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Author: MK Raghavendra
Publisher: Taylor & Francis
ISBN: 1000296342
Category : Art
Languages : en
Pages : 264
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Book Description
This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions from which it derives its influences. It re-examines terms and concepts used in film criticism and contextualizes them within the aesthetics, poetics and politics of Indian cinema. The book looks at terms and concepts borrowed from the scholarship on American and world cinema and explores their use and relevance in describing the characteristics and evolution of cinema in India. It highlights how realism, romance and melodrama in the context of India appear in a culturally singular way and how the aggregation of constituent elements – like songs, action, comedy – in Indian film can be traced to classical theatre and other diverse religious and philosophical influences. These influences have characterized popular film and drama in India which present all aspects of life for a diverse nation. The author explores concepts like ‘fantasy’, ‘family’ and ‘patriotism’ by using various examples from films in India and outside, as well as practices in the other arts. He identifies the fundamental logic behind the choices made by film-makers in India and discusses concepts which allow for a fresh theorizing on Indian cinema’s characteristics. This book will be of great interest to students and researchers of film studies, media studies, cultural studies, literature, cultural history and South Asian studies. It will also be useful for general readers who are interested in learning more about Indian cinema, its forms, origins and influences.
Author: MK Raghavendra
Publisher: Taylor & Francis
ISBN: 1000296342
Category : Art
Languages : en
Pages : 264
Get Book Here
Book Description
This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions from which it derives its influences. It re-examines terms and concepts used in film criticism and contextualizes them within the aesthetics, poetics and politics of Indian cinema. The book looks at terms and concepts borrowed from the scholarship on American and world cinema and explores their use and relevance in describing the characteristics and evolution of cinema in India. It highlights how realism, romance and melodrama in the context of India appear in a culturally singular way and how the aggregation of constituent elements – like songs, action, comedy – in Indian film can be traced to classical theatre and other diverse religious and philosophical influences. These influences have characterized popular film and drama in India which present all aspects of life for a diverse nation. The author explores concepts like ‘fantasy’, ‘family’ and ‘patriotism’ by using various examples from films in India and outside, as well as practices in the other arts. He identifies the fundamental logic behind the choices made by film-makers in India and discusses concepts which allow for a fresh theorizing on Indian cinema’s characteristics. This book will be of great interest to students and researchers of film studies, media studies, cultural studies, literature, cultural history and South Asian studies. It will also be useful for general readers who are interested in learning more about Indian cinema, its forms, origins and influences.
Author: M. K. Raghavendra
Publisher: Routledge Chapman & Hall
ISBN: 9780367361822
Category : Motion pictures
Languages : en
Pages : 224
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Book Description
"This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions which it derives its influences from. It re-examines terms and concepts used in film criticism and contextualises them within the aesthetics, poetics, and politics of Indian cinema. The book looks at terms and concepts borrowed from the scholarship on American and world cinema and explores their use and relevance in describing the characteristics and evolution of cinema in India. It highlights how realism, romance, and melodrama in the context of India has been used in a culturally singular way and how the aggregation of generic elements - songs, action, comedy and the likes - in Indian film can be traced to classical theatre and other diverse religious and philosophical influences. These influences have characterised popular film and drama in India which presents all aspects of life for a diverse nation. The author explores concepts like 'fantasy', 'family' and 'patriotic films' by using various examples from films in India and outside as well as practices in the other arts. He identifies the fundamental logic behind the choices made by filmmakers in India and discusses concepts which allow for a fresh theorizing on Indian cinema's characteristics. This book will be of great interest to students and researchers of film studies, media studies, cultural studies, literature, cultural history, and South Asian studies. It will also be useful for general readers who are interested in learning more about Indian cinema, its forms, origins, and influences"--
Author: Mk Raghavendra
Publisher: Routledge Chapman & Hall
ISBN: 9780367677510
Category :
Languages : en
Pages : 0
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Book Description
This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions from which it derives its influences. It re-examines terms and concepts used in film criticism and contextualizes them within the aesthetics, poetics and politics of Indian cinema. The book looks at terms and concepts borrowed from the scholarship on American and world cinema and explores their use and relevance in describing the characteristics and evolution of cinema in India. It highlights how realism, romance and melodrama in the context of India appear in a culturally singular way and how the aggregation of constituent elements - like songs, action, comedy - in Indian film can be traced to classical theatre and other diverse religious and philosophical influences. These influences have characterized popular film and drama in India which present all aspects of life for a diverse nation. The author explores concepts like 'fantasy', 'family' and 'patriotism' by using various examples from films in India and outside, as well as practices in the other arts. He identifies the fundamental logic behind the choices made by film-makers in India and discusses concepts which allow for a fresh theorizing on Indian cinema's characteristics. This book will be of great interest to students and researchers of film studies, media studies, cultural studies, literature, cultural history and South Asian studies. It will also be useful for general readers who are interested in learning more about Indian cinema, its forms, origins and influences.
