Author: Noel Parker
Publisher: SIU Press
ISBN: 9780809316847
Category : History
Languages : en
Pages : 264
Book Description
How did the French try to understand their revolution? How have writers of the nineteenth and twentieth centuries portrayed so unprecedented an upheaval? Dr. Parker examines contemporary representations of the Revolution—political rhetoric, journals, theatre, festivals, pictures and prints—concentrating on two special themes. First, the creators of these representations were part of an attempt to found anew the social order. Second, they sought to adapt their forms of culture so as to constitute through them the united community that was to be the agent of this historic new order. The second half of the book considers a representative selection of the many histories and theoretical writings on the Revolution from France, England and Germany: from Barnave and de Stael; to the nineteenth-century founders of social science and romantic historians, such as Michelet; to post-war comparative political writers and post-structuralist marxists influenced by Gramsci and Foucault. By bringing together an analysis of contemporary cultural responses to the Revolution and an account of subsequent cultures’ understanding of it, the author reveals the complex interplay between culture and agents of historical change, which modern views have often failed to realize.
Portrayals of Revolution
Author: Noel Parker
Publisher: SIU Press
ISBN: 9780809316847
Category : History
Languages : en
Pages : 264
Book Description
How did the French try to understand their revolution? How have writers of the nineteenth and twentieth centuries portrayed so unprecedented an upheaval? Dr. Parker examines contemporary representations of the Revolution—political rhetoric, journals, theatre, festivals, pictures and prints—concentrating on two special themes. First, the creators of these representations were part of an attempt to found anew the social order. Second, they sought to adapt their forms of culture so as to constitute through them the united community that was to be the agent of this historic new order. The second half of the book considers a representative selection of the many histories and theoretical writings on the Revolution from France, England and Germany: from Barnave and de Stael; to the nineteenth-century founders of social science and romantic historians, such as Michelet; to post-war comparative political writers and post-structuralist marxists influenced by Gramsci and Foucault. By bringing together an analysis of contemporary cultural responses to the Revolution and an account of subsequent cultures’ understanding of it, the author reveals the complex interplay between culture and agents of historical change, which modern views have often failed to realize.
Publisher: SIU Press
ISBN: 9780809316847
Category : History
Languages : en
Pages : 264
Book Description
How did the French try to understand their revolution? How have writers of the nineteenth and twentieth centuries portrayed so unprecedented an upheaval? Dr. Parker examines contemporary representations of the Revolution—political rhetoric, journals, theatre, festivals, pictures and prints—concentrating on two special themes. First, the creators of these representations were part of an attempt to found anew the social order. Second, they sought to adapt their forms of culture so as to constitute through them the united community that was to be the agent of this historic new order. The second half of the book considers a representative selection of the many histories and theoretical writings on the Revolution from France, England and Germany: from Barnave and de Stael; to the nineteenth-century founders of social science and romantic historians, such as Michelet; to post-war comparative political writers and post-structuralist marxists influenced by Gramsci and Foucault. By bringing together an analysis of contemporary cultural responses to the Revolution and an account of subsequent cultures’ understanding of it, the author reveals the complex interplay between culture and agents of historical change, which modern views have often failed to realize.
Representations of Revolution, 1789-1820
Author: Ronald Paulson
Publisher:
ISBN: 9780300028645
Category : Arts and revolutions
Languages : en
Pages : 398
Book Description
Publisher:
ISBN: 9780300028645
Category : Arts and revolutions
Languages : en
Pages : 398
Book Description
The Bolsheviks Come to Power
Author: Alexander Rabinowitch
Publisher: Pluto Press
ISBN: 9780745322681
Category : History
Languages : en
Pages : 438
Book Description
For generations in the West, Cold War animosity blocked dispassionate accounts of the Russian Revolution. This history authoritatively restores the upheaval's primary social actors-workers, soldiers, and peasants-to their rightful place at the center of the revolutionary process.
Publisher: Pluto Press
ISBN: 9780745322681
Category : History
Languages : en
Pages : 438
Book Description
For generations in the West, Cold War animosity blocked dispassionate accounts of the Russian Revolution. This history authoritatively restores the upheaval's primary social actors-workers, soldiers, and peasants-to their rightful place at the center of the revolutionary process.
