Author: Milena Radeva-Costello
Publisher: Routledge
ISBN: 1351658654
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
Philanthropy and Early Twentieth-Century British Literature explores the relationship between British literature and philanthropy at the end of the nineteenth and early twentieth centuries, examining the works of E. M. Forster, Rebecca West, W. B. Yeats, Roger Fry, Wyndham Lewis, Virginia Woolf, and Vita Sackville-West. This book considers how writers in the modernist period drew on the liberal welfare reforms, the adoption of scientific methods in charity, the Cambridge tradition of public service, the Irish nationalist movement, and the influence of the Victorian woman philanthropist in order to advocate for an individualist art, revolutionize their aesthetics, redefine ideals of hospitality and beneficence, and affirm the national, social, and economic liberation of the modern subject. Contrary to popular interpretations presenting modernism as a break with Victorian values, Dr. Radeva-Costello argues philanthropic engagements are at the heart of early twentieth-century literature. The writers discussed in this book had a sophisticated knowledge of the philanthropy debates and of their power to transform twentieth-century notions about how to govern, how to conceive of national, class, and gender boundaries, and how to market the work of the professional artist in the real world. In keeping with the strong archival and historicizing approach of the "New Modernist Studies" of recent years, this book also analyses the rich contextual detail of early modernist magazines, contemporary and archival periodicals, and government publications.
Philanthropy and Early Twentieth-Century British Literature
Author: Milena Radeva-Costello
Publisher: Routledge
ISBN: 1351658654
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
Philanthropy and Early Twentieth-Century British Literature explores the relationship between British literature and philanthropy at the end of the nineteenth and early twentieth centuries, examining the works of E. M. Forster, Rebecca West, W. B. Yeats, Roger Fry, Wyndham Lewis, Virginia Woolf, and Vita Sackville-West. This book considers how writers in the modernist period drew on the liberal welfare reforms, the adoption of scientific methods in charity, the Cambridge tradition of public service, the Irish nationalist movement, and the influence of the Victorian woman philanthropist in order to advocate for an individualist art, revolutionize their aesthetics, redefine ideals of hospitality and beneficence, and affirm the national, social, and economic liberation of the modern subject. Contrary to popular interpretations presenting modernism as a break with Victorian values, Dr. Radeva-Costello argues philanthropic engagements are at the heart of early twentieth-century literature. The writers discussed in this book had a sophisticated knowledge of the philanthropy debates and of their power to transform twentieth-century notions about how to govern, how to conceive of national, class, and gender boundaries, and how to market the work of the professional artist in the real world. In keeping with the strong archival and historicizing approach of the "New Modernist Studies" of recent years, this book also analyses the rich contextual detail of early modernist magazines, contemporary and archival periodicals, and government publications.
Publisher: Routledge
ISBN: 1351658654
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
Philanthropy and Early Twentieth-Century British Literature explores the relationship between British literature and philanthropy at the end of the nineteenth and early twentieth centuries, examining the works of E. M. Forster, Rebecca West, W. B. Yeats, Roger Fry, Wyndham Lewis, Virginia Woolf, and Vita Sackville-West. This book considers how writers in the modernist period drew on the liberal welfare reforms, the adoption of scientific methods in charity, the Cambridge tradition of public service, the Irish nationalist movement, and the influence of the Victorian woman philanthropist in order to advocate for an individualist art, revolutionize their aesthetics, redefine ideals of hospitality and beneficence, and affirm the national, social, and economic liberation of the modern subject. Contrary to popular interpretations presenting modernism as a break with Victorian values, Dr. Radeva-Costello argues philanthropic engagements are at the heart of early twentieth-century literature. The writers discussed in this book had a sophisticated knowledge of the philanthropy debates and of their power to transform twentieth-century notions about how to govern, how to conceive of national, class, and gender boundaries, and how to market the work of the professional artist in the real world. In keeping with the strong archival and historicizing approach of the "New Modernist Studies" of recent years, this book also analyses the rich contextual detail of early modernist magazines, contemporary and archival periodicals, and government publications.
