Piano Trio No. 2 - Opus 1, No. 2 in G Major PDF Download
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Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457487699
Category : Music
Languages : en
Pages : 76
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Book Description
A trio for Violin, Cello, and Piano expertly composed by Ludwig van Beethoven.
Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457487699
Category : Music
Languages : en
Pages : 76
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Book Description
A trio for Violin, Cello, and Piano expertly composed by Ludwig van Beethoven.
Author:
Publisher: Alfred Music Publishing
ISBN: 9780757912382
Category : Music
Languages : en
Pages : 0
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Book Description
A trio for Violin, Cello, and Piano expertly composed by Ludwig van Beethoven.
Author: Carmine Appice
Publisher:
ISBN: 9780757912382
Category :
Languages : en
Pages : 0
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Book Description
Author: Ludwig Van Beethoven
Publisher: READ BOOKS
ISBN: 9781447440833
Category : Music
Languages : en
Pages : 40
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Book Description
Author: Ludwig van Beethoven
Publisher: Courier Corporation
ISBN: 0486253988
Category : Music
Languages : en
Pages : 210
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Book Description
This definitive Breitkopf & Härtel edition of Beethoven's most performed and recorded piano trios includes the Ghost (Op. 70, No. 1) and the Archduke (Op. 97). Features lay-flat sewn binding.
Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457487743
Category : Music
Languages : en
Pages : 44
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Book Description
For violin, cello and piano.
Author:
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages :
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Book Description
Concert program.
Author: Hans Lampl
Publisher: Scarecrow Press
ISBN: 146172340X
Category : Music
Languages : en
Pages : 166
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Book Description
By enabling performers to grasp the fundamentals of interpretation, this work allows them to satisfy the requirements of the music and follow their artistic impulse simultaneously. It outlines the steps that transform a literal rendition ("playing the notes") into a musical and convincing performance. Organized into nine chapters, each focused on a single area of interpretation, Turning Notes into Music presents musicians with a comprehensive, illustrated guide to the interpretative problems that they must address while preparing a piece of music for performance. Bibliography.
Author: Susan Tomes
Publisher: Yale University Press
ISBN: 0300262868
Category : Music
Languages : en
Pages : 399
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Book Description
A fascinating history of the piano explored through 100 pieces chosen by one of the UK’s most renowned concert pianists An astonishingly versatile instrument, the piano allows just two hands to play music of great complexity and subtlety. For more than two hundred years, it has brought solo and collaborative music into homes and concert halls and has inspired composers in every musical genre—from classical to jazz and light music. Charting the development of the piano from the late eighteenth century to the present day, pianist and writer Susan Tomes takes the reader with her on a personal journey through 100 pieces including solo works, chamber music, concertos, and jazz. Her choices include composers such as Bach, Mozart, Beethoven, Robert Schumann, Tchaikovsky, Debussy, Gershwin, and Philip Glass. Looking at this history from a modern performer’s perspective, she acknowledges neglected women composers and players including Fanny Mendelssohn, Maria Szymanowska, Clara Schumann, and Amy Beach.
Author: David Lee Brodbeck
Publisher: U of Nebraska Press
ISBN: 9780803212879
Category : Music
Languages : en
Pages : 268
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Book Description
The eight essays in Brahms Studies 2 provide a rich sampling of contemporary Brahms research. In his examination of editions of Brahms?s music, George Bozarth questions the popular notion that most of the composer?s music already exists in reliable critical editions. Daniel Beller-McKenna reconsiders the younger Brahms?s involvement in musical politics at midcentury. The cantata Rinaldo is the centerpiece of Carol Hess?s consideration of Brahms?s music as autobiographical statement. Heather Platt?s exploration of the twentieth-century reception of Brahms?s Lieder reveals that advocates of Hugo Wolf?s aesthetics have shaped the discourse concerning the composer?s songs and calls for an approach more clearly based on Brahms?s aesthetics. In his examination of the rise of the ?great symphony? as a critical category that carried with it a nearly impossible standard to meet, Walter Frisch provides a rich context in which to understand Brahms?s well-known early struggle with the genre. Kenneth Hull suggests that Brahms used ironic allusions to Bach and Beethoven in the tragic Fourth Symphony in order to subvert the enduring assumption that a minor-key symphony will end triumphantly in the major mode. Peter H. Smith examines Brahms?s late style by concentrating on Neapolitan tonal relations in the Clarinet Sonata in F Minor. Finally, David Brodbeck delineates the complex evolution of Brahms?s reception of Mendels-sohn?s music.
