Pietro Aretino and the Republic of Venice PDF Download
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Author: Christopher Cairns
Publisher: Librarie Droz
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
Author: Gaetana Marrone
Publisher: Taylor & Francis
ISBN: 1579583903
Category : Italian literature
Languages : en
Pages : 2258
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Book Description
Publisher description
Author: Marco Faini
Publisher: BRILL
ISBN: 9004465197
Category : Literary Criticism
Languages : en
Pages : 622
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Book Description
A Companion to Pietro Aretino offers exhaustive yet accessible essays aimed at understanding this complex and fascinating author. Its scope extends beyond the field of Italian studies, and includes references to other European literatures, visual arts, music, performance studies, gender studies, and social and religious history. It explores multiple areas of Aretino’s literary and biographical identity: in particular, his religious writings and their fortune, his relationships to visual arts and music, and his fashioning of a public persona. The essays here included support the current scholarly trend that no longer considers Aretino merely as a pornographer, but interpret his work in the light of the contemporary religious debate and cultural crisis. Contributors include Élise Boillet, Maria Cristina Cabani, Eleonora Carinci, Philip Cottrell, Giuseppe Crimi, Cathy Ann Elias, Marco Faini, Augusto Gentili, Harald Hendrix, Paul Larivaille, Chiara Lastraioli, Paolo Marini, Ian F. Moulton, Paolo Procaccioli, Brian Richardson, Angelo Romano, Deanna Shemek, Jane Tylus, Paola Ugolini, and Raymond B. Waddington.
Author: Christopher Cairns
Publisher: Librarie Droz
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
Author:
Publisher: Penn State Press
ISBN: 9780271044255
Category : Art
Languages : en
Pages : 240
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Book Description
After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.
Author: Pietro Aretino
Publisher: Editorial Edinumen
ISBN: 9781895537703
Category : Drama
Languages : en
Pages : 164
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Book Description
Author: Ingrid A. R. De Smet
Publisher: Librairie Droz
ISBN: 9782600001472
Category : Europe
Languages : en
Pages : 300
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Book Description
Author: Raymond B. Waddington
Publisher: University of Toronto Press
ISBN: 9780802088147
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.
Author: Marc Föcking
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110783436
Category : Literary Collections
Languages : en
Pages : 340
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Book Description
Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 0195349709
Category : Music
Languages : en
Pages : 248
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Book Description
This volume discusses the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. Music printers occupied a unique niche in the Renaissance printing world because their product appealed to those with sophisticated taste and was not readable by the entire literate public. Bridging the gap between music and other disciplines, Bernstein demonstrates here that the role of a music printer can be discussed as part of the larger cultural and economic question of the success of a commercial enterprise.
Author: Gaetana Marrone
Publisher: Routledge
ISBN: 1135455309
Category : Literary Criticism
Languages : en
Pages : 2256
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Book Description
The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
