Author: Mattia Cavagna
Publisher: Presses universitaires de Louvain
ISBN: 2875583204
Category : Performing Arts
Languages : en
Pages : 326
Book Description
This volume invites to bridge the traditional gap between the author and the scribes, which means between the "original text" and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director...
Philology and Performing Arts
Author: Mattia Cavagna
Publisher: Presses universitaires de Louvain
ISBN: 2875583204
Category : Performing Arts
Languages : en
Pages : 326
Book Description
This volume invites to bridge the traditional gap between the author and the scribes, which means between the "original text" and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director...
Publisher: Presses universitaires de Louvain
ISBN: 2875583204
Category : Performing Arts
Languages : en
Pages : 326
Book Description
This volume invites to bridge the traditional gap between the author and the scribes, which means between the "original text" and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director...
Professing Performance
Author: Shannon Jackson
Publisher: Cambridge University Press
ISBN: 9780521656054
Category : Drama
Languages : en
Pages : 276
Book Description
Today's academic discourse is filled with the word 'perform'. Nestled amongst a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the term functions as a vehicle for a host of contemporary inquiries. For students, artists, and scholars of performance and theatre, this development is intriguing and complex. By examining the history of theatre studies and related institutions and by comparing the very different disciplinary interpretations and developments that led to this engagement, Professing Performance offers ways of placing performance theory and performance studies in context.
Publisher: Cambridge University Press
ISBN: 9780521656054
Category : Drama
Languages : en
Pages : 276
Book Description
Today's academic discourse is filled with the word 'perform'. Nestled amongst a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the term functions as a vehicle for a host of contemporary inquiries. For students, artists, and scholars of performance and theatre, this development is intriguing and complex. By examining the history of theatre studies and related institutions and by comparing the very different disciplinary interpretations and developments that led to this engagement, Professing Performance offers ways of placing performance theory and performance studies in context.
Professing Performance
Author: Shannon Jackson
Publisher: Cambridge University Press
ISBN: 9780521651899
Category : Drama
Languages : en
Pages : 268
Book Description
Contemporary academic discourse is filled with the word "perform". Nestled among a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the term functions as a vehicle for a host of inquiries. This development is intriguing and complex for students, artists, and scholars of performance and theater. By examining the history of theater studies and related institutions and comparing the very different disciplinary interpretations and developments that led to this engagement, this study offers ways of placing performance theory and performance studies in context.
Publisher: Cambridge University Press
ISBN: 9780521651899
Category : Drama
Languages : en
Pages : 268
Book Description
Contemporary academic discourse is filled with the word "perform". Nestled among a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the term functions as a vehicle for a host of inquiries. This development is intriguing and complex for students, artists, and scholars of performance and theater. By examining the history of theater studies and related institutions and comparing the very different disciplinary interpretations and developments that led to this engagement, this study offers ways of placing performance theory and performance studies in context.
Theatrical Performances in the Ancient World
Author: Bruno Gentili
Publisher: London Studies in Classical Ph
ISBN:
Category : Literary Criticism
Languages : en
Pages : 134
Book Description
This book offers a fresh insight into the methods adopted by Roman playwrights in utilizing and recasting their Greek models. The author investigates the techniques adopted by such authors as Livius Andronicus and Pacuvius and arrives at results which throw a new light on the influence which Hellenistic literature exerted upon early Roman writers.
Publisher: London Studies in Classical Ph
ISBN:
Category : Literary Criticism
Languages : en
Pages : 134
Book Description
This book offers a fresh insight into the methods adopted by Roman playwrights in utilizing and recasting their Greek models. The author investigates the techniques adopted by such authors as Livius Andronicus and Pacuvius and arrives at results which throw a new light on the influence which Hellenistic literature exerted upon early Roman writers.
Philology and literature, fine arts, law, religion, varia
Author: J. L. Beyers
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Theater and Spectacle in the Art of the Roman Empire
Author: Katherine M. D. Dunbabin
Publisher:
ISBN: 9780801456886
Category : Art and society
Languages : en
Pages : 0
Book Description
Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events.Images of spectacle appear in a wide range of artistic media, from the mosaics and paintings that decorated wealthy private houses to the sculpture of tomb monuments, and from luxury objects such as silver tableware to more humble ceramic lamps and pottery vessels. Dunbabin places the information derived from this visual material into the wider context provided by the written sources, both literary and epigraphic. This allows us to understand the functions that these images served in the social rituals of public and domestic life. By explicating both the social and cultural role of the spectacles themselves and the nature of their representation in art, Dunbabin provides a comprehensive portrait of the popular culture of the period.
