Author: Francesco Petrarca
Publisher: Mrts
ISBN: 9780866981927
Category : Music
Languages : en
Pages : 445
Book Description
"Petrarch's Canzoniere is a body of 366 poems, mostly sonnets but including forms such as madrigals and canzoni. These wonderful poems marked the intellectual and cultural divide between the Middle Ages and the Italian Renaissance. Cook's translation, a splendid poetic work in its own right, ""elegantly combining grace and accuracy... ranks among the best."" (K.V. Gouwens, UC-Santa Barbara). The translation, says Konrad Eisenbichler, ""captures the moods, tones, and variety of Petrarch's own verse. A truly remarkable feat."" Cook addresses the deceptive simplicity of Petrarch's vocabulary, the work's cultural context rendered here as broadly modern rather than facilely archaic, and the elegance of his poetic diction. The Italian text (ed. Gianfranco Contini) is printed on facing pages."
Petrarch's Songbook
Author: Francesco Petrarca
Publisher: Mrts
ISBN: 9780866981927
Category : Music
Languages : en
Pages : 445
Book Description
"Petrarch's Canzoniere is a body of 366 poems, mostly sonnets but including forms such as madrigals and canzoni. These wonderful poems marked the intellectual and cultural divide between the Middle Ages and the Italian Renaissance. Cook's translation, a splendid poetic work in its own right, ""elegantly combining grace and accuracy... ranks among the best."" (K.V. Gouwens, UC-Santa Barbara). The translation, says Konrad Eisenbichler, ""captures the moods, tones, and variety of Petrarch's own verse. A truly remarkable feat."" Cook addresses the deceptive simplicity of Petrarch's vocabulary, the work's cultural context rendered here as broadly modern rather than facilely archaic, and the elegance of his poetic diction. The Italian text (ed. Gianfranco Contini) is printed on facing pages."
Publisher: Mrts
ISBN: 9780866981927
Category : Music
Languages : en
Pages : 445
Book Description
"Petrarch's Canzoniere is a body of 366 poems, mostly sonnets but including forms such as madrigals and canzoni. These wonderful poems marked the intellectual and cultural divide between the Middle Ages and the Italian Renaissance. Cook's translation, a splendid poetic work in its own right, ""elegantly combining grace and accuracy... ranks among the best."" (K.V. Gouwens, UC-Santa Barbara). The translation, says Konrad Eisenbichler, ""captures the moods, tones, and variety of Petrarch's own verse. A truly remarkable feat."" Cook addresses the deceptive simplicity of Petrarch's vocabulary, the work's cultural context rendered here as broadly modern rather than facilely archaic, and the elegance of his poetic diction. The Italian text (ed. Gianfranco Contini) is printed on facing pages."
Songbook
Author: Marisa Galvez
Publisher: University of Chicago Press
ISBN: 0226280519
Category : Art
Languages : en
Pages : 298
Book Description
The medieval songbook as emergent genre -- Paradigms: the Carmina Burana and the Libro de Buen Amor -- Producing opaque coherence: lyric presence and names in songbooks -- Shifting mediality: visualizing lyric texts in songbooks -- Cancioneros and the art of the songbook -- Conclusion: songbook medievalisms.
Publisher: University of Chicago Press
ISBN: 0226280519
Category : Art
Languages : en
Pages : 298
Book Description
The medieval songbook as emergent genre -- Paradigms: the Carmina Burana and the Libro de Buen Amor -- Producing opaque coherence: lyric presence and names in songbooks -- Shifting mediality: visualizing lyric texts in songbooks -- Cancioneros and the art of the songbook -- Conclusion: songbook medievalisms.