A History of English Philanthropy
Author: B. Kirkman Gray
Publisher: Routledge
ISBN: 1315469235
Category : History
Languages : en
Pages : 235
Book Description
First published in 1905, this book charts the history of English philanthropy from the Elizabethan period through to the nineteenth century. In doing so, Benjamin Kirkman Gray posed some important questions about modern philanthropy, and reflected on the meaning and worth of philanthropy. Through historical study, the author discussed this complex question, which, in a time before the development of the British welfare state, was particularly topical. This book will be of interest to those studying the history of philanthropy, social welfare and poverty.
Publisher: Routledge
ISBN: 1315469235
Category : History
Languages : en
Pages : 235
Book Description
First published in 1905, this book charts the history of English philanthropy from the Elizabethan period through to the nineteenth century. In doing so, Benjamin Kirkman Gray posed some important questions about modern philanthropy, and reflected on the meaning and worth of philanthropy. Through historical study, the author discussed this complex question, which, in a time before the development of the British welfare state, was particularly topical. This book will be of interest to those studying the history of philanthropy, social welfare and poverty.
Bazaar Literature
Author: LESLEE. THORNE-MURPHY
Publisher: Oxford University Press
ISBN: 0192866885
Category : Bazaars (Charities)
Languages : en
Pages : 289
Book Description
Charity bazaars were a key method women used to intervene in political, social, and cultural affairs. Bazaar Literature reorients our understanding of Victorian social reform fiction by reading it in light of the copious amount of literature generated for charity bazaars--which shaped the social, political, and literary movements of its time.
Publisher: Oxford University Press
ISBN: 0192866885
Category : Bazaars (Charities)
Languages : en
Pages : 289
Book Description
Charity bazaars were a key method women used to intervene in political, social, and cultural affairs. Bazaar Literature reorients our understanding of Victorian social reform fiction by reading it in light of the copious amount of literature generated for charity bazaars--which shaped the social, political, and literary movements of its time.
Philanthropy in British and American Fiction
Author: Frank Christianson
Publisher: Edinburgh University Press
ISBN: 0748630740
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
During the 19th century the U.S. and Britain came to share an economic profile unparalleled in their respective histories. This book suggests that this early high capitalism came to serve as the ground for a new kind of cosmopolitanism in the age of literary realism, and argues for the necessity of a transnational analysis based upon economic relationships of which people on both sides of the Atlantic were increasingly conscious. The nexus of this exploration of economics, aesthetics and moral philosophy is philanthropy. Pushing beyond reductive debates over the benevolent or mercenary qualities of industrial era philanthropy, the following questions are addressed: what form and function does philanthropy assume in British and American fiction respectively? What are the rhetorical components of a discourse of philanthropy and in which cultural domains did it operate? How was philanthropy practiced and represented in a period marked by self-interest and rational calculation? The author explores the relationship between philanthropy and literary realism in novels by Charles Dickens, Nathaniel Hawthorne, George Eliot, and William Dean Howells, and examines how each used the figure of philanthropy both to redefine the sentiments that informed social identity and to refashion their own aesthetic practices. The heart of this study consists of two comparative sections: the first contains chapters on contemporaries Hawthorne and Dickens; the second contains chapters on second-generation realists Eliot and Howells in order to examine the altruistic imagination at a culminating point in the history of literary realism.
Publisher: Edinburgh University Press
ISBN: 0748630740
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
During the 19th century the U.S. and Britain came to share an economic profile unparalleled in their respective histories. This book suggests that this early high capitalism came to serve as the ground for a new kind of cosmopolitanism in the age of literary realism, and argues for the necessity of a transnational analysis based upon economic relationships of which people on both sides of the Atlantic were increasingly conscious. The nexus of this exploration of economics, aesthetics and moral philosophy is philanthropy. Pushing beyond reductive debates over the benevolent or mercenary qualities of industrial era philanthropy, the following questions are addressed: what form and function does philanthropy assume in British and American fiction respectively? What are the rhetorical components of a discourse of philanthropy and in which cultural domains did it operate? How was philanthropy practiced and represented in a period marked by self-interest and rational calculation? The author explores the relationship between philanthropy and literary realism in novels by Charles Dickens, Nathaniel Hawthorne, George Eliot, and William Dean Howells, and examines how each used the figure of philanthropy both to redefine the sentiments that informed social identity and to refashion their own aesthetic practices. The heart of this study consists of two comparative sections: the first contains chapters on contemporaries Hawthorne and Dickens; the second contains chapters on second-generation realists Eliot and Howells in order to examine the altruistic imagination at a culminating point in the history of literary realism.
