Author: Jeff Hamada
Publisher: Chronicle Books
ISBN: 9781452123349
Category : Art
Languages : en
Pages : 0
Book Description
Imagine stepping inside Vermeer's Girl with a Pearl Earring or Hopper's Nighthawks. That's the effect achieved by modern-day photographers, artists, students, and creatives within the pages of this one-of-a-kind book. Started as an online collaborative project by founder of art blog Booooooom Jeff Hamada, Remake gathers fantastic reinterpretations of 50 fine art masterpieces. Side-by-side presentations of canonical artworks and their contemporary re-dos highlight the striking similarities between the works as well as the entertaining creative choices that make each version unique. A crowdsourced send-up of the art history canon, this quirky collection of before-and-after pairings is filled with surprises of wit and whimsy.
Remake
Author: Jeff Hamada
Publisher: Chronicle Books
ISBN: 9781452123349
Category : Art
Languages : en
Pages : 0
Book Description
Imagine stepping inside Vermeer's Girl with a Pearl Earring or Hopper's Nighthawks. That's the effect achieved by modern-day photographers, artists, students, and creatives within the pages of this one-of-a-kind book. Started as an online collaborative project by founder of art blog Booooooom Jeff Hamada, Remake gathers fantastic reinterpretations of 50 fine art masterpieces. Side-by-side presentations of canonical artworks and their contemporary re-dos highlight the striking similarities between the works as well as the entertaining creative choices that make each version unique. A crowdsourced send-up of the art history canon, this quirky collection of before-and-after pairings is filled with surprises of wit and whimsy.
Publisher: Chronicle Books
ISBN: 9781452123349
Category : Art
Languages : en
Pages : 0
Book Description
Imagine stepping inside Vermeer's Girl with a Pearl Earring or Hopper's Nighthawks. That's the effect achieved by modern-day photographers, artists, students, and creatives within the pages of this one-of-a-kind book. Started as an online collaborative project by founder of art blog Booooooom Jeff Hamada, Remake gathers fantastic reinterpretations of 50 fine art masterpieces. Side-by-side presentations of canonical artworks and their contemporary re-dos highlight the striking similarities between the works as well as the entertaining creative choices that make each version unique. A crowdsourced send-up of the art history canon, this quirky collection of before-and-after pairings is filled with surprises of wit and whimsy.
Old Masters, New World
Author: Cynthia Saltzman
Publisher: Penguin
ISBN: 9780670018314
Category : Art
Languages : en
Pages : 364
Book Description
SALTZMAN/OLD MASTERS; NEW WORLD
Publisher: Penguin
ISBN: 9780670018314
Category : Art
Languages : en
Pages : 364
Book Description
SALTZMAN/OLD MASTERS; NEW WORLD
Modern Painters, Old Masters
Author: Elizabeth Prettejohn
Publisher: Association of Human Rights Institutes series
ISBN: 9780300222753
Category : Art
Languages : en
Pages : 0
Book Description
Le revers de la jaquette indique : "With the rise of museums in the 19th century, including the formation in 1824 of the National gallery in London, the art of the past became visible and accessible (in Victorian England) as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velazquez, and others, British artists transformed contemporary art through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by artists, as well as critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering Victorian art from the Pre-Raphaelites through to the early modernists, she vividly traces the ways in wich artist such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past to produce some of the greatest art of the late nineteenth and early twentieth centuries."
Publisher: Association of Human Rights Institutes series
ISBN: 9780300222753
Category : Art
Languages : en
Pages : 0
Book Description
Le revers de la jaquette indique : "With the rise of museums in the 19th century, including the formation in 1824 of the National gallery in London, the art of the past became visible and accessible (in Victorian England) as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velazquez, and others, British artists transformed contemporary art through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by artists, as well as critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering Victorian art from the Pre-Raphaelites through to the early modernists, she vividly traces the ways in wich artist such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past to produce some of the greatest art of the late nineteenth and early twentieth centuries."
Master Class in Figure Drawing
Author: Robert Beverly Hale
Publisher: Watson-Guptill Publications
ISBN: 9780823030149
Category : Art
Languages : en
Pages : 144
Book Description
Explains how to make realistic drawings of the arms, legs, feet, hands, and other parts of the human body
Publisher: Watson-Guptill Publications
ISBN: 9780823030149
Category : Art
Languages : en
Pages : 144
Book Description
Explains how to make realistic drawings of the arms, legs, feet, hands, and other parts of the human body
Portrait Painting Atelier
Author: Suzanne Brooker
Publisher: Watson-Guptill
ISBN: 0823008355
Category : Art
Languages : en
Pages : 210
Book Description
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
Publisher: Watson-Guptill
ISBN: 0823008355
Category : Art
Languages : en
Pages : 210
Book Description
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
Catalog of the Library of the Museum of Modern Art: Bon
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 708
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 708
Book Description
What was Contemporary Art?
Author: Richard Meyer
Publisher: MIT Press
ISBN: 0262135086
Category : Art
Languages : en
Pages : 374
Book Description
"Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. In What Was Contemporary Art? Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture.
Publisher: MIT Press
ISBN: 0262135086
Category : Art
Languages : en
Pages : 374
Book Description
"Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. In What Was Contemporary Art? Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture.