A Revolution in Three Acts
Author: David Hajdu
Publisher: Columbia University Press
ISBN: 0231549547
Category : Comics & Graphic Novels
Languages : en
Pages : 178
Book Description
Winner - 2022 Deems Taylor / Virgil Thomson Book Awards in Pop from the American Society of Composers, Authors, and Publishers Bert Williams—a Black man forced to perform in blackface who challenged the stereotypes of minstrelsy. Eva Tanguay—an entertainer with the signature song “I Don’t Care” who flouted the rules of propriety to redefine womanhood for the modern age. Julian Eltinge—a female impersonator who entranced and unnerved audiences by embodying the feminine ideal Tanguay rejected. At the turn of the twentieth century, they became three of the most provocative and popular performers in vaudeville, the form in which American mass entertainment first took shape. A Revolution in Three Acts explores how these vaudeville stars defied the standards of their time to change how their audiences thought about what it meant to be American, to be Black, to be a woman or a man. The writer David Hajdu and the artist John Carey collaborate in this work of graphic nonfiction, crafting powerful portrayals of Williams, Tanguay, and Eltinge to show how they transformed American culture. Hand-drawn images give vivid visual form to the lives and work of the book’s subjects and their world. This book is at once a deft telling of three intricately entwined stories, a lush evocation of a performance milieu with unabashed entertainment value, and an eye-opening account of a key moment in American cultural history with striking parallels to present-day questions of race, gender, and sexual identity.
Publisher: Columbia University Press
ISBN: 0231549547
Category : Comics & Graphic Novels
Languages : en
Pages : 178
Book Description
Winner - 2022 Deems Taylor / Virgil Thomson Book Awards in Pop from the American Society of Composers, Authors, and Publishers Bert Williams—a Black man forced to perform in blackface who challenged the stereotypes of minstrelsy. Eva Tanguay—an entertainer with the signature song “I Don’t Care” who flouted the rules of propriety to redefine womanhood for the modern age. Julian Eltinge—a female impersonator who entranced and unnerved audiences by embodying the feminine ideal Tanguay rejected. At the turn of the twentieth century, they became three of the most provocative and popular performers in vaudeville, the form in which American mass entertainment first took shape. A Revolution in Three Acts explores how these vaudeville stars defied the standards of their time to change how their audiences thought about what it meant to be American, to be Black, to be a woman or a man. The writer David Hajdu and the artist John Carey collaborate in this work of graphic nonfiction, crafting powerful portrayals of Williams, Tanguay, and Eltinge to show how they transformed American culture. Hand-drawn images give vivid visual form to the lives and work of the book’s subjects and their world. This book is at once a deft telling of three intricately entwined stories, a lush evocation of a performance milieu with unabashed entertainment value, and an eye-opening account of a key moment in American cultural history with striking parallels to present-day questions of race, gender, and sexual identity.
Slave Revolt on Screen
Author: Alyssa Goldstein Sepinwall
Publisher: Univ. Press of Mississippi
ISBN: 1496833120
Category : Social Science
Languages : en
Pages : 337
Book Description
Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.
Publisher: Univ. Press of Mississippi
ISBN: 1496833120
Category : Social Science
Languages : en
Pages : 337
Book Description
Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.
Equality and Revolution
Author: Rochelle Goldberg Ruthchild
Publisher: University of Pittsburgh Pre
ISBN: 0822973758
Category : History
Languages : en
Pages : 377
Book Description
On July 20, 1917, Russia became the world's first major power to grant women the right to vote and hold public office. Yet in the wake of the October Revolution later that year, the foundational organizations and individuals who pioneered the suffragist cause were all but erased from Russian history. The women's movement, when mentioned at all, is portrayed as rooted in the elitist and bourgeois culture of the tsarist era, meaningless to proletarian and peasant women, and counter to socialist ideology. Rochelle Goldberg Ruthchild reveals that Russian feminists in fact appealed to all classes and were an integral force for revolution and social change, particularly during the monumental uprisings of 1905-1917. Ruthchild offers a telling examination of the social dynamics in imperialist Russia that fostered a growing feminist movement. Based upon extensive archival research in six countries, she analyzes the backgrounds, motivations, methods, activism, and organizational networks of early Russian feminists, revealing the foundations of a powerful feminist intelligentsia that came to challenge, and eventually bring down, the patriarchal tsarist regime.Ruthchild profiles the individual women (and a few men) who were vital to the feminist struggle, as well as the major conferences, publications, and organizations that promoted the cause. She documents political debates on the acceptance of women's suffrage and rights, and follows each party's attempt to woo feminist constituencies despite their fear of women gaining too much political power. Ruthchild also compares and contrasts the Russian movement to those in Britain, China, Germany, France, and the United States. Equality and Revolution offers an original and revisionist study of the struggle for women's political rights in late imperial Russia, and presents a significant reinterpretation of a decisive period of Russian-and world-history.