Wharton, Hemingway, and the Advent of Modernism
Author: Lisa Tyler
Publisher: LSU Press
ISBN: 0807171301
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Wharton, Hemingway, and the Advent of Modernism is the first book to examine the connections linking two major American writers of the twentieth century, Edith Wharton and Ernest Hemingway. In twelve critical essays, accompanied by a foreword from Wharton scholar Laura Rattray and a critical introduction by volume editor Lisa Tyler, contributors reveal the writers’ overlapping contexts, interests, and aesthetic techniques. Thematic sections highlight modernist trends found in each author’s works. To begin, Peter Hays and Ellen Andrews Knodt argue for reading Wharton as a modernist writer, noting how her works feature characteristics that critics customarily credit to a younger generation of writers, including Hemingway. Since Wharton and Hemingway each volunteered for humanitarian medical service in World War I, then drew upon their experiences in subsequent literary works, Jennifer Haytock and Milena Radeva-Costello analyze their powerful perspectives on the cataclysmic conflict traditionally viewed as marking the advent of modernism in literature. In turn, Cecilia Macheski and Sirpa Salenius consider the authors’ passionate representations of Italy, informed by personal sojourns there, in which they observed its beautiful landscapes and culture, its liberating contrast with the United States, and its period of fascist politics. Linda Wagner-Martin, Lisa Tyler, and Anna Green focus on the complicated gender politics embedded in the works of Wharton and Hemingway, as evidenced in their ideas about female agency, sexual liberation, architecture, and modes of transportation. In the collection’s final section, Dustin Faulstick, Caroline Chamberlin Hellman, and Parley Ann Boswell address suggestive intertextualities between the two authors with respect to the biblical book of Ecclesiastes, their serialized publications in Scribner’s Magazine, and their affinities with the literary and cinematic tradition of noir. Together, the essays in this engaging collection prove that comparative studies of Wharton and Hemingway open new avenues for understanding the pivotal aesthetic and cultural movements central to the development of American literary modernism.
Publisher: LSU Press
ISBN: 0807171301
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Wharton, Hemingway, and the Advent of Modernism is the first book to examine the connections linking two major American writers of the twentieth century, Edith Wharton and Ernest Hemingway. In twelve critical essays, accompanied by a foreword from Wharton scholar Laura Rattray and a critical introduction by volume editor Lisa Tyler, contributors reveal the writers’ overlapping contexts, interests, and aesthetic techniques. Thematic sections highlight modernist trends found in each author’s works. To begin, Peter Hays and Ellen Andrews Knodt argue for reading Wharton as a modernist writer, noting how her works feature characteristics that critics customarily credit to a younger generation of writers, including Hemingway. Since Wharton and Hemingway each volunteered for humanitarian medical service in World War I, then drew upon their experiences in subsequent literary works, Jennifer Haytock and Milena Radeva-Costello analyze their powerful perspectives on the cataclysmic conflict traditionally viewed as marking the advent of modernism in literature. In turn, Cecilia Macheski and Sirpa Salenius consider the authors’ passionate representations of Italy, informed by personal sojourns there, in which they observed its beautiful landscapes and culture, its liberating contrast with the United States, and its period of fascist politics. Linda Wagner-Martin, Lisa Tyler, and Anna Green focus on the complicated gender politics embedded in the works of Wharton and Hemingway, as evidenced in their ideas about female agency, sexual liberation, architecture, and modes of transportation. In the collection’s final section, Dustin Faulstick, Caroline Chamberlin Hellman, and Parley Ann Boswell address suggestive intertextualities between the two authors with respect to the biblical book of Ecclesiastes, their serialized publications in Scribner’s Magazine, and their affinities with the literary and cinematic tradition of noir. Together, the essays in this engaging collection prove that comparative studies of Wharton and Hemingway open new avenues for understanding the pivotal aesthetic and cultural movements central to the development of American literary modernism.