Petrarch's 'Fragmenta'
Author: Thomas E. Peterson
Publisher: University of Toronto Press
ISBN: 1487500025
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
"Building on recent Petrarch scholarship and broader studies of medieval poetics, poetic narrativity and biblical intertextuality, this study argues that Petrarch's Rerum vulgarium fragmenta is an ordered and coherent work unified by narrative and theological structures. The author begins with the premise that the multiple voices of the Petrarchan figure (or subject) call for a reading informed by historical and autobiographical considerations. Within such a reading, the internal chronology of the work coincides with a temporal framework provided by Petrarch's Latin prose and poetry. Drawing on this material, he argues that Petrarch's derivations from early poets in the Italian vernacular, his Augustineanism and his humanism are manifest in the Fragmenta and contribute to its narrative and theological unity."--
Publisher: University of Toronto Press
ISBN: 1487500025
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
"Building on recent Petrarch scholarship and broader studies of medieval poetics, poetic narrativity and biblical intertextuality, this study argues that Petrarch's Rerum vulgarium fragmenta is an ordered and coherent work unified by narrative and theological structures. The author begins with the premise that the multiple voices of the Petrarchan figure (or subject) call for a reading informed by historical and autobiographical considerations. Within such a reading, the internal chronology of the work coincides with a temporal framework provided by Petrarch's Latin prose and poetry. Drawing on this material, he argues that Petrarch's derivations from early poets in the Italian vernacular, his Augustineanism and his humanism are manifest in the Fragmenta and contribute to its narrative and theological unity."--
Petrarch in English
Author: Thomas Roche
Publisher: Penguin UK
ISBN: 014193672X
Category : Poetry
Languages : en
Pages : 377
Book Description
Franceso Petrarch (1304-1374), creator of the sonnet form, remained for more than three hundred years the most influential poet in Europe, his works more widely read than even those of Dante. This collection contains English language versions of his poems from across six centuries, in a wide variety of translations and reinterpretations. Spanning the Trionfi series and the Canzoniere - Petrarch's empassioned sonnet-sequence concerning his beloved Laura - it also includes great English poems influenced by Petrarch. From Chaucer's early adaptation of a Petrarchan sonnet in Troilus and Criseyde to the sixteenth century translations by the Earl of Surrey, Byron's mocking consideration of the Canzoniere in Don Juan and Ezra Pound's parody Silet, all provide a unique insight into the significance of the founder of the European lyric tradition.
Publisher: Penguin UK
ISBN: 014193672X
Category : Poetry
Languages : en
Pages : 377
Book Description
Franceso Petrarch (1304-1374), creator of the sonnet form, remained for more than three hundred years the most influential poet in Europe, his works more widely read than even those of Dante. This collection contains English language versions of his poems from across six centuries, in a wide variety of translations and reinterpretations. Spanning the Trionfi series and the Canzoniere - Petrarch's empassioned sonnet-sequence concerning his beloved Laura - it also includes great English poems influenced by Petrarch. From Chaucer's early adaptation of a Petrarchan sonnet in Troilus and Criseyde to the sixteenth century translations by the Earl of Surrey, Byron's mocking consideration of the Canzoniere in Don Juan and Ezra Pound's parody Silet, all provide a unique insight into the significance of the founder of the European lyric tradition.
Approaches to Teaching Petrarch's Canzoniere and the Petrarchan Tradition
Author: Christopher Kleinhenz
Publisher: Modern Language Association
ISBN: 160329175X
Category : Language Arts & Disciplines
Languages : en
Pages : 310
Book Description
One of the most important authors of the Middle Ages, Petrarch occupies a complex position: historically, he is a medieval author, but, philosophically, he heralds humanism and the Renaissance. Teachers of Petrarch's Canzoniere and his formative influence on the canon of Western European poetry face particular challenges. Petrarch's poetic style brings together the classical tradition, Christianity, an exalted sense of poetic vocation, and an obsessive love for Laura during her life and after her death in ways that can seem at once very strange and--because of his style's immense influence--very familiar to students. This volume aims to meet the varied needs of instructors, whether they teach Petrarch in Italian or in translation, in surveys or in specialized courses, by providing a wealth of pedagogical approaches to Petrarch and his legacy. Part 1, "Materials," reviews the extensive bibliography on Petrarch and Petrarchism, covering editions and translations of the Canzoniere, secondary works, and music and other audiovisual and electronic resources. Part 2, "Approaches," opens with essays on teaching the Canzoniere and continues with essays on teaching the Petrarchan tradition. Some contributors use the design and structure of the Canzoniere as entryways into the work; others approach it through discussion of Petrarch's literary influences and subject matter or through the context of medieval Christianity and culture. The essays on Petrarchism map the poet's influence on the Italian lyric tradition as well as on other national literatures, including Spanish, French, English, and Russian.
