Author: Janice Carlisle
Publisher: Cambridge University Press
ISBN: 052186836X
Category : Art
Languages : en
Pages : 291
Book Description
An innovative exploration of Victorian art and politics that examines how paintings and newspaper illustrations visualized franchise reform.
Picturing Reform in Victorian Britain
Author: Janice Carlisle
Publisher: Cambridge University Press
ISBN: 052186836X
Category : Art
Languages : en
Pages : 291
Book Description
An innovative exploration of Victorian art and politics that examines how paintings and newspaper illustrations visualized franchise reform.
Publisher: Cambridge University Press
ISBN: 052186836X
Category : Art
Languages : en
Pages : 291
Book Description
An innovative exploration of Victorian art and politics that examines how paintings and newspaper illustrations visualized franchise reform.
Picturing Reform in Victorian Britain
Author: Janice Carlisle
Publisher:
ISBN: 9781139862769
Category : Art
Languages : en
Pages : 272
Book Description
"How did Victorians, as creators and viewers of images, visualize the politics of franchise reform? This study of Victorian art and parliamentary politics, specifically in the 1840s and 1860s, answers that question by viewing the First and Second Reform Acts from the perspectives offered by Ruskin's political theories of art and Bagehot's visual theory of politics. Combining subjects and approaches characteristic of art history, political history, literary criticism and cultural critique, Picturing Reform in Victorian Britain treats both paintings and wood engravings, particularly those published in Punch and the Illustrated London News. Carlisle analyzes unlikely pairings - a novel by Trollope and a painting by Hayter, an engraving after Leech and a high-society portrait by Landseer - to argue that such conjunctions marked both everyday life in Victorian Britain and the nature of its visual politics as it was manifested in the myriad heterogeneous and often incongruous images of illustrated journalism"--
Publisher:
ISBN: 9781139862769
Category : Art
Languages : en
Pages : 272
Book Description
"How did Victorians, as creators and viewers of images, visualize the politics of franchise reform? This study of Victorian art and parliamentary politics, specifically in the 1840s and 1860s, answers that question by viewing the First and Second Reform Acts from the perspectives offered by Ruskin's political theories of art and Bagehot's visual theory of politics. Combining subjects and approaches characteristic of art history, political history, literary criticism and cultural critique, Picturing Reform in Victorian Britain treats both paintings and wood engravings, particularly those published in Punch and the Illustrated London News. Carlisle analyzes unlikely pairings - a novel by Trollope and a painting by Hayter, an engraving after Leech and a high-society portrait by Landseer - to argue that such conjunctions marked both everyday life in Victorian Britain and the nature of its visual politics as it was manifested in the myriad heterogeneous and often incongruous images of illustrated journalism"--
Democratising Beauty in Nineteenth-Century Britain
Author: Lucy Hartley
Publisher: Cambridge University Press
ISBN: 1316878600
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics.
Publisher: Cambridge University Press
ISBN: 1316878600
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics.
Mimicry and Display in Victorian Literary Culture
Author: Will Abberley
Publisher: Cambridge University Press
ISBN: 1108477593
Category : Art
Languages : en
Pages : 311
Book Description
The book reveals how Victorians biologized appearance, reimagining imitation, concealment and self-presentation as evolutionary adaptations.
Publisher: Cambridge University Press
ISBN: 1108477593
Category : Art
Languages : en
Pages : 311
Book Description
The book reveals how Victorians biologized appearance, reimagining imitation, concealment and self-presentation as evolutionary adaptations.
Idleness and Aesthetic Consciousness, 1815–1900
Author: Richard Adelman
Publisher: Cambridge University Press
ISBN: 1108335837
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Charting the failure of the Romantic critique of political economy, Richard Adelman explores the changing significances and the developing concepts of idleness and aesthetic consciousness during the nineteenth century. Through careful analysis of some of the period's most influential thinkers, including John Stuart Mill, George Eliot, John Ruskin and Karl Marx, Adelman weaves together evolving ideas across a range of intellectual discourses - political economy, meditative poetry, the ideology of the 'gospel of work', cultural theory, the Gothic and psychoanalysis. In doing so, he reconstructs debates over passivity and repose and demonstrates their centrality to the cultural politics of the age. Arguing that hardened conceptions of aesthetic consciousness come into being at moments of civic unrest concerning political representation and that the fin-de-siècle witnesses the demonization of the once revolutionary category of aesthetic consciousness, the book demonstrates that late eighteenth-century positivity around human spirituality is comprehensively dismantled by the beginning of the twentieth century.
Publisher: Cambridge University Press
ISBN: 1108335837
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Charting the failure of the Romantic critique of political economy, Richard Adelman explores the changing significances and the developing concepts of idleness and aesthetic consciousness during the nineteenth century. Through careful analysis of some of the period's most influential thinkers, including John Stuart Mill, George Eliot, John Ruskin and Karl Marx, Adelman weaves together evolving ideas across a range of intellectual discourses - political economy, meditative poetry, the ideology of the 'gospel of work', cultural theory, the Gothic and psychoanalysis. In doing so, he reconstructs debates over passivity and repose and demonstrates their centrality to the cultural politics of the age. Arguing that hardened conceptions of aesthetic consciousness come into being at moments of civic unrest concerning political representation and that the fin-de-siècle witnesses the demonization of the once revolutionary category of aesthetic consciousness, the book demonstrates that late eighteenth-century positivity around human spirituality is comprehensively dismantled by the beginning of the twentieth century.
