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Author: Jean-Jacques Rousseau
Publisher: Cornell University Press
ISBN: 9780801490712
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
This excellent translation makes available a classic work central to one of the most interesting controversies of the eighteenth century: the quarrel between Rousseau and Voltaire. Besides containing some of the most sensitive literary criticism ever written (especially of Molière), the book is an excellent introduction to the principles of classical political thought. It demonstrates the paradoxes of Rousseau's thought and clearly displays the temperament that led him to repudiate the hopes of the Enlightenment.
Author: Jean-Jacques Rousseau
Publisher: Cornell University Press
ISBN: 9780801490712
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
This excellent translation makes available a classic work central to one of the most interesting controversies of the eighteenth century: the quarrel between Rousseau and Voltaire. Besides containing some of the most sensitive literary criticism ever written (especially of Molière), the book is an excellent introduction to the principles of classical political thought. It demonstrates the paradoxes of Rousseau's thought and clearly displays the temperament that led him to repudiate the hopes of the Enlightenment.
Author: Jonathan Petropoulos
Publisher: UNC Press Books
ISBN: 9780807848098
Category : History
Languages : en
Pages : 468
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Book Description
The political elite of Nazi Germany perceived itself as a cultural elite as well. In Art as Politics in the Third Reich, Jonathan Petropoulos explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy
Author: Tracy David Snipe
Publisher: Africa Research and Publications
ISBN:
Category : Art
Languages : en
Pages : 204
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Book Description
This book explores the dynamic relationship between politics and the arts in the planning and implementation of Senegalese cultural policy since 1960. It examines political reactions to the arts in Senegal and compares and contrasts the respective cultural policies of President Leopold Sedar Senghor and President Abdou Diouf. An overview of the French colonial administration and cultural policy in Senegal serve as a background for the central study.
Author: Lambert Zuidervaart
Publisher: Cambridge University Press
ISBN: 113949175X
Category : Philosophy
Languages : en
Pages : 353
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Book Description
This book examines fundamental questions about funding for the arts: why should governments provide funding for the arts? What do the arts contribute to daily life? Do artists and their publics have a social responsibility? Challenging questionable assumptions about the state, the arts and a democratic society, Lambert Zuidervaart presents a vigorous case for government funding, based on crucial contributions the arts make to civil society. He argues that the arts contribute to democratic communication and a social economy, fostering the critical and creative dialogue that a democratic society needs. Informed by the author's experience leading a non-profit arts organisation as well as his expertise in the arts, humanities and social sciences, this book proposes an entirely new conception of the public role of art with wide-ranging implications for education, politics and cultural policy.
Author: Charles Hersch
Publisher: State University of New York Press
ISBN: 1438406584
Category : Social Science
Languages : en
Pages : 248
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Book Description
Focusing on a period in which the meaning of democracy came to the forefront of public debate, the fifties and sixties, the author argues that the arts can strengthen democracy by politically educating citizens. Hersch addresses this issue by first looking at the ideas of Lionel Trilling and the New York Intellectuals in the 1950s, as expressed through literature and social commentary, and then by showing how jazz and rock musicians in the 1960s, through their individual songs and performances, expressed the ideas and ideals of the political movements of that decade. Democratic Artworks is the first to consider the New York Intellectuals, sixties jazz, or Bob Dylan from the perspective of political theory and to focus on their contributions to democracy.
Author: Sarah C. Davis-Secord
Publisher: Cornell University Press
ISBN: 1501712586
Category : History
Languages : en
Pages : 214
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Book Description
In Where Three Worlds Met, Sarah Davis-Secord investigates Sicily's place within the religious, diplomatic, military, commercial, and intellectual networks of the Mediterranean by tracing the patterns of travel, trade, and communication among Christians (Latin and Greek), Muslims, and Jews. By looking at the island across this long expanse of time and during the periods of transition from one dominant culture to another, Davis-Secord uncovers the patterns that defined and redefined the broader Muslim-Christian encounter in the Middle Ages.
Author: Alexander Alberro
Publisher: MIT Press
ISBN: 9780262511841
Category : Art
Languages : en
Pages : 258
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Book Description
An examination of the origins and legacy of the conceptual art movement.
Author: Kathleen M. Adams
Publisher: University of Hawaii Press
ISBN: 0824830725
Category : Social Science
Languages : en
Pages : 306
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Book Description
Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations. In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects—as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web—to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders—be they tourists, art collectors, members of rival ethnic groups, or government officials—have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval. Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions—that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies.
Author: Alexander Adams
Publisher: Andrews UK Limited
ISBN: 1788360052
Category : Art
Languages : en
Pages : 185
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Book Description
Why has identity become so central to judging art today? Why are some groups reluctant to defend free speech within culture? Has state support made artists poorer not richer? How does the movement for social justice influence cultural production? Why is Post-Modernism dominant in the art world? Why are consumers of comic books so bitterly divided? In Culture War: Art, Identity Politics and Cultural Entryism Alexander Adams examines a series of pressing issues in today's culture: censorship, Islamism, Feminism, identity politics, historical reparations and public arts policy. Through a series of linked essays, Culture War exposes connections between seemingly unrelated events and trends in high and popular cultures. From fine art to superhero comics, from political cartoons to museum policy, certain persistent ideas underpin the most contentious issues today. Adams draws on history, philosophy, politics and cultural criticism to explain the reasoning of creators, consumers and critics and to expose some uncomfortable truths.
Author: Stephanie J. Smith
Publisher: UNC Press Books
ISBN: 1469635690
Category : History
Languages : en
Pages : 293
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Book Description
Stephanie J. Smith brings Mexican politics and art together, chronicling the turbulent relations between radical artists and the postrevolutionary Mexican state. The revolution opened space for new political ideas, but by the late 1920s many government officials argued that consolidating the nation required coercive measures toward dissenters. While artists and intellectuals, some of them professed Communists, sought free expression in matters both artistic and political, Smith reveals how they simultaneously learned the fine art of negotiation with the increasingly authoritarian government in order to secure clout and financial patronage. But the government, Smith shows, also had reason to accommodate artists, and a surprising and volatile interdependence grew between the artists and the politicians. Involving well-known artists such as Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros, as well as some less well known, including Tina Modotti, Leopoldo Mendez, and Aurora Reyes, politicians began to appropriate the artists' nationalistic visual images as weapons in a national propaganda war. High-stakes negotiating and co-opting took place between the two camps as they sparred over the production of generally accepted notions and representations of the revolution's legacy—and what it meant to be authentically Mexican.