Publisher: Modern Language Association
ISBN: 160329175X
Category : Language Arts & Disciplines
Languages : en
Pages : 310
Book Description
One of the most important authors of the Middle Ages, Petrarch occupies a complex position: historically, he is a medieval author, but, philosophically, he heralds humanism and the Renaissance. Teachers of Petrarch's Canzoniere and his formative influence on the canon of Western European poetry face particular challenges. Petrarch's poetic style brings together the classical tradition, Christianity, an exalted sense of poetic vocation, and an obsessive love for Laura during her life and after her death in ways that can seem at once very strange and--because of his style's immense influence--very familiar to students. This volume aims to meet the varied needs of instructors, whether they teach Petrarch in Italian or in translation, in surveys or in specialized courses, by providing a wealth of pedagogical approaches to Petrarch and his legacy. Part 1, "Materials," reviews the extensive bibliography on Petrarch and Petrarchism, covering editions and translations of the Canzoniere, secondary works, and music and other audiovisual and electronic resources. Part 2, "Approaches," opens with essays on teaching the Canzoniere and continues with essays on teaching the Petrarchan tradition. Some contributors use the design and structure of the Canzoniere as entryways into the work; others approach it through discussion of Petrarch's literary influences and subject matter or through the context of medieval Christianity and culture. The essays on Petrarchism map the poet's influence on the Italian lyric tradition as well as on other national literatures, including Spanish, French, English, and Russian.
The Poetry of Petrarch
Author: Petrarch
Publisher: Farrar, Straus and Giroux
ISBN: 1466872896
Category : Poetry
Languages : en
Pages : 324
Book Description
Ineffable sweetness, bold, uncanny sweetness that came to my eyes from her lovely face; from that day on I'd willingly have closed them, never to gaze again at lesser beauties. --from Sonnet 116 Petrarch was born in Tuscany and grew up in the south of France. He lived his life in the service of the church, traveled widely, and during his lifetime was a revered, model man of letters. Petrarch's greatest gift to posterity was his Rime in vita e morta di Madonna Laura, the cycle of poems popularly known as his songbook. By turns full of wit, languor, and fawning, endlessly inventive, in a tightly composed yet ornate form they record their speaker's unrequited obsession with the woman named Laura. In the centuries after it was designed, the "Petrarchan sonnet," as it would be known, inspired the greatest love poets of the English language--from the times of Spenser and Shakespeare to our own. David Young's fresh, idiomatic version of Petrarch's poetry is the most readable and approachable that we have. In his skillful hands, Petrarch almost sounds like a poet out of our own tradition bringing the wheel of influence full circle.
Publisher: Farrar, Straus and Giroux
ISBN: 1466872896
Category : Poetry
Languages : en
Pages : 324
Book Description
Ineffable sweetness, bold, uncanny sweetness that came to my eyes from her lovely face; from that day on I'd willingly have closed them, never to gaze again at lesser beauties. --from Sonnet 116 Petrarch was born in Tuscany and grew up in the south of France. He lived his life in the service of the church, traveled widely, and during his lifetime was a revered, model man of letters. Petrarch's greatest gift to posterity was his Rime in vita e morta di Madonna Laura, the cycle of poems popularly known as his songbook. By turns full of wit, languor, and fawning, endlessly inventive, in a tightly composed yet ornate form they record their speaker's unrequited obsession with the woman named Laura. In the centuries after it was designed, the "Petrarchan sonnet," as it would be known, inspired the greatest love poets of the English language--from the times of Spenser and Shakespeare to our own. David Young's fresh, idiomatic version of Petrarch's poetry is the most readable and approachable that we have. In his skillful hands, Petrarch almost sounds like a poet out of our own tradition bringing the wheel of influence full circle.
Petrarch and the Textual Origins of Interpretation
Author: Teodolinda Barolini
Publisher: BRILL
ISBN: 9047422880
Category : History
Languages : en
Pages : 280
Book Description
This volume addresses one of the most far-reaching aspects of Petrarch research and interpretation: the essential interplay between Petrarch’s texts and their material preparation and reception. The essays look at various facets of the interaction between Petrarchan philology and hermeneutics, working from the premise that in Petrarch’s work philological issues are so authorially driven that we cannot in fact read or interpret him without understanding the relevant philological issues and reapplying them in our critical approach to his works. To read and interpret Petrarch we must come to grips with the fundamentals of Petrarchan philology. This volume aims to show how a Petrarchan hermeneutics must be based on an understanding of Petrarchan philology.
