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Author: Juan Ramón Jiménez
Publisher:
ISBN: 9780578755243
Category :
Languages : en
Pages : 179
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Book Description
A translation into English of the lyrical prose classic "Platero y Yo" by Spanish poet Juan Ramón Jiménez, including translator's annotations, preface, and curated images. Based on the complete 1917 Spanish edition.
Author: Juan Ramón Jiménez
Publisher:
ISBN: 9780578755243
Category :
Languages : en
Pages : 179
Get Book Here
Book Description
A translation into English of the lyrical prose classic "Platero y Yo" by Spanish poet Juan Ramón Jiménez, including translator's annotations, preface, and curated images. Based on the complete 1917 Spanish edition.
Author: Juan Ramón Jiménez
Publisher: University of Texas Press
ISBN: 0292788592
Category : Fiction
Languages : en
Pages : 233
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Book Description
“An exquisite book, rich, shimmering, and truly incomparable.” —The New Yorker This lyric portrait of a boy’s companionship with his little donkey, Platero, is the masterpiece of Juan Ramón Jiménez, the Spanish poet awarded the 1956 Nobel Prize for Literature. Poetic, elegiac, it reveals the simple pleasures of life in a in a remote Andalusian village and is a classic work of literature, beloved by adults and children alike.
Author: Juan Ramón Jiménez
Publisher: Courier Corporation
ISBN: 9780486435657
Category : Foreign Language Study
Languages : en
Pages : 194
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Book Description
Presents a picture of life in the town of Moguer, in Andalusia, Spain, as seen therough the eyes of a wondering poet and his faithful donkey.
Author: Juan Ramón Jiménez
Publisher: iUniverse
ISBN: 0595003451
Category : Andalusia (Spain)
Languages : en
Pages : 198
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Book Description
: “One of the great classics of modern Spanish literature. Sheer descriptive magic.” —Time “An exquisite book—rich, shimmering, truly incomparable.” —The New Yorker “This enchanting dialogue, or is it a monologue, between a man and his burro has been translated with great skill and sympathy.” —Winthrop Sargeant In this translated Spanish classic, Juan Ramón Jiménez tells his burro Platero about their native Andalusian village of Moguer. Their dialogue creates an evanescent portrait of provincial Spain—its streets, homes, animals, children, and eccentrics. With the pure-hearted, silent burro sometimes a witness, sometimes a participant, the routines of daily life take on a certain poignancy. Jiménez anxiously searches for and removes the long green thorn from Platero’s hoof, and the donkey tenderly nuzzles him. On their way home one evening, Platero brays to his girlfriend burro in a field and trots hesitatingly, unwillingly past. Together Platero and his master make friends with the parrot, belonging to a local French doctor, whose sole and frequent pronouncement is “Ce n’est rien.” Both prolific and profound, Juan Ramón Jiménez (1881-1958) wrote over seventy books, winning the 1956 Nobel Prize in literature. He has been hailed by The New Republic as “not only the dean of Hispanic poets, but a pioneer and the source of all those who wrote in the Spanish tongue after him.” The translator, poet and scholar, Antonio de Nicolás, received his education in Spain, India and the United States. A prolific writer, he has contributed to learned journals, magazines and book reviews and has published a number of books.
Author: Juan Ramon Jimenez
Publisher: Macmillan
ISBN: 0374527458
Category : Literary Collections
Languages : en
Pages : 302
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Book Description
Author: Juan Ramón Jiménez
Publisher: iUniverse
ISBN: 0595002595
Category : Spanish literature
Languages : en
Pages : 305
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Book Description
The great Spanish poet Juan Ramón Jiménez, winner of the Nobel Prize for Literature in 1956, was a mystic as will as a poet, and the deep spirituality which infuses so much of his writing makes itself felt with special fervor throughout this remarkable new collection of poems. Composed by Jiménez between the years 1917 to 1920, the works in this grouping vanished mysteriously, only to be rediscovered a half-century later among the author's private papers. Published in Spain for the first time in 1983, they appear now at last in a bilingual edition, the English lovingly rendered by the scholar and poet Antonio T. de Nicolás, and introduced by the Pulitzer Prize-winning poet Louis Simpson. This is a book of verse for the poet in all of us it sings of the invisible realities which we carry in our hearts and which carry us through a life filled with symbols, toil and beauty. Juan Ramón Jiménez, an early twentieth century pioneer in the use of free verse and author of over 70 books has been hailed by The New Republic as not only the dean of Hispanic poets, but the pioneer and the source of all those who wrote in the Spanish tongue after him. Antonio T. de Nicolás is widely known for his translation of the Jiménez classic, Platero and I, which will also be republished through iUniverse.com.
