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Author: Elizabeth Edwards
Publisher: Psychology Press
ISBN: 9780415254410
Category : Photography
Languages : en
Pages : 244
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Book Description
This volume explores the idea that photographs are objects as well as images of objects, and that this materiality is integral to their meaning and use.
Author: Elizabeth Edwards
Publisher: Psychology Press
ISBN: 9780415254410
Category : Photography
Languages : en
Pages : 244
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Book Description
This volume explores the idea that photographs are objects as well as images of objects, and that this materiality is integral to their meaning and use.
Author: Gabriele Galimberti
Publisher: Abrams
ISBN: 1613129823
Category : Photography
Languages : en
Pages : 232
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Book Description
For over a year, the photographer and journalist Gabriele Galimberti visited more than 50 countries and created colorful images of boys and girls in their homes and neighborhoods with their most prized possessions: their toys. From Texas to India, Malawi to China, Iceland, Morocco, and Fiji, Galimberti recorded the spontaneous and natural joy that unites kids despite their diverse backgrounds. Whether the child owns a veritable fleet of miniature cars or a single stuffed monkey, the pride that Galimberti captures is moving, funny, and thought provoking.
Author: Thomas Ruff
Publisher: Kehrer Verlag
ISBN: 9783868282610
Category : Modernism (Art)
Languages : en
Pages : 0
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Book Description
Ruff's exhibition catalogue Stellar Landscapes focuses specifically on four of his series: the stars series (1989-1992); zycles (2007); the cassini series (2008-2009); and his recent ma.r.s. series. Ruff uses scientific images as the source material for his photographs - many of them freely accessible from the internet. He retouches the images, giving them a new character whose abstract beauty serves as a surface for the imagination. Ruff's work poses questions about mass production of images and contemporary artistic licence.
Author: Mary Statzer
Publisher: Univ of California Press
ISBN: 0520281470
Category : Art
Languages : en
Pages : 268
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Book Description
"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.
Author: Mary Statzer
Publisher: Univ of California Press
ISBN: 0520422740
Category : Art
Languages : en
Pages : 268
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Book Description
In 1970 photography curator Peter C. Bunnell organized an exhibition called Photography into Sculpture for the Museum of Modern Art, New York. The project, which brought together twenty-three photographers and artists from the United States and Canada, was among the first exhibitions to recognize work that blurred the boundaries between photography and other mediums. At once an exhibition catalogue after the fact, an oral history, and a critical reading of exhibitions and experimental photography during the 1960s and 1970s, The Photographic Object 1970 proposes precedents for contemporary artists who continue to challenge traditional practices and categories. Mary Statzer has gathered a range of diverse materials, including contributions from Bunnell, Eva Respini and Drew Sawyer, Erin O’Toole, Lucy Soutter, and Rebecca Morse as well as interviews with Ellen Brooks, Michael de Courcy, Richard Jackson, Jerry McMillan, and other of the exhibition’s surviving artists. Featuring seventy-nine illustrations, most of them in color, this volume is an essential resource on a groundbreaking exhibition.
Author: Johannes Braun
Publisher:
ISBN: 9783735604774
Category : Documentary photography
Languages : de
Pages : 240
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Book Description
Fotografien sind nicht nur Bilder, sondern auch dreidimensionale Objekte. Sie werden in die Hand genommen, gewendet, bearbeitet, gerahmt, verschickt, ins Internet gestellt, weggeworfen oder gelöscht. Seit dem 19. Jahrhundert sammeln Wissenschaftlerinnen und Wissenschaftler Fotografien und legen umfangreiche Bildarchive an, die auch heute, im digitalen Zeitalter, nichts von ihrer Relevanz und Brisanz verloren haben. Das Buch versammelt Beiträge über die Arbeit an und mit Foto-Objekten aus vier Fotoarchiven in Berlin und Florenz. Ergänzt wird diese Zusammenstellung durch die Perspektiven verschiedener Künstlerinnen und Künstler.