Threatened Masculinity from British Fiction to Cold War German Cinema
Author: Joseph Willis
Publisher: Routledge
ISBN: 1000011976
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
The impact of the Cold War on German male identities can be seen in the nation’s cinematic search for a masculine paradigm that rejected the fate-centered value system of its National- Socialist past while also recognizing that German males once again had become victims of fate and fatalism, but now within the value system of the Soviet and American hegemonies that determined the fate of Cold War Germany and Central Europe. This monograph is the first to demonstrate that this Cold War cinematic search sought out a meaningful masculine paradigm through film adaptations of late-Victorian and Edwardian male writers who likewise sought a means of self-determination within a hegemonic structure that often left few opportunities for personal agency. In contrast to the scholarly practice of exploring categories of modern masculinity such as Victorian imperialist manliness or German Cold-War male identity as distinct from each other, this monograph offers an important, comparative corrective that brings forward an extremely influential century-long trajectory of threatened masculinity. For German Cold-War masculinity, lessons were to be learned from history—namely, from late-Victorian and Edwardian models of manliness. Cold War Germans, like the Victorians before them, had to confront the unknowns of a new world without fear or hesitation. In a Cold-War mentality where nuclear technology and geographic distance had trumped face-to-face confrontation between East and West, Cold-War German masculinity sought alternatives to the insanity of mutual nuclear destruction by choosing not just to confront threats, but to resolve threats directly through personal agency and self-determination.
Publisher: Routledge
ISBN: 1000011976
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
The impact of the Cold War on German male identities can be seen in the nation’s cinematic search for a masculine paradigm that rejected the fate-centered value system of its National- Socialist past while also recognizing that German males once again had become victims of fate and fatalism, but now within the value system of the Soviet and American hegemonies that determined the fate of Cold War Germany and Central Europe. This monograph is the first to demonstrate that this Cold War cinematic search sought out a meaningful masculine paradigm through film adaptations of late-Victorian and Edwardian male writers who likewise sought a means of self-determination within a hegemonic structure that often left few opportunities for personal agency. In contrast to the scholarly practice of exploring categories of modern masculinity such as Victorian imperialist manliness or German Cold-War male identity as distinct from each other, this monograph offers an important, comparative corrective that brings forward an extremely influential century-long trajectory of threatened masculinity. For German Cold-War masculinity, lessons were to be learned from history—namely, from late-Victorian and Edwardian models of manliness. Cold War Germans, like the Victorians before them, had to confront the unknowns of a new world without fear or hesitation. In a Cold-War mentality where nuclear technology and geographic distance had trumped face-to-face confrontation between East and West, Cold-War German masculinity sought alternatives to the insanity of mutual nuclear destruction by choosing not just to confront threats, but to resolve threats directly through personal agency and self-determination.
Modernism, Self-Creation, and the Maternal
Author: James Martell
Publisher: Routledge
ISBN: 0429575254
Category : Language Arts & Disciplines
Languages : en
Pages : 186
Book Description
Focusing on their conception and use of the notion of the mother, Modernism, Self-Creation, and the Maternal proposes a new interpretation of literature by modernist authors like Rousseau, Baudelaire, Poe, Rimbaud, Rilke, Joyce, and Beckett. Seen through this maternal relation, their writing appears as the product of an "anxiety" rising not from paternal influence, but from the violence done to their mother in their attempts at self-creation through writing. In order to bring to light this modernist violence, this study analyzes these authors in tandem with Derrida’s work on the gender-specific violence of the Western philosophical and literary tradition. The book demonstrates how these writer-sons wrote their works in a constant crisis vis-à-vis the mother’s body as site of both origin and dissolution. It proves how, if modernism was first established as a patrilineal heritage, it was ultimately written on the bodies of women and mothers, confusing them in order to appropriate their generative traits.
