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Author: Gary D. Rhodes
Publisher: A&C Black
ISBN: 144113610X
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Recaptures the lost history of the physical and moral perils that faced audiences at American movie theatres during the first fifty years of the cinema.
Author: Gary D. Rhodes
Publisher: A&C Black
ISBN: 144113610X
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Recaptures the lost history of the physical and moral perils that faced audiences at American movie theatres during the first fifty years of the cinema.
Author: Gary Don Rhodes
Publisher:
ISBN: 9781628929003
Category : Motion picture audiences
Languages : en
Pages : 383
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Book Description
During the first fifty years of the American cinema, the act of going to the movies was a risky process, fraught with a number of possible physical and moral dangers. Film fires were rampant, claiming many lives, as were movie theatre robberies, which became particularly common during the Great Depression. Labor disputes provoked a large number of movie theatre bombings, while low-level criminals like murderers, molesters, and prostitutes plied their trades in the darkened auditoriums. That was all in addition to the spread of disease, both real (as in the case of influenza) and imagined (""mo.
Author: Caetlin Benson-Allott
Publisher: University of California Press
ISBN: 0520300416
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.
Author: Sean T. Posey
Publisher: Arcadia Publishing
ISBN: 143966210X
Category : History
Languages : en
Pages : 160
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Book Description
Historic Theaters of Youngstown and the Mahoning Valley traces the evolution of modern cinema through the rich local history of the Mahoning Valley. From the days of the gaslit opera houses through the era of the drive-in, the Mahoning Valley's theatrical culture has thrived. The finest theaters in northeastern Ohio rose with the manufacturing might of the Steel Valley. The Warner brothers, who started their careers in Youngstown, opened their first theater in New Castle, Pennsylvania, and celebrities from Katharine Hepburn to Red Skelton graced local stages. The finest vaudevillians and the lovely ladies of burlesque were always a ticket away. Take a trip back to the Park Burlesque and the opulent Palace Theater and revisit the theater culture of Warren and Trumbull County. Author Sean T. Posey traces the evolution of modern cinema through the rich local history of the Mahoning Valley.
Author: Patrick Ellis
Publisher: Univ of California Press
ISBN: 0520355490
Category : History
Languages : en
Pages : 192
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Book Description
Introduction : spotting the spot -- The panoramic altitude -- The panstereorama -- Vertigo effects -- Observation rides -- The aeroplane gaze -- Conclusion : first flights.
Author: Gary D. Rhodes
Publisher: Wayne State University Press
ISBN: 0814334628
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Explores American Joseph H. Lewis's eclectic career, including his best-known film, Gun Crazy. Joseph H. Lewis enjoyed a monumental career in many genres, including film noir and B-movies (with the East Side Kids) as well as an extensive and often overlooked TV career. In The Films of Joseph H. Lewis, editor Gary D. Rhodes, PhD. gathers notable scholars from around the globe to examine the full range of Lewis's career. While some studies analyze Lewis's work in different areas, others focus on particular films, ranging from poverty row fare to westerns and "television films." Overall, this collection offers fresh perspectives on Lewis as an auteur, a director responsible for individually unique works as well as a sustained and coherent style. Essays in part 1 investigate the texts and contexts that were important to Lewis's film and television career, as contributors explore his innovative visual style and themes in both mediums. Contributors to part 2 present an array of essays on specific films, including Lewis's remarkable and prescient Invisible Ghost and other notable films My Name Is Julia Ross, So Dark the Night, and The Big Combo. Part 3 presents an extended case study of Lewis's most famous and-arguably-most important work, Gun Crazy. Contributors take three distinct approaches to the film: in the context of its genre as film noir and modernist and postmodernist film; in its relationship to masculinity and masochism; and in terms of ethos and ethics. The Films of Joseph H. Lewis offers a thorough assessment of Lewis's career and also provides insight into film and television making in the 1930s, 40s, and 50s. Scholars of film and television studies and fans of Lewis's work will appreciate this comprehensive collection.
Author: Robert Guffrey
Publisher: Start Publishing LLC
ISBN: 1597806218
Category : Fiction
Languages : en
Pages : 298
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Book Description
What happens when all humor is wiped off the face of the Earth? Around the world, an unusual viral plague is striking the population. The virus attacks only one particular section of the brain. It isn’t fatal, but it results in the victim’s sense of humor being obliterated. No one is immune. Elliot Greeley, a young stand-up comedian starving his way through alternative comedy clubs in Los Angeles, isn’t even certain the virus is real at first. But as the pandemic begins to eat away at the very heart of civilization itself, the virus affects Elliot and his close knit group of comedian friends in increasingly personal ways. What would you consider the end of the world? Until the Last Dog Dies is a sharp, cutting satire, both a clever twist on apocalyptic fiction and a poignant look at the things that make us human.
Author: Brill Olaf Brill
Publisher: Edinburgh University Press
ISBN: 1474411193
Category : Performing Arts
Languages : en
Pages : 424
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Book Description
One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.
Author: Gavin Mueller
Publisher: Verso Books
ISBN: 1786636778
Category : Political Science
Languages : en
Pages : 177
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Book Description
An exhilarating challenge to the way we think about work, technology, progress, and what we want from the future In the 19th century, English textile workers responded to the introduction of new tecnologies on the factory floor by smashing them to bits. For years 'the Luddites' roamed the English countryside, practicing drills and maneuvers that they would later deploy on unassuming machines. The movement has been derided by scholars as a backwards-looking and ultimately ineffectual effort to stem the march of history; for Gavin Mueller, the movement gets at the heart of of the antagonistic relationship between workers - all workers, including us today - and the so-called progressive gains secured by new technologies. The luddites weren't primitive or even anachronistic - they are still a force, however unconsciously, in the workplaces of the 21st century world. Breaking Things at Work is an innovative rethinking of labor and machines, leaping from textile mills to algorithms, from existentially threatened knife cutters of rural Germany to surveillance evading truckers driving across the continental United States. Mueller argues that the future stability and empowerment of working class movements will depend on subverting these technologies and preventing their spread wherever possible. The task is high, but the seeds of this resistance are already present in the Neo-Luddite efforts of hackers, pirates, and dark web users who are challenging surveillance and control, often through older systems of communication technology.
Author: Guy Barefoot
Publisher: Bloomsbury Publishing USA
ISBN: 1501365908
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.