Author: Sunny Singh
Publisher: Footnote Press
ISBN: 1804440450
Category : History
Languages : en
Pages : 243
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Book Description
'Prepare to laugh, sob and dance: this lively history of Indian cinema is imprinted with the memories of a life-long cinephile.' The Telegraph 'A gem of a book and a must for film lovers everywhere' Abir Mukherjee 'My biggest recommendation of the year. Sunny Singh's honouring of story and history shine through powerfully - an exquisitely enjoyable read' Nikita Gill Like all Indians, Sunny Singh was born and brought up in a country of film fanatics. She and her friends waited impatiently for the latest releases, listened to the songs on radio and wore clothes inspired by those seen on screen. They learned about India and the world, determined their enemies and friends, and chose their moralities thanks to films. A Bollywood State of Mind is a personal, intellectual and emotional journey which crosses five continents and 50 years of modern Indian history and cinema and explores why Bollywood means so much to so many across the globe. Sunny describes how this exceptional cinema retains its hold on the national imagination, how Bollywood has enhanced India's global standing in the 21st century, and how its characteristics endure despite the social and political changes. Ranging over history, aesthetic theory and politics, A Bollywood State of Mind explores encounters with Bollywood in the market places of Dakar and Marrakesh, in the nightclubs of New York, Barcelona and Mexico City, and in the ruins of Egypt's Valley of the Kings, Petra and beyond. It shows how the pioneers and heroes of Bollywood cut across national, linguistic and cultural lines not only in India but in far reaches of Somalia, Peru, Malaysia and Russia.
Author: Rini Bhattacharya Mehta
Publisher: Anthem Press
ISBN: 0857288970
Category : Performing Arts
Languages : en
Pages : 211
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Book Description
This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.
Author: Dr. Dipsikha Bhagawati
Publisher: Manda Publishers
ISBN: 9395174021
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
Literature and film both carry forward narratives but the manner in which they do so are markedly different. If one were to use a metaphor from science one could say that in interpreting literature there is one degree of freedom more in that one is first translating the words into sensual data and then into meaning, whereas in cinema, the translation into imagery has already been done. When Grigori Kozintsev translates Shakespeare’s King Lear into the language of cinema, it is like the ‘word made flesh’. When the word has been made flesh, an idea has been given concrete shape and one could say that an idea at it source is superior as an artefact to be used or something to be consumed than the material object made out of it. This is the same way an unrealized intention is purer in every way than the intention carried out. On the other hand, many films are also superior to the literary sources they draw from, especially popular literature and I would cite The Godfather as an example. The reason is that popular literature often caters to the baser instincts through titillation and awakening the voyeuristic impulse while a serious work of cinema naturally refuses to exploit such opportunities. It is also possible that the literary source, in offering a profusion of words, would benefit through understatement. As an instance I would say that Dostoyevsky is one of the most excessive of great writers while Robert Bresson is among the sparest of filmmakers, which is perhaps why Bresson’s version of A gentle woman improves upon the writer. What is valuable about the book is the vast array of issues raised - directly or indirectly. Even when an issue has not been explicitly articulated there is always the sense to be got - of the deep probing that the subject deserves. It is with these questions in mind that I wish Dipsikha Bhagawati’s Literature and Film : From Mute to Motion all success.