The Vatican: All the Paintings
Author: Anja Grebe
Publisher: Black Dog & Leventhal
ISBN: 9780762470655
Category : Art
Languages : en
Pages : 0
Book Description
Discover the artistic wonders of the Vatican, from the Sistine Chapel to Raphael's frescoes, with the New York Times bestselling book The Vatican: All the Paintings; now in a practical and elegant paperback format. The Vatican is one of the most visited sites in the world. It encompasses numerous museums and palaces, and houses one of the finest art collections known to man. Amassed by popes throughout the centuries, including several of the most renowned Roman sculptures and important masterpieces of Renaissance art in the world, the Vatican is a perennial source of awe and fascination. From Michelangelo's Sistine Chapel and his Pieta, to the Raphael frescoes, to the works of Giotto, Fra Angelica, Titian, and Caravaggio, The Vatican: All the Paintings is an unprecedented celebration of this great collection. The book is organized into 22 sections representing the museums and areas of the Vatican, including the Pinacotea, the Sistine Chapel, the Raphael Rooms, the Borgia Apartments, the Vatican Palaces, and St. Peter's Basilica. Each one of the 976 works of art represented in this book -- including the 661 classical paintings on display in the permanent painting collection and 315 other masterpieces -- is annotated with the name of the painting and artists, the date of the work, the birth and death of the artist, the medium that was used, the size of the work, and the catalog number (if applicable). In addition, 180 of the most iconic paintings, sculptures, and other pieces of art are highlights with 300-word essays by art historian Anja Grebe and bestselling author Ross King. Here you will find information such as the key attributes of the work, what to look for when viewing it, the artist's inspirations and techniques, biographical information on the artist, and the artist's impact on history.
Publisher: Black Dog & Leventhal
ISBN: 9780762470655
Category : Art
Languages : en
Pages : 0
Book Description
Discover the artistic wonders of the Vatican, from the Sistine Chapel to Raphael's frescoes, with the New York Times bestselling book The Vatican: All the Paintings; now in a practical and elegant paperback format. The Vatican is one of the most visited sites in the world. It encompasses numerous museums and palaces, and houses one of the finest art collections known to man. Amassed by popes throughout the centuries, including several of the most renowned Roman sculptures and important masterpieces of Renaissance art in the world, the Vatican is a perennial source of awe and fascination. From Michelangelo's Sistine Chapel and his Pieta, to the Raphael frescoes, to the works of Giotto, Fra Angelica, Titian, and Caravaggio, The Vatican: All the Paintings is an unprecedented celebration of this great collection. The book is organized into 22 sections representing the museums and areas of the Vatican, including the Pinacotea, the Sistine Chapel, the Raphael Rooms, the Borgia Apartments, the Vatican Palaces, and St. Peter's Basilica. Each one of the 976 works of art represented in this book -- including the 661 classical paintings on display in the permanent painting collection and 315 other masterpieces -- is annotated with the name of the painting and artists, the date of the work, the birth and death of the artist, the medium that was used, the size of the work, and the catalog number (if applicable). In addition, 180 of the most iconic paintings, sculptures, and other pieces of art are highlights with 300-word essays by art historian Anja Grebe and bestselling author Ross King. Here you will find information such as the key attributes of the work, what to look for when viewing it, the artist's inspirations and techniques, biographical information on the artist, and the artist's impact on history.
A Critical and Historical Corpus of Florentine Painting
Author: Richard Offner
Publisher: Giunti Editore
ISBN:
Category : Art
Languages : en
Pages : 646
Book Description
This new volume proposes, in similar format but with recent photographs, illustrating the painting in their present state, the new edition of the book dedicated by Richard Offner in 1947 to the workshop of Bernardo Daddi, artist very much in demand in the first half of the 14th century. To some 70 pictures catalogued by Offner with entries which are now updated with new data on state and history as well as with bibliography, ten further, hitherto unpublished or little known items are given in this edition. The survey offered here makes the circle of Daddi, where several of chief figures of the Florentine painting in the second half of the Trecento were formed, one of the better known areas of the history of Italian painting of the Middle Age and early Renaissance.
Publisher: Giunti Editore
ISBN:
Category : Art
Languages : en
Pages : 646
Book Description
This new volume proposes, in similar format but with recent photographs, illustrating the painting in their present state, the new edition of the book dedicated by Richard Offner in 1947 to the workshop of Bernardo Daddi, artist very much in demand in the first half of the 14th century. To some 70 pictures catalogued by Offner with entries which are now updated with new data on state and history as well as with bibliography, ten further, hitherto unpublished or little known items are given in this edition. The survey offered here makes the circle of Daddi, where several of chief figures of the Florentine painting in the second half of the Trecento were formed, one of the better known areas of the history of Italian painting of the Middle Age and early Renaissance.
Old Masters Worldwide
Author: Susanna Avery-Quash
Publisher: Bloomsbury Publishing USA
ISBN: 1501348167
Category : Art
Languages : en
Pages : 320
Book Description
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
Publisher: Bloomsbury Publishing USA
ISBN: 1501348167
Category : Art
Languages : en
Pages : 320
Book Description
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.