Publisher: University of Pittsburgh Pre
ISBN: 0822973758
Category : History
Languages : en
Pages : 377
Book Description
On July 20, 1917, Russia became the world's first major power to grant women the right to vote and hold public office. Yet in the wake of the October Revolution later that year, the foundational organizations and individuals who pioneered the suffragist cause were all but erased from Russian history. The women's movement, when mentioned at all, is portrayed as rooted in the elitist and bourgeois culture of the tsarist era, meaningless to proletarian and peasant women, and counter to socialist ideology. Rochelle Goldberg Ruthchild reveals that Russian feminists in fact appealed to all classes and were an integral force for revolution and social change, particularly during the monumental uprisings of 1905-1917. Ruthchild offers a telling examination of the social dynamics in imperialist Russia that fostered a growing feminist movement. Based upon extensive archival research in six countries, she analyzes the backgrounds, motivations, methods, activism, and organizational networks of early Russian feminists, revealing the foundations of a powerful feminist intelligentsia that came to challenge, and eventually bring down, the patriarchal tsarist regime.Ruthchild profiles the individual women (and a few men) who were vital to the feminist struggle, as well as the major conferences, publications, and organizations that promoted the cause. She documents political debates on the acceptance of women's suffrage and rights, and follows each party's attempt to woo feminist constituencies despite their fear of women gaining too much political power. Ruthchild also compares and contrasts the Russian movement to those in Britain, China, Germany, France, and the United States. Equality and Revolution offers an original and revisionist study of the struggle for women's political rights in late imperial Russia, and presents a significant reinterpretation of a decisive period of Russian-and world-history.
Pennsylvania's Revolution
Author: William Pencak
Publisher: Penn State Press
ISBN: 027103579X
Category : History
Languages : en
Pages : 406
Book Description
"A collection of essays on the American Revolution in Pennsylvania. Topics include the politicization of the English- and German-language press and the population they served; the Revolution in remote areas of the state; and new historical perspectives on the American and British armies during the Valley Forge winter"--Provided by publisher.
Publisher: Penn State Press
ISBN: 027103579X
Category : History
Languages : en
Pages : 406
Book Description
"A collection of essays on the American Revolution in Pennsylvania. Topics include the politicization of the English- and German-language press and the population they served; the Revolution in remote areas of the state; and new historical perspectives on the American and British armies during the Valley Forge winter"--Provided by publisher.
The Way of Duty
Author: Joy Day Buel
Publisher: W. W. Norton & Company
ISBN: 9780393312102
Category : Biography & Autobiography
Languages : en
Pages : 342
Book Description
Combining the skills of a gifted writer and a scholar's grasp of early America, The Way of Duty draws readers into a vividly evoked world.
Publisher: W. W. Norton & Company
ISBN: 9780393312102
Category : Biography & Autobiography
Languages : en
Pages : 342
Book Description
Combining the skills of a gifted writer and a scholar's grasp of early America, The Way of Duty draws readers into a vividly evoked world.
America in the French Imaginary, 1789-1914
Author: Diana R. Hallman
Publisher: Boydell & Brewer
ISBN: 1783277009
Category : Music
Languages : en
Pages : 410
Book Description
Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.
Publisher: Boydell & Brewer
ISBN: 1783277009
Category : Music
Languages : en
Pages : 410
Book Description
Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.
Revolution Televised
Author: Christine Acham
Publisher: U of Minnesota Press
ISBN: 1452907072
Category :
Languages : en
Pages : 256
Book Description
Offers a complex reading of African Americans appearing on television in the 1960s and 1970s, finding within these programs opposition to white construction of African-American identity and the potential of television to effect social change and limitations.
Publisher: U of Minnesota Press
ISBN: 1452907072
Category :
Languages : en
Pages : 256
Book Description
Offers a complex reading of African Americans appearing on television in the 1960s and 1970s, finding within these programs opposition to white construction of African-American identity and the potential of television to effect social change and limitations.