Music and the Queer Body in English Literature at the Fin de Siècle
Author: Fraser Riddell
Publisher: Cambridge University Press
ISBN: 1108839207
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
The first comprehensive study of music and queer identities in late-nineteenth and early-twentieth century English literature.
Publisher: Cambridge University Press
ISBN: 1108839207
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
The first comprehensive study of music and queer identities in late-nineteenth and early-twentieth century English literature.
Evolution and Imagination in Victorian Children's Literature
Author: Jessica Straley
Publisher: Cambridge University Press
ISBN: 1316531325
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
Evolutionary theory sparked numerous speculations about human development, and one of the most ardently embraced was the idea that children are animals recapitulating the ascent of the species. After Darwin's Origin of Species, scientific, pedagogical, and literary works featuring beastly babes and wild children interrogated how our ancestors evolved and what children must do in order to repeat this course to humanity. Exploring fictions by Rudyard Kipling, Lewis Carroll, Frances Hodgson Burnett, Charles Kingsley, and Margaret Gatty, Jessica Straley argues that Victorian children's literature not only adopted this new taxonomy of the animal child, but also suggested ways to complete the child's evolution. In the midst of debates about elementary education and the rising dominance of the sciences, children's authors plotted miniaturized evolutions for their protagonists and readers and, more pointedly, proposed that the decisive evolutionary leap for both our ancestors and ourselves is the advent of the literary imagination.
Publisher: Cambridge University Press
ISBN: 1316531325
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
Evolutionary theory sparked numerous speculations about human development, and one of the most ardently embraced was the idea that children are animals recapitulating the ascent of the species. After Darwin's Origin of Species, scientific, pedagogical, and literary works featuring beastly babes and wild children interrogated how our ancestors evolved and what children must do in order to repeat this course to humanity. Exploring fictions by Rudyard Kipling, Lewis Carroll, Frances Hodgson Burnett, Charles Kingsley, and Margaret Gatty, Jessica Straley argues that Victorian children's literature not only adopted this new taxonomy of the animal child, but also suggested ways to complete the child's evolution. In the midst of debates about elementary education and the rising dominance of the sciences, children's authors plotted miniaturized evolutions for their protagonists and readers and, more pointedly, proposed that the decisive evolutionary leap for both our ancestors and ourselves is the advent of the literary imagination.
Science, Fiction, and the Fin-de-Siècle Periodical Press
Author: Will Tattersdill
Publisher: Cambridge University Press
ISBN: 1107144655
Category : Language Arts & Disciplines
Languages : en
Pages : 239
Book Description
Explores the first appearance of 'science fiction' in the pages of late nineteenth-century general interest periodicals.
Publisher: Cambridge University Press
ISBN: 1107144655
Category : Language Arts & Disciplines
Languages : en
Pages : 239
Book Description
Explores the first appearance of 'science fiction' in the pages of late nineteenth-century general interest periodicals.
Women Writing Art History in the Nineteenth Century
Author: Hilary Fraser
Publisher: Cambridge University Press
ISBN: 1107075750
Category : Art
Languages : en
Pages : 255
Book Description
This book examines women's art writing in the nineteenth century, challenging the idea of art history as a masculine intellectual field.
Publisher: Cambridge University Press
ISBN: 1107075750
Category : Art
Languages : en
Pages : 255
Book Description
This book examines women's art writing in the nineteenth century, challenging the idea of art history as a masculine intellectual field.
George Eliot and Money
Author: Dermot Coleman
Publisher: Cambridge University Press
ISBN: 1139952757
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
Unlike other Victorian novelists George Eliot rarely incorporated stock market speculation and fraud into her plots, but meditations on money, finance and economics, in relation both to individual ethics and to wider social implications, infuse her novels. This volume examines Eliot's understanding of money and economics, its bearing on her moral and political thought, and the ways in which she incorporated that thought into her novels. It offers a detailed account of Eliot's intellectual engagements with political economy, utilitarianism, and the new liberalism of the 1870s, and also her practical dealings with money through her management of household and business finances and, in later years, her considerable investments in stocks and shares. In a wider context, it presents a detailed study of the ethics of economics in nineteenth-century England, tracing the often uncomfortable relationship between morality and economic utility experienced by intellectuals of the period.
Publisher: Cambridge University Press
ISBN: 1139952757
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
Unlike other Victorian novelists George Eliot rarely incorporated stock market speculation and fraud into her plots, but meditations on money, finance and economics, in relation both to individual ethics and to wider social implications, infuse her novels. This volume examines Eliot's understanding of money and economics, its bearing on her moral and political thought, and the ways in which she incorporated that thought into her novels. It offers a detailed account of Eliot's intellectual engagements with political economy, utilitarianism, and the new liberalism of the 1870s, and also her practical dealings with money through her management of household and business finances and, in later years, her considerable investments in stocks and shares. In a wider context, it presents a detailed study of the ethics of economics in nineteenth-century England, tracing the often uncomfortable relationship between morality and economic utility experienced by intellectuals of the period.