Author: MK Raghavendra
Publisher: Taylor & Francis
ISBN: 1000410552
Category : History
Languages : en
Pages : 310
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Book Description
This volume examines the idea of India as it emerges in the writing of its anglophone elite, post-2000. Drawing on a variety of genres, including fiction, histories, non-fiction assessments – economic, political, and business – travel accounts, and so on, this book maps the explosion of English-language writing in India after the economic liberalization and points to the nation’s sense of its growing importance as a producer of culture. From Ramachandra Guha to William Dalrymple, from Arundhati Roy to Pankaj Mishra, from Jhumpa Lahiri to Amitav Ghosh, from Amartya Sen to Gurcharan Das, from Barkha Dutt to Tarun Tejpal, this investigation takes us from aesthetic imaginings of the nation to its fractured political fault lines, the ideological predispositions of the writers often pointing to an asymmetrically constituted India. A major intervention on how postcolonial India is written about and imagined in the anglophone world, this book will be of great interest to scholars and researchers of cultural studies, literature, history, and South Asian studies. It will also be of interest to general readers with an inclination towards India and Indian writing.
Author: James Curran
Publisher: Routledge
ISBN: 1134650337
Category : Social Science
Languages : en
Pages : 317
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Book Description
De-Westernizing Media Studies brings together leading media critics from around the world to address central questions in the study of the media. How do the media connect to power in society? Who and what influence the media? How is globalization changing both society and the media?
Author: Christopher Kul-Want
Publisher: Columbia University Press
ISBN: 0231549369
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
Philosophers on Film from Bergson to Badiou is an anthology of writings on cinema and film by many of the major thinkers in continental philosophy. The book presents a selection of fundamental texts, each accompanied by an introduction and exposition by the editor, Christopher Kul-Want, that places the philosophers within a historical and intellectual framework of aesthetic and social thought. Encompassing a range of intellectual traditions—Marxism, phenomenology, psychoanalysis, poststructuralism, gender and affect theories—this critical reader features writings by Bergson, Benjamin, Adorno and Horkheimer, Merleau-Ponty, Baudrillard, Irigaray, Lyotard, Deleuze, Kristeva, Agamben, Žižek, Nancy, Cavell, Rancière, Badiou, Stiegler, and Silverman. Many of the texts discuss cinema as a mass medium; others develop phenomenological analyses of particular films. Reflecting upon the potential of films to challenge dominant forms of ideology, the anthology considers the ways in which they can disrupt the clichés of capitalist images and offer radical possibilities for creating new worlds of visceral experience outside the grasp of habitual forms of knowledge and subjectivity. Ranging from the early silent period of cinema through the classics of European and Hollywood cinema to the early twenty-first century, the films discussed offer a vivid sense of these philosophers’ concepts and ideas, casting new light on the history of cinema. This reader is an essential and valuable resource for a wide range of courses in film and philosophy.
Author: Bhaichand Patel
Publisher: Penguin Books India
ISBN: 0670085723
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
Hindi cinema has cast a seductive spell over its spectators for close to a century now. Visually arresting, dynamic in outlook and pulsating with life, Bollywood has entertained and enthralled moviegoers over the years with its melodious music, its colorful drama and its lively plotlines. At the very heart of the Bollywood mystique is the towering presence of its galaxy of stars demigods and divas who have shaped and defined popular cinema, and popular imagination, from one generation to the next. "Bollywood s Top 20 "is an exciting collection of brand new essays by renowned writers that pays tribute to Hindi popular cinema s biggest stars of all time from Ashok Kumar, Dilip Kumar, Dev Anand, Raj Kapoor, Nargis and Madhubala to Rajesh Khanna, Amitabh Bachchan, Aamir Khan, Shah Rukh Khan, Kajol and Kareena Kapoor who are indispensable to the Bollywood pantheon. Each piece offers unique insights into the lives of Bollywood s most exceptional legends their struggles and triumphs, downfalls and scandals, and the inscrutable x-factor that made them carve a niche for themselves in an industry bursting with talented professionals and desperate hopefuls."