Publisher: BRILL
ISBN: 9047422880
Category : History
Languages : en
Pages : 280
Book Description
This volume addresses one of the most far-reaching aspects of Petrarch research and interpretation: the essential interplay between Petrarch’s texts and their material preparation and reception. The essays look at various facets of the interaction between Petrarchan philology and hermeneutics, working from the premise that in Petrarch’s work philological issues are so authorially driven that we cannot in fact read or interpret him without understanding the relevant philological issues and reapplying them in our critical approach to his works. To read and interpret Petrarch we must come to grips with the fundamentals of Petrarchan philology. This volume aims to show how a Petrarchan hermeneutics must be based on an understanding of Petrarchan philology.
The Pleasant Nights - Volume 1
Author: Don Beecher
Publisher: University of Toronto Press
ISBN: 1442699523
Category : Literary Criticism
Languages : en
Pages : 777
Book Description
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for ‘mature readers’ and seventeen proto-fairy tales. Nearly all of these stories, including classics such as ‘Puss in Boots,’ made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years. This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text. As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories. Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher’s academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.
Publisher: University of Toronto Press
ISBN: 1442699523
Category : Literary Criticism
Languages : en
Pages : 777
Book Description
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for ‘mature readers’ and seventeen proto-fairy tales. Nearly all of these stories, including classics such as ‘Puss in Boots,’ made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years. This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text. As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories. Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher’s academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.
Nothingness, Negativity, and Nominalism in Shakespeare and Petrarch
Author: Benjamin Boysen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110691779
Category : Literary Criticism
Languages : en
Pages : 196
Book Description
Being exposed to the Nominalist expansion in early modernity, Petrarch and Shakespeare are highly preoccupied with a Nominalist dimension of language and representation. Against this background, the study shows how these Renaissance poets advanced a special notion of subjectivity and identity as rooted in negativity, otherness, and representation. The book thus argues for a new understanding of negative modes of subjectivity in Petrarch and Shakespeare. A new and sharpened understanding emerging from an interpretation of Francesco Petrarch’s notion of exile and of love in his great poetical cycle Rerum vulgarium fragmenta as well as a meticulous examination of the concept of nothingness in William Shakespeare’s works. Petrarch and Shakespeare poetically show how identity is alien and decentred – yet also free and expanding. In other words, these poets illustrate how subjectivity is constituted by heterogeneity. Moreover, pointing to other examples of this negative subjectivity in Renaissance philosophy and poetry, the study suggests that these models for subjectivity could be extended to other early modern writers.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110691779
Category : Literary Criticism
Languages : en
Pages : 196
Book Description
Being exposed to the Nominalist expansion in early modernity, Petrarch and Shakespeare are highly preoccupied with a Nominalist dimension of language and representation. Against this background, the study shows how these Renaissance poets advanced a special notion of subjectivity and identity as rooted in negativity, otherness, and representation. The book thus argues for a new understanding of negative modes of subjectivity in Petrarch and Shakespeare. A new and sharpened understanding emerging from an interpretation of Francesco Petrarch’s notion of exile and of love in his great poetical cycle Rerum vulgarium fragmenta as well as a meticulous examination of the concept of nothingness in William Shakespeare’s works. Petrarch and Shakespeare poetically show how identity is alien and decentred – yet also free and expanding. In other words, these poets illustrate how subjectivity is constituted by heterogeneity. Moreover, pointing to other examples of this negative subjectivity in Renaissance philosophy and poetry, the study suggests that these models for subjectivity could be extended to other early modern writers.
Medieval Italy
Author: Christopher Kleinhenz
Publisher: Routledge
ISBN: 1135948801
Category : History
Languages : en
Pages : 1321
Book Description
This Encyclopedia gathers together the most recent scholarship on Medieval Italy, while offering a sweeping view of all aspects of life in Italy during the Middle Ages. This two volume, illustrated, A-Z reference is a cross-disciplinary resource for information on literature, history, the arts, science, philosophy, and religion in Italy between A.D. 450 and 1375. For more information including the introduction, a full list of entries and contributors, a generous selection of sample pages, and more, visit the Medieval Italy: An Encyclopedia website.
Publisher: Routledge
ISBN: 1135948801
Category : History
Languages : en
Pages : 1321
Book Description
This Encyclopedia gathers together the most recent scholarship on Medieval Italy, while offering a sweeping view of all aspects of life in Italy during the Middle Ages. This two volume, illustrated, A-Z reference is a cross-disciplinary resource for information on literature, history, the arts, science, philosophy, and religion in Italy between A.D. 450 and 1375. For more information including the introduction, a full list of entries and contributors, a generous selection of sample pages, and more, visit the Medieval Italy: An Encyclopedia website.