Performance, Theatre, and Society in Contemporary Nicaragua PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Performance, Theatre, and Society in Contemporary Nicaragua PDF full book. Access full book title Performance, Theatre, and Society in Contemporary Nicaragua by Alberto Guevara. Download full books in PDF and EPUB format.
Author: Alberto Guevara
Publisher:
ISBN: 9781604978612
Category : Performing Arts
Languages : en
Pages : 184
Get Book Here
Book Description
Since coming to power in 2007, the Sandinista Front of National Liberation (FSLN) has proclaimed itself the "government of the poor" and the "government of peace and reconciliation." Accordingly, the regime has endeavoured to control and manipulate the symbols, social images, important spaces, and situations of popular struggles for social justice in the country. Under the watch of Daniel Ortega's administration, Nicaragua has become a country where an extraordinary effort is put into social spectacles, propaganda, and theatricality to create the impression of social and economic transformation. While the current regime orchestrates impressive social performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. These mine the gap between experiences and promises in today's Nicaragua. The exhibit of suffering bodies in public national spaces as political weapons by pesticide victims, as well as a transvestite circus spectacle in Managua redefine spaces and states of "invisibility" and "visibility" by articulating social positions through performance. The bodies of these Nicaraguans--refusing to be invisible--show Nicaragua's ongoing social drama of a predominant social power relation of inclusion and exclusion within a narrative intersected by political power, marginality and theatricality. As spectacularized bodies, they become avenues for showing processes of structural violence. Although there has been some excellent academic research focusing on performance or/and theatre in Nicaragua, such scholarship seldom attends to the very important connections between daily staged public social acts and local, national/global politics that deal directly and indirectly with marginalized social/cultural landscapes in this country. This book fills the gap by examining the connections between Nicaragua's marginalized landscapes and bodies, between social/political visibility and invisibility, and the relationship between social abandonment and social encompassment in the nation. This is an important book for performance studies, social cultural anthropology, theatre studies and Latin American studies. This book is in the Cambria Contemporary Global Performing Arts Series (general editor: John Clum, Duke University) and includes rare images.
Author: Alberto Guevara
Publisher:
ISBN: 9781604978612
Category : Performing Arts
Languages : en
Pages : 184
Get Book Here
Book Description
Since coming to power in 2007, the Sandinista Front of National Liberation (FSLN) has proclaimed itself the "government of the poor" and the "government of peace and reconciliation." Accordingly, the regime has endeavoured to control and manipulate the symbols, social images, important spaces, and situations of popular struggles for social justice in the country. Under the watch of Daniel Ortega's administration, Nicaragua has become a country where an extraordinary effort is put into social spectacles, propaganda, and theatricality to create the impression of social and economic transformation. While the current regime orchestrates impressive social performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. These mine the gap between experiences and promises in today's Nicaragua. The exhibit of suffering bodies in public national spaces as political weapons by pesticide victims, as well as a transvestite circus spectacle in Managua redefine spaces and states of "invisibility" and "visibility" by articulating social positions through performance. The bodies of these Nicaraguans--refusing to be invisible--show Nicaragua's ongoing social drama of a predominant social power relation of inclusion and exclusion within a narrative intersected by political power, marginality and theatricality. As spectacularized bodies, they become avenues for showing processes of structural violence. Although there has been some excellent academic research focusing on performance or/and theatre in Nicaragua, such scholarship seldom attends to the very important connections between daily staged public social acts and local, national/global politics that deal directly and indirectly with marginalized social/cultural landscapes in this country. This book fills the gap by examining the connections between Nicaragua's marginalized landscapes and bodies, between social/political visibility and invisibility, and the relationship between social abandonment and social encompassment in the nation. This is an important book for performance studies, social cultural anthropology, theatre studies and Latin American studies. This book is in the Cambria Contemporary Global Performing Arts Series (general editor: John Clum, Duke University) and includes rare images.
Author:
Publisher:
ISBN: 9781624998157
Category : Theater
Languages : en
Pages :
Get Book Here
Book Description
Author: Alberto Guevara
Publisher: Cambridge Scholars Publishing
ISBN: 1527578801
Category : Performing Arts
Languages : en
Pages : 150
Get Book Here
Book Description
This book examines the critical connection between revolts and revolutions to larger notions of social and cultural performances in Nicaraguan social, cultural and political life. To understand social relations in Nicaragua today, it is crucial to look at those highly theatricalized and rhetorical performances of power and resistance that have spanned specific national spaces for centuries. The book looks, therefore, at the history of Nicaragua from the colonial period to the Sandinista Revolution to frame contingent and temporal social and cultural processes that have become heightened and revealing of the social relations in revolution. The contemporary staging of the ancient El Gueguense play, for instance, illustrates a social space that reveals contemporary issues of oppression and power. Tapping into the spirit of self-consciousness, reflexivity, and narrational disruptions, the book uses the conventions of theatre such as audience and actor relations to make available to readers the theatrical intimacy of interlocutors and researcher.
Author: Arthur Holmberg
Publisher: Routledge
ISBN: 1136118365
Category : Performing Arts
Languages : en
Pages : 640
Get Book Here
Book Description
The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.
Author: Randy Martin
Publisher: U of Minnesota Press
ISBN: 9780816624805
Category : Drama
Languages : en
Pages : 368
Get Book Here
Book Description
Most discussions of socialist development within nation-states focus exclusively on the state, leaving civil society out of the picture. By looking into the realm of theater in two socialist countries, the author broadens this view.
Author: Don Rubin
Publisher: Routledge
ISBN: 1136359281
Category : Performing Arts
Languages : en
Pages : 644
Get Book Here
Book Description
This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.
Author: Patrice Pavis
Publisher: Psychology Press
ISBN: 9780415081542
Category : Intercultural communication
Languages : en
Pages : 284
Get Book Here
Book Description
Views on intercultural exchanges within theatre practice from contributors including: Peter Brook, Clive Barker, Jacques Lecoq and Rustom Bharucha.
Author: Kirsten E. Shepherd-Barr
Publisher: Columbia University Press
ISBN: 0231538928
Category : Performing Arts
Languages : en
Pages : 397
Get Book Here
Book Description
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Author: Nadine George-Graves
Publisher: Oxford University Press
ISBN: 0190273275
Category : Music
Languages : en
Pages : 1056
Get Book Here
Book Description
The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning.
Author: Kathleen O'Quinn-Havens
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 280
Get Book Here
Book Description
