
Category : Language Arts & Disciplines
Languages : en
Pages : 97
Book Description
The author analyzes three books on escapism and the various ways in which it is represented in them. He focuses on Alex Garland’s backpacker cult novel 'The Beach' and William Sutcliffe’s satire of the gap-year traveler 'Are You Experienced?' as well as Jon Krakauer’s non-fiction book 'Into the Wild'.The first part of the analysis deals with the influence of literary genres like the Bildungsroman and travel literature. Unreliable narration as a narrative strategy is taken into consideration, as well as the colonial subtext of 'The Beach' and 'Are You Experienced?'. In 'Into the Wild' nature writing and road narratives are an integral part of the narrative.The second part deals with cultural aspects such as questions of authenticity that are raised during the narratives, the role of drugs as a means of escape, and also the problematic relationship between travelers and tourists. Finally, the author compares two film adaptations, Danny Boyle’s 'The Beach' (2000) and Sean Penn’s 'Into the Wild' (2007), with their corresponding literary source texts.
Twentieth-Century Metapoetry and the Lyric Tradition
Author: Daniella Jancsó
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110631725
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Twentieth-Century Metapoetry and the Lyric Tradition reveals the unique value of metapoems for exploring twentieth-century poetry. By placing these texts into a hitherto barely investigated literary-historical perspective, it demonstrates that modern metapoetry is steeped in the lyric tradition to a much greater extent than previously acknowledged. Since these literary continuities that cut across epochal boundaries can be traced across all major poetic movements, they challenge established accounts of the history of twentieth-century poetry that postulate a radical break with the (immediate) past. Moreover, the finding that metapoems perpetuate traditional forms and topoi distinguishes metapoetry historically and systematically from metafiction and metadrama. After highlighting the most important differences as regards to the function of metareference in poetry on the one side, and in fiction and drama on the other, the book concludes with a discussion of how to account for these generic differences theoretically. With its "extraordinarily subtle and perceptive" (Ronald Bush, St. John's College, Oxford) interpretive readings of over one hundred metapoems by canonical anglophone authors, it offers the first representative selection of twentieth-century poems about poetry in English.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110631725
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Twentieth-Century Metapoetry and the Lyric Tradition reveals the unique value of metapoems for exploring twentieth-century poetry. By placing these texts into a hitherto barely investigated literary-historical perspective, it demonstrates that modern metapoetry is steeped in the lyric tradition to a much greater extent than previously acknowledged. Since these literary continuities that cut across epochal boundaries can be traced across all major poetic movements, they challenge established accounts of the history of twentieth-century poetry that postulate a radical break with the (immediate) past. Moreover, the finding that metapoems perpetuate traditional forms and topoi distinguishes metapoetry historically and systematically from metafiction and metadrama. After highlighting the most important differences as regards to the function of metareference in poetry on the one side, and in fiction and drama on the other, the book concludes with a discussion of how to account for these generic differences theoretically. With its "extraordinarily subtle and perceptive" (Ronald Bush, St. John's College, Oxford) interpretive readings of over one hundred metapoems by canonical anglophone authors, it offers the first representative selection of twentieth-century poems about poetry in English.
Romantic Ecologies and Colonial Cultures in the British Atlantic World, 1770-1850
Author: Kevin Hutchings
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773576819
Category : History
Languages : en
Pages : 239
Book Description
By addressing these and other intriguing questions, Kevin Hutchings highlights significant intersections between Green Romanticism and colonial politics, demonstrating how contemporary understandings of animality, climate, and habitat informed literary and cross-cultural debates about race, slavery, colonialism, and nature in the British Atlantic world. Revealing an innovative dialogue between British, African, and Native American writers of the Romantic period, this book will be of interest to anyone wishing to consider the interconnected histories of transatlantic colonial relations and environmental thought.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773576819
Category : History
Languages : en
Pages : 239
Book Description
By addressing these and other intriguing questions, Kevin Hutchings highlights significant intersections between Green Romanticism and colonial politics, demonstrating how contemporary understandings of animality, climate, and habitat informed literary and cross-cultural debates about race, slavery, colonialism, and nature in the British Atlantic world. Revealing an innovative dialogue between British, African, and Native American writers of the Romantic period, this book will be of interest to anyone wishing to consider the interconnected histories of transatlantic colonial relations and environmental thought.
Reading American Novels and Multicultural Aesthetics
Author: L. Caton
Publisher: Springer
ISBN: 0230610285
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
Using romantic theories, Caton analyzes America's contemporary novel. Organized through the two sections of "Theory" and "Practice," Reading American Novels and Multicultural Aesthetics begins with a study of aesthetic form only to have it reveal the content of politics and history. This presentation immediately offers a unified platform for an interchange between multiple cultural and aesthetic positions. Romantic theory provides for an integrated examination of diversity, one that metaphorically fosters a solid, inclusive, and democratic legitimacy for intercultural communication. This politically astute cosmopolitan appreciation will generate an intriguing "cross-over" audience: from ethnic studies to American studies and from literary studies to romantic studies, this book will interest a range of readers.
Publisher: Springer
ISBN: 0230610285
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
Using romantic theories, Caton analyzes America's contemporary novel. Organized through the two sections of "Theory" and "Practice," Reading American Novels and Multicultural Aesthetics begins with a study of aesthetic form only to have it reveal the content of politics and history. This presentation immediately offers a unified platform for an interchange between multiple cultural and aesthetic positions. Romantic theory provides for an integrated examination of diversity, one that metaphorically fosters a solid, inclusive, and democratic legitimacy for intercultural communication. This politically astute cosmopolitan appreciation will generate an intriguing "cross-over" audience: from ethnic studies to American studies and from literary studies to romantic studies, this book will interest a range of readers.
Romantic Legacies
Author: Shun-Liang Chao
Publisher: Routledge
ISBN: 0429516231
Category : Literary Criticism
Languages : en
Pages : 562
Book Description
Romantic Legacies: Transnational and Transdisciplinary Contexts presents the most wide-ranging treatment of Romantic regenerations, covering the cross-pollination between the arts or between art and thought within or across the borders of Germany, Britain, France, the US, Russia, India, China, and Japan. Each chapter in the volume examines a legacy or afterlife in a comparative context to demonstrate ongoing Romantic legacies as fully as possible in their complexity and richness. The volume provides readers a lens through which to understand Romanticism not merely as an artistic heritage but as a dynamic site of intellectual engagement that crosses nations and time periods and entails no less than the shaping of our global cultural currents.
Publisher: Routledge
ISBN: 0429516231
Category : Literary Criticism
Languages : en
Pages : 562
Book Description
Romantic Legacies: Transnational and Transdisciplinary Contexts presents the most wide-ranging treatment of Romantic regenerations, covering the cross-pollination between the arts or between art and thought within or across the borders of Germany, Britain, France, the US, Russia, India, China, and Japan. Each chapter in the volume examines a legacy or afterlife in a comparative context to demonstrate ongoing Romantic legacies as fully as possible in their complexity and richness. The volume provides readers a lens through which to understand Romanticism not merely as an artistic heritage but as a dynamic site of intellectual engagement that crosses nations and time periods and entails no less than the shaping of our global cultural currents.