Author: Juan Ramón Jiménez
Publisher: iUniverse
ISBN: 0595002692
Category :
Languages : en
Pages : 226
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Book Description
Over one hundred vignettes in Stories of Life and Death create haunting images of the author's favorite subjects: women in love, children coping with tragedy, eccentrics, the emotions of compassion, bitterness, envy and longing.Meet Mercedita Saro, the shy, perfectly-groomed beggar-child of the local drunk, whom Jimenez loves, protects, and treats with sweets, forbidden by her father. And Max, "the blue child," a West Indian boy traveling on the same ship as Jimenez to live with relatives in South America, who covered his black face with white powder "to look whiter to my brothers." See a woman in love, "white tender, bray, submissive, delicate." and the tiny ray of sun awakening a baby, which "has opened in his eyes a magic and flowery garden that holds him bewitched." Feel sadness at the death of a village girl, empathy for the mother of a sailor lost at sea, and compassion for an angry man who gets drunk for the first time.The author creates an impressionistic landscape with subtle nuances of light and shadow, leaving tantalizing ambiguities to be resolved only in the eye of the beholder.As might be assumed from the title bestowed on this work, Jimenez's prose and poetical observations of the world around him, previously encountered in Platero and I, take on a somewhat darker more transcendent hue in this further collection. Gone is the unifying theme of itinerant man and donkey, and the physical boundaries of time and space. Here Jimenez allows his poetic vision to sweep far and wide, distilling and concentrating his art into thumbnail sketches of such disparate characters among many are a beggar-girl, a grape-harvester, an elderly canary and even the moon itself. Prefaced by a scholarly introduction from the translator, this is a fine and sensitive translation which captures gloriously the sheer lyrical beauty of Jimenez's writing. British Bulletin of Publications
Author: Juan Ramón Jiménez
Publisher: iUniverse
ISBN: 0595002609
Category : Poetry
Languages : en
Pages : 157
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Book Description
The development of my poetry has been and is the development of an encounter with an idea about God, the great Spanish poet and Nobel Prize winner Juan Ramón Jiménez wrote several years before his death. An early twentieth-century pioneer in the use of free verse, Jiménez has always expressed himself through mystery and profundity. The author presents a fervent landscape of primordial imagery in an attempt to restore mystical poetry to its rightful place in literature and art. For anyone not familiar with the writings of this modern master, these austere and radiant poems, translated by the poet and scholar Antonio de Nicolás and presented alongside the original Spanish, will demonstrate why Jiménez is considered one of the masters of twentieth-century poetry. To what may this writing be compared? Whitman's 'Song of Myself' comes to mind, but it is not with any intention of taking away from Whitman's achievement that I declare a preference for the poetry of Juan Ramón Jiménez ... Louis Simpson, from the Introduction
Author: Adrienne Keene
Publisher: Ten Speed Press
ISBN: 1984857959
Category : History
Languages : en
Pages : 145
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Book Description
An accessible and educational illustrated book profiling 50 notable American Indian, Alaska Native, and Native Hawaiian people, from NBA star Kyrie Irving of the Standing Rock Lakota to Wilma Mankiller, the first female principal chief of the Cherokee Nation An American Indian Library Association Youth Literature Award Young Adult Honor Book! Celebrate the lives, stories, and contributions of Indigenous artists, activists, scientists, athletes, and other changemakers in this beautifully illustrated collection. From luminaries of the past, like nineteenth-century sculptor Edmonia Lewis—the first Black and Native American female artist to achieve international fame—to contemporary figures like linguist jessie little doe baird, who revived the Wampanoag language, Notable Native People highlights the vital impact Indigenous dreamers and leaders have made on the world. This powerful and informative collection also offers accessible primers on important Indigenous issues, from the legacy of colonialism and cultural appropriation to food sovereignty, land and water rights, and more. An indispensable read for people of all backgrounds seeking to learn about Native American heritage, histories, and cultures, Notable Native People will educate and inspire readers of all ages.
Author: Kevin Coleman
Publisher: University of Texas Press
ISBN: 1477308555
Category : History
Languages : en
Pages : 329
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Book Description
In the early twentieth century, the Boston-based United Fruit Company controlled the production, distribution, and marketing of bananas, the most widely consumed fresh fruit in North America. So great was the company’s power that it challenged the sovereignty of the Latin American and Caribbean countries in which it operated, giving rise to the notion of company-dominated “banana republics.” In A Camera in the Garden of Eden, Kevin Coleman argues that the “banana republic” was an imperial constellation of images and practices that was checked and contested by ordinary Central Americans. Drawing on a trove of images from four enormous visual archives and a wealth of internal company memos, literary works, immigration records, and declassified US government telegrams, Coleman explores how banana plantation workers, women, and peasants used photography to forge new ways of being while also visually asserting their rights as citizens. He tells a dramatic story of the founding of the Honduran town of El Progreso, where the United Fruit Company had one of its main divisional offices, the rise of the company now known as Chiquita, and a sixty-nine day strike in which banana workers declared their independence from neocolonial domination. In telling this story, Coleman develops a new set of conceptual tools and methods for using images to open up fresh understandings of the past, offering a model that is applicable far beyond this pathfinding study.
