Photography and Collaboration

Photography and Collaboration PDF Author: Daniel Palmer
Publisher: Routledge
ISBN: 1000211428
Category : Art
Languages : en
Pages : 232

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Book Description
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.

Photography and Collaboration

Photography and Collaboration PDF Author: Daniel Palmer
Publisher: Routledge
ISBN: 1000211428
Category : Art
Languages : en
Pages : 232

Get Book

Book Description
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.

Parallel Perspectives

Parallel Perspectives PDF Author: Holly Gordon
Publisher: City Point Press
ISBN: 1947951246
Category : Art
Languages : en
Pages : 109

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Book Description
The eye-arresting images in this original contemporary art book feature two popular mediums, painting and photography. Although the art is inspired by the Long Island landscape, its visual appeal in artists’ interpretations of locations is universal. Paired with the dialog of the artists, the narrative becomes an intimate conversation with the reader. Combining life, loss, serendipity and art, it portrays two artists, whose conceptually similar work evolved independently until social media brought them together. Their collaboration continues to produce treasures of stunning, memorable beauty. The improbable pairing of Holly Gordon, photographer from Bay Shore, Long Island, and Ward Hooper, painter from Northport, Long Island, is a symbiotic match. Their artistic relationship is an affirmation of the human spirit in an age where most can’t seem to detach from objects. These two contemporary artists discovered a serendipitous connection to the earlier American artistic and personal alliance of Arthur Dove and Helen Torr, whose work was inspired by the same Long Island locations. The past thus joined the present, deepening Gordon and Hooper’s bond, both personally and geographically. In Gordon and Hooper’s intimate relationship there is a sense of empathy, connection, and mutual discovery that is invincible. Ward Hooper and Holly Gordon understand that the meaning of their journey extends beyond themselves. Their camaraderie and brilliant exposition beckons others to do the same and thereby reach their own heights in art and life. The transformative journey that unfolds centers on art as a positive force that ultimately unites two creative spirits. I found the imagery captivating and the text inspirational. Learning about how these two people from different art disciplines came together to help heal and enrich each others’ lives (and create wonderful imagery throughout the process) made me appreciate my life and relationships even more. The book may even encourage you to create something new, or collaborate with someone you already know...or someone who is out there waiting to be a part of your “Light's Journey.” -- Andrew Darlow, Photographer, Educator and Author ......A love story of friendship and renewal. Holly and Ward were meant to meet to discover their connection through art and nature. Two wonderful artists exploring life together through the warmth of colors, brush and lens strokes and subjects they created separately at different times and then together revealing their deep passion for life, friendship and art. --Charlee M. Miller, Executive Director, Art League of Long Island, Dix Hills, N.Y. Parallel Perspectives: The Brush/Lens Project gives us seamlessly created images that work on many levels: They pay attention to tiny details yet pulse with large swaths of vibrant color. They look like paintings — but they could be photographs, and vice versa. These are eye-arresting scenes, a visual harvest of the natural beauty that surrounds us, creating lasting sights that celebrate what talented artists have always quested for: the light. Holly Gordon finds images and builds digital layers that blend an unflinching assessment by a documentary photographer and environmentalist with a painterly sensitivity; Ward Hooper’s loose brushstrokes capture the ever-shifting light and shadow through watercolors that are as elusive as the light. Their collaboration continues to produce treasures of stunning, memorable beauty.—Annie Wilkinson Blachley’s features and cover stories have been published by The New York Times, Los Angeles Times, and national and regional newspapers and magazines. She is a copy editor and columnist for the Long Island Press and writes several monthly columns for Long Island Woman Magazine

A Year with My Camera

A Year with My Camera PDF Author: Emma Davies
Publisher:
ISBN: 9780995632417
Category :
Languages : en
Pages :

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Book Description


Photography and Collaboration

Photography and Collaboration PDF Author: Daniel Palmer
Publisher: Routledge
ISBN: 1000213080
Category : Art
Languages : en
Pages : 198

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Book Description
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.

Collaboration

Collaboration PDF Author: Ariella Azoulay
Publisher:
ISBN: 9780500545331
Category : Photography
Languages : en
Pages : 0

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Book Description
A radical new history of photography from a team of esteemed writers and thinkers that focuses on the complex collaborations between photographer and subject.

Contemporary Photography as Collaboration

Contemporary Photography as Collaboration PDF Author: Mathilde Bertrand
Publisher: Palgrave Macmillan
ISBN: 9783031414435
Category : Photography
Languages : en
Pages : 0

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Book Description
This book explores a spectrum of contemporary photographic practices across the fields of image-making, curating, archiving, teaching, community development and activism that have envisioned photography as ontologically and ethically collaborative. By looking specifically into the contexts where collaborative projects are produced and shown, and into the dialogical relation to the people they engage with –in hospitals, in prisons, in working-class neighbourhoods, with indigenous people, refugees, women, persons experiencing homelessness, young people– the contributions from practitioners, scholars, and curators show participatory practices to create the conditions for building new subjectivities, or making visible a multiplicity of identities, thus opening up a new politics of visibility. Therefore, this book specifically addresses the political, counter-cultural dimension of collaborative projects, but also their subversiveness in relation to dominant practices within the field of photography: this includes a reinvention of the position of the photographer –in turns facilitator or project leader– of curating and exhibition models, of archiving methodologies, of photographic education and of market practices. ​

Begin Anywhere

Begin Anywhere PDF Author:
Publisher:
ISBN: 9780998801902
Category : Artistic collaboration
Languages : en
Pages : 96

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Book Description


Encounters

Encounters PDF Author: Manuel Vason
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 234

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Book Description
Manuel Vason's images exist somewhere between portraiture, performance documentation, and documentary -or, perhaps, his images are fashion shots, but the bodies are clothed in performance." Tracey Warr, independent curator, editor of The Artis's Body.

Issue 21: Collaboration

Issue 21: Collaboration PDF Author: Photoworks Annual
Publisher:
ISBN: 9781903796504
Category :
Languages : en
Pages : 218

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Book Description


Collaboration

Collaboration PDF Author: Paul Cadmus
Publisher: Twelvetrees
ISBN:
Category : Photography
Languages : en
Pages : 90

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Book Description
Beginning in 1937, the three painters, Paul Cadmus (1904-1999), Margaret French (1906-1998) and Jared French (1905-1988), vacationed together in Provincetown and Fire Island. With a shared camera, they photographed themselves and their friends against a background of vast, empty beaches. Driftwood, umbrellas, white sheets and old fishing nets were arranged with models, to form oddly surreal compositions. Many such arrangements were later adapted for use in the artists' paintings, several examples of which are also reproduced here. "These small photographs are revealing in their beautiful compositions, and provide insights as to how these painters interpreted their visual richness for their painting."