Author: Amos Morris-Reich
Publisher: University of Pennsylvania Press
ISBN: 0812298527
Category : History
Languages : en
Pages : 249
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Book Description
It is a sign of the accepted evidentiary status of photographs that historians regularly append them to their accounts, Amos Morris-Reich observes. Very often, however, these photographs are treated as mere illustrations, simple documentations of the events that transpired. Scholars of photography, on the other hand, tend to prioritize the photographs themselves, relegating the historical contexts to the background. For Morris-Reich, however, photography exists within reality; it partakes in and is very much a component of the history it records. Morris-Reich examines how photography affects categories of history and experience, how it is influenced by them, and the ways in which our understanding of the relationship between history and photography can be theorized and reoriented. Morris-Reich here turns to five twentieth-century cases in which photography and Jewish history intersect: Albert Kahn’s utopian attempt to establish a photographic archive in Paris in order to advance world peace; the spectacular failed project of Helmar Lerski, the most prominent photographer in British Mandate Jewish Palestine; photography in the long career of Eugen Fischer, a Nazi professor of genetics; the street photography of Robert Frank; and the first attempt to introduce photography into the study of Russian Jewry prior to World War I, as seen from the post-Holocaust perspective of the early twenty-first century. Illustrated with nearly 100 images, Photography and Jewish History moves beyond a focus on Jewish photographers or the photographic representation of Jews or Jewish visibility to plumb the deeper and more significant registers of twentieth-century Jewish political history.
Author: Bogdan Zerek
Publisher: Elsevier
ISBN: 1780634404
Category : Business & Economics
Languages : en
Pages : 483
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Book Description
Preservation involves a complex of activities including climate, air-quality, and surface control, as well as microbiological control, which is a key part of preserving and protecting library collections. The Preservation and Protection of Library Collections examines microbiological control for preservation of library and archival collections. A supporting tool for conservators, this title should be integrated into conservation and preservation policy. The book comprises nine sections that cover three aspects: microbiology, surveying, and the response required. Chapters in this title cover the nature of the library collections, physical and chemicals factors and their impact on microbiological issues, as well as biological factors and methods of microbiological control of the air and objects. Later chapters examine methods of object disinfection, disaster response, methods of microbiological control and evaluation of collections, and includes a vocabulary guide, appendices, literature information and references. - Gives an overview of basic biological and environmental facts and their implications for library collections - Informed by practical experience in the library situation - Provides guidelines, requirements, procedures, workflow charts, regulations, and case studies
Author: Ingham, Mark Bruce Nigel
Publisher: IGI Global
ISBN: 166845338X
Category : Photography
Languages : en
Pages : 682
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Book Description
Autobiographical memory and photography have been inextricably linked since the first photographs appeared during the 19th century. These links have often been described from each other's discipline in ways that often have led to misunderstandings about the complex relationships between them. The Handbook of Research on the Relationship Between Autobiographical Memory and Photography covers many aspects of the multiple relationships between autobiographical memory and photography such as the idea that memory and photography can be seen as forms of mental time and the effect photography has on autobiographical memory. Covering key topics such as identity, trauma, and remembrance, this major reference work is ideal for industry professionals, sociologists, psychologists, artists, researchers, scholars, academicians, practitioners, educators, and students.
Author: Geoffrey Belknap
Publisher: Routledge
ISBN: 1000211495
Category : Photography
Languages : en
Pages : 224
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Book Description
Throughout its early history, photography's authenticity was contested and challenged: how true a representation of reality can a photograph provide? Does the reproduction of a photograph affect its value as authentic or not? From a Photograph examines these questions in the light of the early scientific periodical press, exploring how the perceived veracity of a photograph, its use as scientific evidence and the technologies developed for printing it were intimately connected.Before photomechanical printing processes became widely used in the 1890s, scientific periodicals were unable to reproduce photographs and instead included these photographic images as engravings, with the label ‘from a photograph’. Consequently, every image was mediated by a human interlocutor, introducing the potential for error and misinterpretation. Rather than ‘reading’ photographs in the context of where or how they were taken, this book emphasises the importance of understanding how photographs are reproduced. It explores and compares the value of photography as authentic proof in both popular and scientific publications during this period of significant technological developments and a growing readership. Three case studies investigate different uses of photography in print: using pigeons to transport microphotographs during the Franco-Prussian War; the debate surrounding the development of instantaneous photography; and finally the photographs taken of the Transit of Venus in 1874, unseen by the human eye but captured on camera and made accessible to the public through the periodical.Addressing a largely overlooked area of photographic history, From a Photograph makes an important contribution to this interdisciplinary research and will be of interest to historians of photography, print culture and science.