Publisher: Routledge
ISBN: 0429575254
Category : Language Arts & Disciplines
Languages : en
Pages : 186
Book Description
Focusing on their conception and use of the notion of the mother, Modernism, Self-Creation, and the Maternal proposes a new interpretation of literature by modernist authors like Rousseau, Baudelaire, Poe, Rimbaud, Rilke, Joyce, and Beckett. Seen through this maternal relation, their writing appears as the product of an "anxiety" rising not from paternal influence, but from the violence done to their mother in their attempts at self-creation through writing. In order to bring to light this modernist violence, this study analyzes these authors in tandem with Derrida’s work on the gender-specific violence of the Western philosophical and literary tradition. The book demonstrates how these writer-sons wrote their works in a constant crisis vis-à-vis the mother’s body as site of both origin and dissolution. It proves how, if modernism was first established as a patrilineal heritage, it was ultimately written on the bodies of women and mothers, confusing them in order to appropriate their generative traits.
The Angel Out of the House
Author: Dorice Williams Elliott
Publisher: University of Virginia Press
ISBN: 0813920884
Category : History
Languages : en
Pages : 286
Book Description
Elliott (English, U. of Kansas) examines how novels and other literary texts portray women in the middle and upper classes taking an active part in endeavors that were perceived to have important social, economic, and political consequences. Such works, she says, helped produce and authorize women's desires to participate in such endeavors. Her study began as a doctoral dissertation for Johns Hopkins University. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: University of Virginia Press
ISBN: 0813920884
Category : History
Languages : en
Pages : 286
Book Description
Elliott (English, U. of Kansas) examines how novels and other literary texts portray women in the middle and upper classes taking an active part in endeavors that were perceived to have important social, economic, and political consequences. Such works, she says, helped produce and authorize women's desires to participate in such endeavors. Her study began as a doctoral dissertation for Johns Hopkins University. Annotation copyrighted by Book News, Inc., Portland, OR
Lucas Malet, Dissident Pilgrim
Author: Jane Ford
Publisher: Routledge
ISBN: 042962770X
Category : Language Arts & Disciplines
Languages : en
Pages : 376
Book Description
Popular novelist, female aesthete, Victorian radical and proto-modernist, Lucas Malet (Mary St. Leger Harrison, 1852-1931) was one of the most successful writers of her day, yet few of her remarkable novels remain in print. Malet was a daughter of the ‘broad church’ priest and well-known Victorian author Charles Kingsley; her sister Rose, uncle, Henry Kingsley and her cousin Mary Henrietta Kingsley were also published authors. Malet was part of a creative dynasty from which she drew inspiration but against which she rebelled both in her personal life and her published work. This collection brings together for the first time a selection of scholarly essays on Malet’s life and writing, foregrounding her contributions to nineteenth- and twentieth-century discourses surrounding disability, psychology, religion, sexuality, the New Woman, and decadent, aesthetic and modernist cultural movements. The essays contained in this volume explore Malet’s authorial experience—from both within the mainstream of the British literary tradition and, curiously, from outside it—supplementing and nuancing current debates about fin-de-siècle women’s writing. The collection asks the question ‘who was Lucas Malet?’ and ‘how—despite its popularity—did her courageous, unique and fascinating writing disappear from view for so long?’
Publisher: Routledge
ISBN: 042962770X
Category : Language Arts & Disciplines
Languages : en
Pages : 376
Book Description
Popular novelist, female aesthete, Victorian radical and proto-modernist, Lucas Malet (Mary St. Leger Harrison, 1852-1931) was one of the most successful writers of her day, yet few of her remarkable novels remain in print. Malet was a daughter of the ‘broad church’ priest and well-known Victorian author Charles Kingsley; her sister Rose, uncle, Henry Kingsley and her cousin Mary Henrietta Kingsley were also published authors. Malet was part of a creative dynasty from which she drew inspiration but against which she rebelled both in her personal life and her published work. This collection brings together for the first time a selection of scholarly essays on Malet’s life and writing, foregrounding her contributions to nineteenth- and twentieth-century discourses surrounding disability, psychology, religion, sexuality, the New Woman, and decadent, aesthetic and modernist cultural movements. The essays contained in this volume explore Malet’s authorial experience—from both within the mainstream of the British literary tradition and, curiously, from outside it—supplementing and nuancing current debates about fin-de-siècle women’s writing. The collection asks the question ‘who was Lucas Malet?’ and ‘how—despite its popularity—did her courageous, unique and fascinating writing disappear from view for so long?’