Publisher:
ISBN: 9780801456886
Category : Art and society
Languages : en
Pages : 0
Book Description
Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events.Images of spectacle appear in a wide range of artistic media, from the mosaics and paintings that decorated wealthy private houses to the sculpture of tomb monuments, and from luxury objects such as silver tableware to more humble ceramic lamps and pottery vessels. Dunbabin places the information derived from this visual material into the wider context provided by the written sources, both literary and epigraphic. This allows us to understand the functions that these images served in the social rituals of public and domestic life. By explicating both the social and cultural role of the spectacles themselves and the nature of their representation in art, Dunbabin provides a comprehensive portrait of the popular culture of the period.
Philology and literature, fine arts, law, religion, varia
Author: J.L. Beijers (Utrecht).
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Mapping Multimodal Performance Studies
Author: Maria Grazia Sindoni
Publisher: Taylor & Francis
ISBN: 1317219198
Category : Language Arts & Disciplines
Languages : en
Pages : 224
Book Description
This book is a first attempt to map the broad context of performance studies from a multimodal perspective. It collects original research on traditional performing arts (theatre, dance, opera), live (durational performance) and mediated/recorded performances (films, television shows), as well as performative discursive practices on social media by adopting several theories and methodologies all dealing with the notion of multimodality. As a mostly dynamic and also interactive environment for various text types and genres, the context of performance studies provides many opportunities to produce meaning verbally and non-verbally. All chapters in this book develop frameworks for the analysis of performance-related events and activities and explore empirical case studies in a range of different ages and cultures. A further focus lies on the communicative strategies deployed by different communities of practice, taking into account processes of production, distribution, and consumption of such texts in diverse spatial and temporal contexts.
Publisher: Taylor & Francis
ISBN: 1317219198
Category : Language Arts & Disciplines
Languages : en
Pages : 224
Book Description
This book is a first attempt to map the broad context of performance studies from a multimodal perspective. It collects original research on traditional performing arts (theatre, dance, opera), live (durational performance) and mediated/recorded performances (films, television shows), as well as performative discursive practices on social media by adopting several theories and methodologies all dealing with the notion of multimodality. As a mostly dynamic and also interactive environment for various text types and genres, the context of performance studies provides many opportunities to produce meaning verbally and non-verbally. All chapters in this book develop frameworks for the analysis of performance-related events and activities and explore empirical case studies in a range of different ages and cultures. A further focus lies on the communicative strategies deployed by different communities of practice, taking into account processes of production, distribution, and consumption of such texts in diverse spatial and temporal contexts.
University of California Publications in Classical Philology
Author: James Turney Allen
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 16
Book Description
Art Subjects
Author: Howard Singerman
Publisher: Univ of California Press
ISBN: 9780520215023
Category : Art
Languages : en
Pages : 310
Book Description
"Few sites within the university open a richer critical reflection than that of the M.F.A., with its complex crossing of professionalism, theory, humanistic knowledge, and the absolute exposure of practice. Howard Singerman's Art Subjects does a magnificent job of both laying out our current crises, letting us see the shards of past practices embedded in them, and of demonstrating—rendering urgent and discussable—what it now means either to assume or award the name of the artist."—Stephen Melville, author of Seams, editor of Vision and Textuality "Art Subjects is a must read for anyone interested in both the education and status of the visual artist in America. With careful attention to detail and nuance, Singerman presents a compelling picture of the peculiarly institutional myth of the creative artist as an untaught and unteachable being singularly well adapted to earn a tenure position at a major research university. A fascinating study, thoroughly researched yet oddly, and movingly, personal."—Thomas Lawson, Dean, Art School, CalArts
Publisher: Univ of California Press
ISBN: 9780520215023
Category : Art
Languages : en
Pages : 310
Book Description
"Few sites within the university open a richer critical reflection than that of the M.F.A., with its complex crossing of professionalism, theory, humanistic knowledge, and the absolute exposure of practice. Howard Singerman's Art Subjects does a magnificent job of both laying out our current crises, letting us see the shards of past practices embedded in them, and of demonstrating—rendering urgent and discussable—what it now means either to assume or award the name of the artist."—Stephen Melville, author of Seams, editor of Vision and Textuality "Art Subjects is a must read for anyone interested in both the education and status of the visual artist in America. With careful attention to detail and nuance, Singerman presents a compelling picture of the peculiarly institutional myth of the creative artist as an untaught and unteachable being singularly well adapted to earn a tenure position at a major research university. A fascinating study, thoroughly researched yet oddly, and movingly, personal."—Thomas Lawson, Dean, Art School, CalArts