Author: Walter Guadagnini
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 252
Book Description
Pop art Italia 1958-1968. Catalogo della mostra (Modena, 17 aprile-3 luglio 2005). Ediz. italiana e inglese
Principles of Decoration in the Roman World
Author: Annette Haug
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110732211
Category : History
Languages : en
Pages : 416
Book Description
This book explores the manner in which architectural settings and action contexts influenced the perception of decoration in the Roman world. Crucial to the relationship between ancient viewers and media was the concept of decor, a term employed by Vitruvius and other Roman authors to describe the appropriateness of particular decorative elements to the environment in which they were located. The papers in this volume examine a diverse range of decorated spaces, from press rooms to synagogues, through the lens of decor. In doing so, they shed new light on the decorative principles employed across Roman Italy and beyond.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110732211
Category : History
Languages : en
Pages : 416
Book Description
This book explores the manner in which architectural settings and action contexts influenced the perception of decoration in the Roman world. Crucial to the relationship between ancient viewers and media was the concept of decor, a term employed by Vitruvius and other Roman authors to describe the appropriateness of particular decorative elements to the environment in which they were located. The papers in this volume examine a diverse range of decorated spaces, from press rooms to synagogues, through the lens of decor. In doing so, they shed new light on the decorative principles employed across Roman Italy and beyond.
Twentieth-century Italian Art
Author: James Thrall Soby
Publisher: Arno Press
ISBN:
Category : Art
Languages : en
Pages : 170
Book Description
Publisher: Arno Press
ISBN:
Category : Art
Languages : en
Pages : 170
Book Description
Starting from Venice
Author: Clarissa Ricci
Publisher: et al.
ISBN: 9788864630243
Category : Art
Languages : en
Pages : 238
Book Description
Publisher: et al.
ISBN: 9788864630243
Category : Art
Languages : en
Pages : 238
Book Description
The Work of Art
Author: Gérard Genette
Publisher: Cornell University Press
ISBN: 9780801482724
Category : Art
Languages : en
Pages : 292
Book Description
What art is--its very nature--is the subject of this book by one of the most distinguished continental theorists writing today. Informed by the aesthetics of Nelson Goodman and referring to a wide range of cultures, contexts, and media, The Work of Art seeks to discover, explain, and define how art exists and how it works. To this end, Gérard Genette explores the distinction between a work of art's immanence--its physical presence--and transcendence--the experience it induces. That experience may go far beyond the object itself.Genette situates art within the broad realm of human practices, extending from the fine arts of music, painting, sculpture, and literature to humbler but no less fertile fields such as haute couture and the culinary arts. His discussion touches on a rich array of examples and is bolstered by an extensive knowledge of the technology involved in producing and disseminating a work of art, regardless of whether that dissemination is by performance, reproduction, printing, or recording. Moving beyond examples, Genette proposes schemata for thinking about the different manifestations of a work of art. He also addresses the question of the artwork's duration and mutability.
Publisher: Cornell University Press
ISBN: 9780801482724
Category : Art
Languages : en
Pages : 292
Book Description
What art is--its very nature--is the subject of this book by one of the most distinguished continental theorists writing today. Informed by the aesthetics of Nelson Goodman and referring to a wide range of cultures, contexts, and media, The Work of Art seeks to discover, explain, and define how art exists and how it works. To this end, Gérard Genette explores the distinction between a work of art's immanence--its physical presence--and transcendence--the experience it induces. That experience may go far beyond the object itself.Genette situates art within the broad realm of human practices, extending from the fine arts of music, painting, sculpture, and literature to humbler but no less fertile fields such as haute couture and the culinary arts. His discussion touches on a rich array of examples and is bolstered by an extensive knowledge of the technology involved in producing and disseminating a work of art, regardless of whether that dissemination is by performance, reproduction, printing, or recording. Moving beyond examples, Genette proposes schemata for thinking about the different manifestations of a work of art. He also addresses the question of the artwork's duration and mutability.
Modern Art in Eastern Europe
Author: S. A. Mansbach
Publisher: Cambridge University Press
ISBN: 9780521450850
Category : Art
Languages : en
Pages : 400
Book Description
This pioneering and award-winning study provides the world with the first coherent narrative of Eastern European contributions to the modern art movement. Analyzing an enormous range of works, from art centers such as Prague, Warsaw and Budapest, (many published here for the first time), S.A. Mansbach shows that any understanding of Modernism is essentially incomplete without the full consideration of vital Eastern European creative output. He argues that Cubism, Expressionism and Constructivism, along with other great modernist styles, were merged with deeply rooted, Eastern European visual traditions. The art that emerged was vital modernist art that expressed the most pressing concerns of the day, political as well as aesthetic. Mansbach examines the critical reaction of the contemporary artistic culture and political state. A major groundbreaking interpretation of Modernism, Modern Art in Eastern Europe completes any full assessment of twentieth-century art, as well as its history. Modern Art in Eastern Europe is the recipient of the 1997 C.I.N.O.A. Prize, awarded by La Confédération Internationale de Négociants en Oeuvres d'Art. The prize is awarded to defray the costs of publication in order to encourage publishers to produce maunscripts of particular merit and the works of younger art historians.