Giving
Author: Robert H. Bremner
Publisher: Routledge
ISBN: 1351517473
Category : Social Science
Languages : en
Pages : 296
Book Description
"According to Greek mythology mankind's first benefactor was the Titan, Prometheus, who gave fire, previously the exclusive possession of the gods, to mortal man." With these words the esteemed scholar Robert Bremner presents the first full-fledged history of attitudes toward charity and philanthropy. 'Giving' is a perfect complement to his earlier work The Discovery of Poverty in the United States. The word 'philanthropy' has been translated in a variety of ways: as a loving human disposition, loving kindness, love of mankind, charity, fostering mortal man, championing mankind, and helping people. Bremner's book covers all of these meanings in rich detail. Bremner describes the ancient world and classical attitudes toward giving and begging; Middle Ages and early modern times, emphasizing hospitals and patients and donors and attributes of charity; the eighteenth century and the age of benevolence; the nineteenth century and the growth of the concept of public relief and social policy; and a careful multiple chapter review of the twentieth century. Bremner reviews the act of giving in such comparative contexts as London, England and Kasrilevke, Russia with such figures as Thomas Carlyle, Charles Dickens, and Sholem Aleichem, as well as the more familiar wealthy industrialist/philanthropists, forming part of the narrative. The final chapters bring the story up to date, discussing the relationships of modem philanthropy and organized charity, and the uses of philanthropy in education and the arts. Bremner has an astonishing knowledge of the cultural context and the economic contents of philanthropy. As a result, this volume is intriguing as well as important history, written with lively style and wit. Whether the reader is a professional in the so-called "third stream" or "independent sector," or simply a citizen wondering just what the act of giving and the spirit of receiving is all about, 'Giving' will be compelling reading.
Publisher: Routledge
ISBN: 1351517473
Category : Social Science
Languages : en
Pages : 296
Book Description
"According to Greek mythology mankind's first benefactor was the Titan, Prometheus, who gave fire, previously the exclusive possession of the gods, to mortal man." With these words the esteemed scholar Robert Bremner presents the first full-fledged history of attitudes toward charity and philanthropy. 'Giving' is a perfect complement to his earlier work The Discovery of Poverty in the United States. The word 'philanthropy' has been translated in a variety of ways: as a loving human disposition, loving kindness, love of mankind, charity, fostering mortal man, championing mankind, and helping people. Bremner's book covers all of these meanings in rich detail. Bremner describes the ancient world and classical attitudes toward giving and begging; Middle Ages and early modern times, emphasizing hospitals and patients and donors and attributes of charity; the eighteenth century and the age of benevolence; the nineteenth century and the growth of the concept of public relief and social policy; and a careful multiple chapter review of the twentieth century. Bremner reviews the act of giving in such comparative contexts as London, England and Kasrilevke, Russia with such figures as Thomas Carlyle, Charles Dickens, and Sholem Aleichem, as well as the more familiar wealthy industrialist/philanthropists, forming part of the narrative. The final chapters bring the story up to date, discussing the relationships of modem philanthropy and organized charity, and the uses of philanthropy in education and the arts. Bremner has an astonishing knowledge of the cultural context and the economic contents of philanthropy. As a result, this volume is intriguing as well as important history, written with lively style and wit. Whether the reader is a professional in the so-called "third stream" or "independent sector," or simply a citizen wondering just what the act of giving and the spirit of receiving is all about, 'Giving' will be compelling reading.