Publisher: Cambridge University Press
ISBN: 9780521450850
Category : Art
Languages : en
Pages : 400
Book Description
This pioneering and award-winning study provides the world with the first coherent narrative of Eastern European contributions to the modern art movement. Analyzing an enormous range of works, from art centers such as Prague, Warsaw and Budapest, (many published here for the first time), S.A. Mansbach shows that any understanding of Modernism is essentially incomplete without the full consideration of vital Eastern European creative output. He argues that Cubism, Expressionism and Constructivism, along with other great modernist styles, were merged with deeply rooted, Eastern European visual traditions. The art that emerged was vital modernist art that expressed the most pressing concerns of the day, political as well as aesthetic. Mansbach examines the critical reaction of the contemporary artistic culture and political state. A major groundbreaking interpretation of Modernism, Modern Art in Eastern Europe completes any full assessment of twentieth-century art, as well as its history. Modern Art in Eastern Europe is the recipient of the 1997 C.I.N.O.A. Prize, awarded by La Confédération Internationale de Négociants en Oeuvres d'Art. The prize is awarded to defray the costs of publication in order to encourage publishers to produce maunscripts of particular merit and the works of younger art historians.
Social Radicalism and the Arts, Western Europe
Author: Donald Drew Egbert
Publisher: Bloomsbury Academic
ISBN:
Category : Art
Languages : en
Pages : 916
Book Description
Publisher: Bloomsbury Academic
ISBN:
Category : Art
Languages : en
Pages : 916
Book Description
Impossible Histories
Author: Dubravka Djurić
Publisher: MIT Press
ISBN: 9780262042161
Category : Art
Languages : en
Pages : 636
Book Description
The first critical survey of the largely unknown avant-garde movements of the former Yugoslavia.
Publisher: MIT Press
ISBN: 9780262042161
Category : Art
Languages : en
Pages : 636
Book Description
The first critical survey of the largely unknown avant-garde movements of the former Yugoslavia.
Emil du Bois-Reymond
Author: Gabriel Finkelstein
Publisher: MIT Press
ISBN: 0262314851
Category : Science
Languages : en
Pages : 381
Book Description
A biography of an important but largely forgotten nineteenth-century scientist whose work helped lay the foundation of modern neuroscience. Emil du Bois-Reymond is the most important forgotten intellectual of the nineteenth century. In his own time (1818–1896) du Bois-Reymond grew famous in his native Germany and beyond for his groundbreaking research in neuroscience and his provocative addresses on politics and culture. This biography by Gabriel Finkelstein draws on personal papers, published writings, and contemporary responses to tell the story of a major scientific figure. Du Bois-Reymond's discovery of the electrical transmission of nerve signals, his innovations in laboratory instrumentation, and his reductionist methodology all helped lay the foundations of modern neuroscience. In addition to describing the pioneering experiments that earned du Bois-Reymond a seat in the Prussian Academy of Sciences and a professorship at the University of Berlin, Finkelstein recounts du Bois-Reymond's family origins, private life, public service, and lasting influence. Du Bois-Reymond's public lectures made him a celebrity. In talks that touched on science, philosophy, history, and literature, he introduced Darwin to German students (triggering two days of debate in the Prussian parliament); asked, on the eve of the Franco-Prussian War, whether France had forfeited its right to exist; and proclaimed the mystery of consciousness, heralding the age of doubt. The first modern biography of du Bois-Reymond in any language, this book recovers an important chapter in the history of science, the history of ideas, and the history of Germany.
Publisher: MIT Press
ISBN: 0262314851
Category : Science
Languages : en
Pages : 381
Book Description
A biography of an important but largely forgotten nineteenth-century scientist whose work helped lay the foundation of modern neuroscience. Emil du Bois-Reymond is the most important forgotten intellectual of the nineteenth century. In his own time (1818–1896) du Bois-Reymond grew famous in his native Germany and beyond for his groundbreaking research in neuroscience and his provocative addresses on politics and culture. This biography by Gabriel Finkelstein draws on personal papers, published writings, and contemporary responses to tell the story of a major scientific figure. Du Bois-Reymond's discovery of the electrical transmission of nerve signals, his innovations in laboratory instrumentation, and his reductionist methodology all helped lay the foundations of modern neuroscience. In addition to describing the pioneering experiments that earned du Bois-Reymond a seat in the Prussian Academy of Sciences and a professorship at the University of Berlin, Finkelstein recounts du Bois-Reymond's family origins, private life, public service, and lasting influence. Du Bois-Reymond's public lectures made him a celebrity. In talks that touched on science, philosophy, history, and literature, he introduced Darwin to German students (triggering two days of debate in the Prussian parliament); asked, on the eve of the Franco-Prussian War, whether France had forfeited its right to exist; and proclaimed the mystery of consciousness, heralding the age of doubt. The first modern biography of du Bois-Reymond in any language, this book recovers an important chapter in the history of science, the history of ideas, and the history of Germany.
Painting, Politics, and the New Front of Cold War Italy
Author: Dr Adrian Duran
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409426912
Category : Art
Languages : en
Pages : 200
Book Description
The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409426912
Category : Art
Languages : en
Pages : 200
Book Description
The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50.